Residentie Orkest The Hague & Jan Willem de Vriend - Schubert: The Complete Symphonies Vol. 1 & 2 (2018-2019)
WEB FLAC (tracks) - 557 Mb | MP3 CBR 320 kbps - 300 Mb | 02:10:39
Classical | Label: Challenge Classics
WEB FLAC (tracks) - 557 Mb | MP3 CBR 320 kbps - 300 Mb | 02:10:39
Classical | Label: Challenge Classics
Schubert composed his first five symphonies while still a teenager, but they represent just one facet of his prodigious fluency. At this time some of his musical ideas bear a family resemblance to certain themes from Mozart, Haydn and Beethoven, but already his own musical character is evident. He began his Second Symphony in December 1814 and had finished it by 24th March the following year.Tracklist:
He completed the Fourth Symphony in about three to four weeks during April 1816. We should not read too much into the Fourth Symphony’s “Tragic” appendage, added by Schubert as an afterthought. It may be merely an example of the flippant comments which he wrote on some of his youthful scores, but nevertheless the symphony has more gravitas than its predecessors. Schubert also includes a second pair of horns to enrich the texture. Actually, this is the only piece of non-programmatic music to which he gave a descriptive title.
While offering little suggestion of the symphonic mastery he would attain less than a decade later, the First Symphony, influenced by Mozart's last symphonies and completed in October 1813, is a remarkable achievement. Schubert composed his Third Symphony over a period of about two months, completing the work in July 1815. The Third Symphony is generally characterised by an increased rhythmic intensity, at times bordering on obsession. We may well think of Schubert primarily as a wonderful melodist, but driving, sometimes overpowering rhythm is just as strong a feature of many of his greatest works. The question of why Schubert left this B minor symphony unfinished has continued to exercise scholars. The most convincing explanation is that he simply found himself unable to continue on the same exalted level and resigned himself to leaving the symphony as it was ? two movements of breath-taking quality and imagination. There is no evidence that he ever wished, in his remaining six years, to return to the work, or that he regarded it as "unfinished". Beethoven's influence on the historic development of the symphony was staggering. His own examples, widening the expressive range of the genre, opened up a new world. Against this background, Schubert conceived a work of much greater poetry, drama and profundity than he had attempted in his previous symphonies. Over-familiarity may well have blunted our appreciation of this symphony, which is strikingly original from almost every aspect. Apart from the concentrated, expressive quality, there is also a greatly enhanced sense of tone-colour, with much richer sonorities, and a new spaciousness.
Schubert: The Complete Symphonies Vol. 1. Symphony No. 2, D. 125 / Symphony No. 4, D. 417
1. Symphony No. 2, D. 125: I. Largo – Allegro vivace (10:40)
2. Symphony No. 2, D. 125: II. Andante (07:55)
3. Symphony No. 2, D. 125: III. Menuetto. Allegro vivace – Trio (03:00)
4. Symphony No. 2, D. 125: IV. Presto (05:54)
5. Symphony No. 4, D. 417 "Tragic": I. Adagio molto – Allegro vivace (09:39)
6. Symphony No. 4, D. 417 "Tragic": II. Andante (08:48)
7. Symphony No. 4, D. 417 "Tragic": III. Menuetto. Allegro vivace – Trio (03:20)
8. Symphony No. 4, D. 417 "Tragic": IV. Allegro (07:29)
Schubert: The Complete Symphonies Vol. 2 (Symphony No. 1, D. 82 / Symphony No. 3, D. 200 / Symphony No. 8, D. 759
1. Symphony No. 1 in D Major, D. 82: I. Adagio – Allegro vivace (11:41)
2. Symphony No. 1 in D Major, D. 82: II. Andante (05:46)
3. Symphony No. 1 in D Major, D. 82: III. Menuetto. Allegro – Trio (03:48)
4. Symphony No. 1 in D Major, D. 82: IV. Allegro vivace (05:53)
5. Symphony No. 3 in D Major, D. 200: I. Adagio maestoso – Allegro con brio (08:42)
6. Symphony No. 3 in D Major, D. 200: II. Allegretto (03:43)
7. Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace – Trio (03:38)
8. Symphony No. 3 in D Major, D. 200: IV. Presto vivace (06:20)
9. Symphony No. 8 in B Minor, D. 759: I. Allegro moderato (14:38)
10. Symphony No. 8 in B Minor, D. 759: II. Andante con moto (09:36)
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