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Ludwig van Beethoven - Deutsche Kammerphilharmonie / Paavo Järvi - Symphony No. 5 & Symphony No. 1 (2008) [Repost]

Posted By: luckburz
Ludwig van Beethoven - Deutsche Kammerphilharmonie / Paavo Järvi - Symphony No. 5 & Symphony No. 1 (2008) [Repost]

Ludwig van Beethoven - Symphony No. 5 & Symphony No. 1
The Deutsche Kammerphilharmonie Bremen · Paavo Järvi
EAC+LOG+CUE | FLAC: 235 MB | Full Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal # 88697338352 | Country/Year: Europe 2008
Genre: Classical | Style: Viennese School

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

Ludwig van Beethoven - Deutsche Kammerphilharmonie / Paavo Järvi - Symphony No. 5 & Symphony No. 1 (2008) [Repost]


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 1. October 2012, 12:44

The Deutsche Kammerphlharmonie, Järvi / Beethoven: Symphonien Nr. 5 & 1

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 6:58.00 | 0 | 31349
2 | 6:58.00 | 8:19.37 | 31350 | 68811
3 | 15:17.37 | 4:45.14 | 68812 | 90200
4 | 20:02.51 | 10:25.54 | 90201 | 137129
5 | 30:28.30 | 8:24.10 | 137130 | 174939
6 | 38:52.40 | 6:27.23 | 174940 | 203987
7 | 45:19.63 | 4:00.63 | 203988 | 222050
8 | 49:20.51 | 5:31.08 | 222051 | 246883


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Beethoven- Deutsche Kammerphlharmonie, Järvi - Symphonien Nr. 5 & 1.wav

Peak level 100.0 %
Extraction speed 7.6 X
Range quality 99.9 %
Test CRC CF2E1800
Copy CRC CF2E1800
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 9) [D2D04014] (AR v2)
Track 2 accurately ripped (confidence 9) [E4CAE5ED] (AR v2)
Track 3 accurately ripped (confidence 9) [24202F1A] (AR v2)
Track 4 accurately ripped (confidence 9) [9F3ED88D] (AR v2)
Track 5 accurately ripped (confidence 9) [2C311F77] (AR v2)
Track 6 accurately ripped (confidence 9) [C45AF77F] (AR v2)
Track 7 accurately ripped (confidence 9) [BC6FBACC] (AR v2)
Track 8 accurately ripped (confidence 9) [5FD8C708] (AR v2)

All tracks accurately ripped

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–– CUETools DB Plugin V2.1.3

[CTDB TOCID: F2.sV5.Pwo4n5.5QdKNT6X.xz94-] found, Submit result: F2.sV5.Pwo4n5.5QdKNT6X.xz94- has been confirmed
[5e6ba026] (10/11) Accurately ripped
[ba4e626e] (01/11) No match


==== Log checksum 67B288E336F591F0ACD3CB9416F10467F8D09DB80ABAB1FB677D4B78A596085C ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-11-06 21:44:14

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Deutsche Kammerphlharmonie, Järvi / Beethoven: Symphonien Nr. 5 & 1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.02 dB -19.12 dB 6:58 01-Symphonie Nr. 5 c-moll op. 67 - I. Allegro con brio
DR15 -0.87 dB -23.08 dB 8:19 02-Symphonie Nr. 5 c-moll op. 67 - II. Andante con moto
DR15 -0.08 dB -23.12 dB 4:45 03-Symphonie Nr. 5 c-moll op. 67 - III. Allegro
DR14 0.00 dB -17.85 dB 10:26 04-Symphonie Nr. 5 c-moll op. 67 - IV. Allegro
DR17 0.00 dB -21.77 dB 8:24 05-Symphonie Nr. 1 C-dur op. 21 - I. Adagio molto - Allegro con brio
DR15 -5.85 dB -26.88 dB 6:27 06-Symphonie Nr. 1 C-dur op. 21 - II. Andante cantabile con moto
DR13 -1.87 dB -21.54 dB 4:01 07-Symphonie Nr. 1 C-dur op. 21 - III. Minuetto. Allegro molto e vivace
DR15 -0.21 dB -20.79 dB 5:31 08-Symphonie Nr. 1 C-dur op. 21 - IV. Finale. Adagio - Allegro molto e vivace
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 600 kbps
Codec: FLAC
================================================================================



CD Info:

Ludwig van Beethoven - The Deutsche Kammerphilharmonie Bremen / Paavo Järvi - Symphony No. 5 & Symphony No. 1

Label: RCA
Series: Red Seal
Catalog#: 88697338352
Format: Hybrid-SACD, Album
Country: Europe
Released: 2008
Genre: Classical

Tracklist:

01. Symphony No. 3, I. Allegro con brio
02. Symphony No. 3, II. Marcia funebre. Adagio assai
03. Symphony No. 3, III. Scherzo. Allegro vivace
04. Symphony No. 3, IV. Finale. Allegro molto

05. Symphony No. 8, I. Allegro vivace e con brio
06. Symphony No. 8, II. Allegretto scherzando
07. Symphony No. 8, III. Tempo di Menuetto
08. Symphony No. 8, IV. Allegro vivace

Ludwig van Beethoven - Deutsche Kammerphilharmonie / Paavo Järvi - Symphony No. 5 & Symphony No. 1 (2008) [Repost]


There is plenty of choice amongst the rival Beethoven cycles on SACD, some of which are still in progress. Three of them explicitly use the New Beethoven Edition edited by Jonathan del Mar (Järvi, Vänska & Antonini), and this has prompted conductors to re-assess their interpretations of the symphonies. As well as correcting earlier corrupt texts, the new edition reveals Beethoven's clear but idiosyncratic practise in notating staccatos of various degree, as well as his version of the Viennese style of indicating phrasing and articulation. When carefully adopted and executed, these changes are often audible and bring a fresh "new" sound to standard Beethoven interpretations.

Paavo Järvi has played these symphonies with the Deutsche Kammerphilharmonie Bremen for several years before committing them to disc. The chamber orchestra is a self-governing and democratic band, and they worked on the Bremen Beethoven Project collaboratively, developing approaches and interpretations as a team.

Järvi strongly believes that Beethoven's metronome marks are correct, and perfectly playable with smaller orchestras, which also have the advantage of restoring the Classical balance between woodwind, brass and strings. He adopts certain HIP practices with the modern instruments - sparing vibrato for strings, older methods of brass playing, and the use of drums which are close to the military drums of Beethoven's time, hit with hard sticks. Beethoven's use of the timpani was very innovative and of vital importance in the propulsive rhythms which are so characteristic of his style. Järvi also takes the position that Beethoven's symphonies are Classical at their core, overlaid by his own interpretation of the growing Romantic movement. Järvi and the Bremen band take all this into consideration, and add their own personal touches to the bare notes, so that one often has the ear tickled by a counter-melody or special phrasing, bringing new light and life to the scores.

The Fifth Symphony comes first on this disc, and a fiery and rebellious Fifth it is. The first movement's peremptory motto erupts like a Call to Arms, and the movement only relaxes for the lyrical second subject, but with almost no change in pace. Järvi takes only 6:54 in this movement, compared to Vänska's 7:32, the latter several degrees less in tension and bite. The DKB play as if possessed; their articulation and taut ensemble work is nothing less than astonishing. Disposition of the first and second violins to left and right give full rein to Beethoven's many antiphonal effects. The 46-strong orchestra (triple winds) produce a dynamic range and depth of tone which is deeply satisfying, but with a transparency of internal balancing which opens up the orchestration in a way that is seldom heard. Beethoven's tympani parts are realised magnificently, reinforcing the rhythms and storming the bastions as rarely before.

The Finale is launched with a great blaze of joy and light, run at Beethoven's metronome mark which engenders playing of such virtuosic energy that any audience would be on its feet as the last C major chord sounds. This is a Fifth which compares well with the best, and the DKB's athletic playing even outdoes the VPO on Kleiber's remarkable performance from the 70's. Vänska too is very good, but his larger-scaled Fifth is more majestic than rebelliously driven.

With an appropriately smaller orchestra, Järvi's classical view of the First Symphony provides a real gem of a reading; an expansive opening followed by an exuberant and dance-like first movement which positively sparkles. At Beethoven's required speed, the Andante cantabile skips along blithely into a rude menuet/scherzo of boundless nervous energy, and the symphony is capped by a finale which, having coyly exposed its scale-theme bit by bit, scampers off in fast staccato to do joyful mischief. Orchestra and conductor are clearly having real fun, and this First is an absolute winner.

Polyhymnia's recording is as fine as one would expect from this experienced company; closer than usual, with superb spatial definition of instruments and an open acoustic, all the better in multi-channel.

Unless you are wedded to Furtwängler and his Romantic view of Beethoven (including heavily doctored re-scoring and alteration of dynamics), do audition this wonderful disc.
Ludwig van Beethoven - Deutsche Kammerphilharmonie / Paavo Järvi - Symphony No. 5 & Symphony No. 1 (2008) [Repost]
Copyright © 2009 John Miller and SA-CD.net

The previous uploads of this cycle:

Ludwig van Beethoven - Kammerphilharmonie Bremen / Paavo Järvi - Symphony No. 6 & Symphony No. 2 (2006)
Ludwig van Beethoven - Kammerphilharmonie Bremen / Paavo Järvi - Symphony No. 4 & Symphony No. 7 (2007)
Ludwig van Beethoven - Kammerphilharmonie Bremen / Paavo Järvi - Symphony No. 3 "Eroica" & Symphony No. 8 (2009)

Ludwig van Beethoven - Deutsche Kammerphilharmonie / Paavo Järvi - Symphony No. 5 & Symphony No. 1 (2008) [Repost]

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