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Manuel Blasco de Nebra - Sonatas & Pastorelas - Carole Cerasi (2003) {Metronome MET CD 1064}

Posted By: ruskaval
Manuel Blasco de Nebra - Sonatas & Pastorelas - Carole Cerasi (2003) {Metronome MET CD 1064}

Manuel Blasco de Nebra - Sonatas & Pastorelas - Carole Cerasi (2003) {Metronome MET CD 1064}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 407 Mb | MP3 @320 -> 183 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 2003 Metronome Recordings | MET CD 1064
Classical / 18th Century / Period Instruments / Fortepiano / Harpsichord

Manuel Orlandi Blasco de Nebra figures among the most talented musicians of the 18th century Spain. He studied in Seville and in Madrid. Son and apprentice of José Blasco de Nebra, the organist of the Seville Cathedral since 1735, he composed over 170 works for keyboard instruments, about 30 of which are still in existence.

As well as his talent for playing the organ, the fortepiano and the harpsichord, Manuel Blasco de Nebra’s excellent prima vista (or sight-reading: the ability to perform a piece of music upon reading it for the first time) was well-renowned. Heir to Domenico Scarlatti in many respects, Manuel Blasco de Nebra was a creative genius whose life was too short – he died aged 34 – to get the recognition that he deserved; his compositions have since his lifetime been overshadowed by the reputation of Domenico Scarlatti.

Although the influence of Scarlatti is unmistakable, Manuel Blasco de Nebra’s work is more relaxing and gently optimistic. The tension is released into longer themes and elaborate convolutions. The pastorelas must be played with unexpected rhythm changes and the sonatas move from a slow, rangy movement to another, faster and much more complex.

Carole Cerasi understands this and reveals Manuel Orlandi Blasco de Nebra’s compositions with panache and obvious affection. She plays on two 18th century instruments from the Finchcocks Collection, an Austrian fortepiano and a strong-boned Portuguese harpsichord. Carole Cerasi has the talent and the virtuosity to play any repertoire and the generosity to introduce the world to little-known gems such as these Sonatas & Pastorelas.

"Both instruments have real presence and character, as does Cerasi’s playing, which is as crisp and well thought-out as ever, and dashingly virtuosic in those frantic finales. New recordings from this musician are always worth waiting for; let us hope we will hear her before too long in more mainstream harpsichord repertoire."
(Lindsay Kemp in Gramophone)

"Cerasi expertly showed off the virtuosic mastery of the Spanish idiom."
(Early Music Today)

gramophone.co.uk INFO

Musicians

Carole Cerasi
- harpsichord by Joachim Jozé Antunes, Lisboa, 1785
- fortepiano by Sebastian Lengerer, Kufstien, 1793

Works on This Recording

01 Pastorela I in G - Adagio
02 Pastorela in G - Pastorela
03 Pastorela in G - Minuet
04 Sonata III in D - Adagio
05 Sonata III in D - Allegro
06 Sonata V in d - Adagio
07 Sonata V in d - Allegro
08 Sonata Op1 No5 in fsharp - Adagio
09 Sonata Op1 No5 in fsharp - Presto
10 Pastorela IV in b - Adagio
11 Pastorela IV in b - Pastorela
12 Pastorela IV in b - Minuet
13 Sonata Op1 No1 in c - Adagio
14 Sonata Op1 No1 in c - Allegro
15 Sonata VI in c - Allegro
16 Sonata Op1 No2 in B flat - Adagio
17 Sonata Op1 No2 in B flat - Allegro
18 Pastorela VI in e - Adagio
19 Pastorela VI in e - Pastorela
20 Pastorela VI in e - Minuet

X Lossless Decoder version 20181019 (151.1)

XLD extraction logfile from 2018-12-26 08:59:53 +0100

Carole Cerasi / Blasco de Nebra - Sonatas & Pastorelas

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Manuel Blasco de Nebra - Sonatas & Pastorelas - Carole Cerasi (2003) {Metronome MET CD 1064}

Manuel Blasco de Nebra - Sonatas & Pastorelas - Carole Cerasi (2003) {Metronome MET CD 1064}



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