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Max Reger - Norrköping SO, Segerstam - Orchestral Works (2013, BIS # BIS-CD-9047)

Posted By: luckburz
Max Reger - Norrköping SO, Segerstam - Orchestral Works (2013, BIS # BIS-CD-9047)

Max Reger - Orchestral Works
Norrköping Symphony Orchestra / Leif Segerstam
3xCD | EAC+LOG+CUE | FLAC: 731 MB | Artwork | 5% Recovery Info
Label/Cat#: BIS # BIS-CD-9047 | Country/Year: Sweden 2013
Genre: Classical | Style: Late Romantic, Early 20th Century

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [ ] not my rip [X]

Max Reger - Norrköping SO, Segerstam - Orchestral Works (2013, BIS # BIS-CD-9047)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 16. December 2014, 0:29

Norrkoping Symphony Orchestra, Leif Segerstam / Reger - Orchestral Works - CD1

Used drive : HL-DT-STDVDRAM GU70N Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:28.42 | 0 | 11141
2 | 2:28.42 | 2:25.73 | 11142 | 22089
3 | 4:54.40 | 1:53.07 | 22090 | 30571
4 | 6:47.47 | 1:23.13 | 30572 | 36809
5 | 8:10.60 | 0:50.00 | 36810 | 40559
6 | 9:00.60 | 1:37.27 | 40560 | 47861
7 | 10:38.12 | 2:21.68 | 47862 | 58504
8 | 13:00.05 | 2:22.50 | 58505 | 69204
9 | 15:22.55 | 7:19.27 | 69205 | 102156
10 | 22:42.07 | 9:28.38 | 102157 | 144794
11 | 32:10.45 | 32:44.47 | 144795 | 292141


Range status and errors

Selected range

Filename C:\temp\BIS-CD-9047 - Reger - Orchestral Works\CD1\Reger - Orchestral Works - CD1.wav

Peak level 100.0 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC C9744AE5
Copy CRC C9744AE5
Copy OK

No errors occurred


AccurateRip summary

Track 1 cannot be verified as accurate (confidence 2) [48496E27], AccurateRip returned [B958E65B] (AR v2)
Track 2 cannot be verified as accurate (confidence 2) [E07C8C94], AccurateRip returned [F2B44785] (AR v2)
Track 3 cannot be verified as accurate (confidence 2) [5DC04A83], AccurateRip returned [2EE5C261] (AR v2)
Track 4 cannot be verified as accurate (confidence 2) [30A58763], AccurateRip returned [DFC47F77] (AR v2)
Track 5 cannot be verified as accurate (confidence 2) [CC616180], AccurateRip returned [ADE0C70C] (AR v2)
Track 6 cannot be verified as accurate (confidence 2) [A4584D10], AccurateRip returned [993615F9] (AR v2)
Track 7 cannot be verified as accurate (confidence 2) [5F266417], AccurateRip returned [4601EF23] (AR v2)
Track 8 cannot be verified as accurate (confidence 2) [2F1599AD], AccurateRip returned [2D3182B3] (AR v2)
Track 9 cannot be verified as accurate (confidence 2) [98182D58], AccurateRip returned [BE453BC8] (AR v2)
Track 10 cannot be verified as accurate (confidence 2) [4CF817FF], AccurateRip returned [DA724680] (AR v2)
Track 11 cannot be verified as accurate (confidence 2) [C8DE0A1B], AccurateRip returned [DE0FA99D] (AR v2)

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum AE1A05A0AA063BC1F7E7389143EC8095F6A59AEDFA572E9EBF0E7214B11FE4CE ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 16. December 2014, 1:42

Norrkoping Symphony Orchestra, Leif Segerstam / Reger - Orchestral Works - CD2

Used drive : HL-DT-STDVDRAM GU70N Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 20:47.00 | 0 | 93524
2 | 20:47.00 | 12:24.00 | 93525 | 149324
3 | 33:11.00 | 11:01.00 | 149325 | 198899
4 | 44:12.00 | 6:15.00 | 198900 | 227024
5 | 50:27.00 | 8:41.00 | 227025 | 266099
6 | 59:08.00 | 7:58.00 | 266100 | 301949


Range status and errors

Selected range

Filename C:\temp\BIS-CD-9047 - Reger - Orchestral Works\CD2\Reger - Orchestral Works - CD2.wav

Peak level 97.1 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC 44EA994E
Copy CRC 44EA994E
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 1) [250AB96B] (AR v2)
Track 2 accurately ripped (confidence 1) [ED08C5EC] (AR v2)
Track 3 accurately ripped (confidence 1) [21F13481] (AR v2)
Track 4 accurately ripped (confidence 2) [AF409AF3] (AR v2)
Track 5 accurately ripped (confidence 2) [618A9FE2] (AR v2)
Track 6 accurately ripped (confidence 2) [D5D3745F] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 5CA9EA9A5080BE99C86B9D272FE6E1893E21C8D3A2FCBE4BE2D8C6EC89F70DD2 ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 16. December 2014, 8:59

Norrkoping Symphony Orchestra, Leif Segerstam / Reger - Orchestral Works - CD3

Used drive : HL-DT-STDVDRAM GU70N Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:40.42 | 0 | 7541
2 | 1:40.42 | 1:53.43 | 7542 | 16059
3 | 3:34.10 | 1:20.47 | 16060 | 22106
4 | 4:54.57 | 2:12.30 | 22107 | 32036
5 | 7:07.12 | 0:51.73 | 32037 | 35934
6 | 7:59.10 | 2:43.02 | 35935 | 48161
7 | 10:42.12 | 1:28.70 | 48162 | 54831
8 | 12:11.07 | 1:26.45 | 54832 | 61326
9 | 13:37.52 | 2:06.25 | 61327 | 70801
10 | 15:44.02 | 5:53.73 | 70802 | 97349
11 | 21:38.00 | 3:31.00 | 97350 | 113174
12 | 25:09.00 | 3:33.00 | 113175 | 129149
13 | 28:42.00 | 2:38.00 | 129150 | 140999
14 | 31:20.00 | 3:35.00 | 141000 | 157124
15 | 34:55.00 | 2:54.40 | 157125 | 170214
16 | 37:49.40 | 3:09.35 | 170215 | 184424
17 | 40:59.00 | 11:15.00 | 184425 | 235049
18 | 52:14.00 | 4:29.00 | 235050 | 255224
19 | 56:43.00 | 10:13.00 | 255225 | 301199
20 | 66:56.00 | 4:56.00 | 301200 | 323399


Range status and errors

Selected range

Filename C:\temp\BIS-CD-9047 - Reger - Orchestral Works\CD3\Reger - Orchestral Works - CD3.wav

Peak level 100.0 %
Extraction speed 2.3 X
Range quality 99.9 %
Test CRC 4BB38FCC
Copy CRC 4BB38FCC
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [54EA761A] (AR v2)
Track 2 accurately ripped (confidence 2) [DC82C87D] (AR v2)
Track 3 accurately ripped (confidence 2) [D199BFDB] (AR v2)
Track 4 accurately ripped (confidence 2) [97A27F6B] (AR v2)
Track 5 accurately ripped (confidence 2) [67BE9A42] (AR v2)
Track 6 accurately ripped (confidence 2) [21C2968C] (AR v2)
Track 7 accurately ripped (confidence 2) [07AE1C9F] (AR v2)
Track 8 accurately ripped (confidence 2) [E23989D3] (AR v2)
Track 9 accurately ripped (confidence 2) [66255B60] (AR v2)
Track 10 accurately ripped (confidence 2) [BA99C661] (AR v2)
Track 11 accurately ripped (confidence 2) [6CBB3831] (AR v2)
Track 12 accurately ripped (confidence 2) [B2BD4194] (AR v2)
Track 13 accurately ripped (confidence 2) [F809EB21] (AR v2)
Track 14 accurately ripped (confidence 2) [3A21ADC5] (AR v2)
Track 15 accurately ripped (confidence 2) [CCD40B3A] (AR v2)
Track 16 accurately ripped (confidence 2) [354B54BD] (AR v2)
Track 17 accurately ripped (confidence 2) [2D394B8D] (AR v2)
Track 18 accurately ripped (confidence 2) [0ABB9FB1] (AR v2)
Track 19 accurately ripped (confidence 2) [420050E8] (AR v2)
Track 20 accurately ripped (confidence 2) [7A54C4EB] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 4626757658344CA2EA774099FC30734AA05E07B418DCD49DECE93192894C07C6 ====

foobar2000 1.3 / Dynamic Range Meter 1.1.1
log date: 2014-12-24 11:44:51

––––––––––––––––––––––––––––––––––––––––
Analyzed: Love Derwinger, Norrkoping Symphony Orchestra, Leif Segerstam / Reger - Orchestral Works - CD2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -2.23 dB -23.28 dB 20:47 01-Piano Concerto in F minor, Op.114 - I. Allegro moderato
DR19 -6.01 dB -32.29 dB 12:24 02-Piano Concerto in F minor, Op.114 - II. Largo con gran espressione
DR14 -2.42 dB -23.79 dB 11:01 03-Piano Concerto in F minor, Op.114 - III. Allegretto con spirito
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 3
Official DR value: DR16

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 438 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Norrkoping Symphony Orchestra, Leif Segerstam / Reger - Orchestral Works - CD1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -14.16 dB -36.35 dB 2:29 01-Variations and Fugue on a Theme of Mozart, Op.132 - Andante grazioso
DR13 -8.71 dB -28.69 dB 2:26 02-Variations and Fugue on a Theme of Mozart, Op.132 - Variation I. L’istesso tempo
DR11 -6.93 dB -23.90 dB 1:53 03-Variations and Fugue on a Theme of Mozart, Op.132 - Variation II. Poco agitato
DR11 -10.34 dB -28.17 dB 1:23 04-Variations and Fugue on a Theme of Mozart, Op.132 - Variation III. Con moto
DR12 -6.45 dB -22.67 dB 0:50 05-Variations and Fugue on a Theme of Mozart, Op.132 - Variation IV. Vivace
DR13 -2.91 dB -25.42 dB 1:37 06-Variations and Fugue on a Theme of Mozart, Op.132 - Variation V. Quasi presto
DR11 -8.01 dB -28.30 dB 2:22 07-Variations and Fugue on a Theme of Mozart, Op.132 - Variation VI. Sostenuto
DR12 -8.49 dB -27.58 dB 2:23 08-Variations and Fugue on a Theme of Mozart, Op.132 - Variation VII. Andante grazioso
DR14 -6.42 dB -27.38 dB 7:19 09-Variations and Fugue on a Theme of Mozart, Op.132 - Variation VIII. Molto sostenuto
DR13 -3.91 dB -22.80 dB 9:29 10-Variations and Fugue on a Theme of Mozart, Op.132 - Fugue. Allegretto grazioso
DR15 0.00 dB -21.74 dB 32:45 11-Symphonischer Prolog zu einer Tragodie, Op.108
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 530 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Norrkoping Symphony Orchestra, Leif Segerstam / Reger - Orchestral Works - CD2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.46 dB -27.85 dB 6:15 04-Suite im alten Stil, Op.93 - I. Praludium. Allegro comodo
DR13 -7.19 dB -27.27 dB 8:41 05-Suite im alten Stil, Op.93 - II. Largo
DR15 -0.25 dB -24.22 dB 7:58 06-Suite im alten Stil, Op.93 - III. Fuge. Allegro con spirito, ma non troppo
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 3
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 438 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Norrkoping Symphony Orchestra, Leif Segerstam / Reger - Orchestral Works - CD3
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -12.65 dB -32.81 dB 1:41 01-Variations and Fugue on a Theme of Beethoven, Op.86 - Theme
DR11 -7.57 dB -25.41 dB 1:54 02-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation I
DR12 0.00 dB -18.67 dB 1:21 03-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation II
DR11 -10.48 dB -26.96 dB 2:12 04-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation III
DR13 -4.39 dB -24.06 dB 0:52 05-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation IV
DR13 -1.43 dB -22.42 dB 2:43 06-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation V
DR11 -13.83 dB -30.40 dB 1:29 07-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation VI
DR13 -2.90 dB -22.20 dB 1:27 08-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation VII
DR11 0.00 dB -18.93 dB 2:06 09-Variations and Fugue on a Theme of Beethoven, Op.86 - Variation VIII
DR12 0.00 dB -19.62 dB 5:54 10-Variations and Fugue on a Theme of Beethoven, Op.86 - Fugue
DR13 -2.87 dB -20.96 dB 3:31 11-Eine Ballettsuite, Op.130 - I. Entree
DR13 -15.99 dB -34.69 dB 3:33 12-Eine Ballettsuite, Op.130 - II. Colombine
DR15 -3.21 dB -26.61 dB 2:38 13-Eine Ballettsuite, Op.130 - III. Harlequin
DR13 -17.27 dB -36.59 dB 3:35 14-Eine Ballettsuite, Op.130 - IV. Pierrot und Pierrette
DR14 -7.47 dB -28.36 dB 2:55 15-Eine Ballettsuite, Op.130 - V. Valse d'amour
DR13 -3.25 dB -23.15 dB 3:09 16-Eine Ballettsuite, Op.130 - VI. Finale
DR19 -12.57 dB -39.23 dB 11:15 17-Vier Tondichtungen nach Arnold Bocklin, Op.128 - I. Der geigende Eremit
DR16 -8.43 dB -32.59 dB 4:29 18-Vier Tondichtungen nach Arnold Bocklin, Op.128 - II. Im Spiel der Wellen
DR19 -0.72 dB -28.05 dB 10:13 19-Vier Tondichtungen nach Arnold Bocklin, Op.128 - III. Die Toteninsel
DR16 0.00 dB -22.82 dB 4:56 20-Vier Tondichtungen nach Arnold Bocklin, Op.128 - IV. Bacchanal
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 20
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 451 kbps
Codec: FLAC
================================================================================



CD Info:

Max Reger - Orchestral Works

Norrköping Symphony Orchestra / Leif Segerstam

Label: BIS
Catalog#: BIS-CD-9047
Format: 3xCD, Compilation, Reissue
Country: Sweden
Released: 2013, 1993-1996
Genre: Classical
Style: Late Romantic, Early 20th Century

Tracklist:

Max Reger (1873–1916)

CD1

[1]-[10] Variations and Fugue on a Theme of Mozart, Op. 132 (1914)
[11] Symphonischer Prolog zu einer Tragödie, Op. 108 (1908)

CD2

[1]-[3] Piano Concerto in F minor, Op. 114 (1910)
Love Derwinger piano
[4]-[6] Suite im alten Stil, Op. 93 (1906, orch. 1916)

CD3

[1]-[10] Variations and Fugue on a Theme of Beethoven, Op. 86 (1904, orch. 1915)
[11]-[16] Eine Ballettsuite, Op. 130 (1913)
[17]-[20] Vier Tondichtungen nach Arnold Böcklin, Op. 128 (1913)


Norrköping Symphony Orchestra
Leif Segerstam, conductor

This new compilation of Leif Segerstam’s Reger recordings, originally issued on three separate CDs in the 1990s, makes an outstanding introduction to the work of a composer still largely known by many classical lovers for his organ music and one song, Maria Wiegenlied. When I reviewed the 2-CD Guild set of historic Reger recordings ( Fanfare 37:6), I said how much I liked the works presented there. I can say much the same thing of this set, despite Segerstam’s penchant for slower tempos, simply because as a composer himself he approaches each work from a structural standpoint and brings out many subtleties.

Surprisingly, only two works are duplicated in the two sets, the Mozart Variations and the Ballet Suite . The Guild collection also included the Lustpielouvertüre, Serenade in G, Romantic Suite, and Eine vaterländische Ouverture. Possibly one may also want to hear Reger’s Violin Concerto, Sinfonietta, and the Variations on a Theme of Hiller, but otherwise, between these two sets, you have the bulk of Reger’s orchestral oeuvre . Early on in life, Reger became infatuated with both Bach and Wagner, and from these twin fonts of Teutonic culture he created remarkably interesting structures in music. And, surprisingly, his music is not only interesting but also fun to listen to, a point I made in regards to the Guild set.

Of the music new to me via this release, I was particularly impressed with the Symphonic Prelude to a Tragedy (which one might describe as a more modern, and more tragic, incarnation of Brahms’s Tragic Overture ), the piano concerto, and the Beethoven Variations and Fugue. My sole complaint of the recordings, and this probably has more to do with the engineering than with Segerstam, is that in quiet passages the music sometimes fades out of earshot. Unless you are listening with your ears very close to the speakers or, on headphones, with the volume turned up high, you will miss some of those softer passages. Other than that, however, I was very pleased overall with Segerstam’s readings. As usual with this conductor, transparency of texture is paramount, often revealing details that go unnoticed in others’ readings, and his subtle plasticity of phrasing keeps the music fluid and moving forward. Thus in a work like the Mozart Variations, one may prefer the more straightforward conducting of Eduard van Beinum in the Guild set, but one will find much more to hear in the Segerstam performance.

I was not particularly impressed by the Suite in Olden Style, which just toodled along and sounded nice but not much else. The Variations on a Theme of Beethoven is based on the last of the op. 119 Bagatelles. He originally wrote it for two pianos, but when preparing the orchestral score he eliminated four of the 12 variations and, according to the notes, changed both the playing order and the arrangement of keys. When he finished this score in August 1915, he had less than a year to live. In this case, I felt that Segerstam’s performance was a bit too airy for my taste, making the music sound less energetic that it might have, but the Ballet Suite came off pretty well. Segerstam’s problem, like the famous criticism of Bruno Walter, is that “when he comes to something beautiful, he melts.”

The liner notes suggest that the reason Reger’s Piano Concerto has failed to gain a place in the standard repertoire is that it is technically demanding but does not allow the soloist to “show off.” I would also suggest that the dark, brooding quality of the music is another reason. Most people like their piano concertos to sound cheerful or dramatic or, if somewhat brooding, then brooding in a Romantic Russian (read: Tchaikovsky or Rachmaninoff) sort of way, neither of which Reger gives us. This is a very complex piece, too, continually evolving yet knitting together its various sections within each movement with consummate mastery. (I would particularly commend this concerto to many modern American composers who write “clever” music that does not develop properly.) Derwinger is a committed interpreter, throwing himself into this complex score with emotional fervor, and Segerstam, too, is particularly dramatic here.

What makes this packaging even more attractive is that BIS is selling the 3-CD box at a special price. I found it listed for $32.75 at Presto Classical and $38.49 at ArkivMusic, an excellent bargain considering BIS’s normal price tag for single discs, which run around $21. Lynn René Bayley ~Fanfare

Thanks to A-Z!

Max Reger - Norrköping SO, Segerstam - Orchestral Works (2013, BIS # BIS-CD-9047)


Max Reger - Becker-Bender; Zagrosek - Violin Concertos (2012)

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