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Miles Davis and Milt Jackson - Quintet / Sextet (1955) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5234}

Posted By: ruskaval

Date: 18 Apr 2018 14:30:36

Miles Davis and Milt Jackson - Quintet / Sextet (1955) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5234}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 126 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (png) -> 294 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1955, 2013 Prestige / Concord / Universal Japan | UCCO-5234
Jazz / Bop / Cool / Hard Bop / Trumpet / Vibes

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.

Quintet/Sextet is notable for two compositions by Jackie McLean: "Dr. Jackle" and "Minor March" (it appears on his famous 1959 Blue Note date New Soil as "Minor Apprehension"). The former is a Charlie Parker-ish line featuring a masterful Milt Jackson symposium on the blues – Davis' typically lyric approach, a tart, spacious flight from McLean, and a soulful, dancing Ray Bryant. The latter is a mysterious minor figure with jabbing rhythm breaks and a joyous bridge that recalls "Tempus Fugit." McLean's vaulting cadences and fervent cry anticipate the rapture of his mature style, and Bryant takes a harmonically adventuresome solo. Elsewhere, the group digs into the Bud Powell-like changes of Ray Bryant's low, slow "Changes" (over the rock-solid groove of Percy Heath and Art Taylor), and the quirky harmonies and angular melodies of Thad Jones' "Bitty Ditty." "Changes" inspires a lovely muted statement from Davis, and illustrates Bryant's unique blend of blues, sanctified gospel, and bebop. Davis and Jackson combine for pungent voicings on the head to "Bitty Ditty," then demonstrate their elegant mastery of harmony and swing. Both are inspired by the shape of Jones' line, and are completely unfazed by its intricacies.

Personnel:
Miles Davis – trumpet
Milt Jackson – vibraphone
Jackie McLean – alto saxophone
Ray Bryant – piano
Percy Heath – bass
Art Taylor – drums

tracklist:
01 - Dr. Jackle
02 - Bitty Ditty
03 - Minor March
04 - Changes

EAC log

Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 12. October 2015, 8:11

Miles Davis and Milt Jackson / Quintet / Sextet

Used drive : TSSTcorpCDDVDW SE-208DB Adapter: 7 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\FLAC Frontend\tools\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:55.58 | 0 | 40182
2 | 8:55.58 | 6:37.02 | 40183 | 69959
3 | 15:32.60 | 8:17.45 | 69960 | 107279
4 | 23:50.30 | 7:11.28 | 107280 | 139632

Track 1

Filename M:\_EAC\Miles Davis and Milt Jackson - Quintet-Sextet (1955) [FLAC] {2013 Japan Prestige 7000 Chronicle}\01 - Dr. Jackle.wav

Pre-gap length 0:00:02.00

Peak level 90.8 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC 752333B9
Copy CRC 752333B9
Accurately ripped (confidence 2) [6DFBA6A8] (AR v2)
Copy OK

Track 2

Filename M:\_EAC\Miles Davis and Milt Jackson - Quintet-Sextet (1955) [FLAC] {2013 Japan Prestige 7000 Chronicle}\02 - Bitty Ditty.wav

Pre-gap length 0:00:01.34

Peak level 97.4 %
Extraction speed 1.5 X
Track quality 100.0 %
Test CRC F2C9E7B0
Copy CRC F2C9E7B0
Accurately ripped (confidence 2) [9D4C8A2C] (AR v2)
Copy OK

Track 3

Filename M:\_EAC\Miles Davis and Milt Jackson - Quintet-Sextet (1955) [FLAC] {2013 Japan Prestige 7000 Chronicle}\03 - Minor March.wav

Pre-gap length 0:00:01.19

Peak level 87.4 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC 788882A9
Copy CRC 788882A9
Accurately ripped (confidence 2) [D7D78E13] (AR v2)
Copy OK

Track 4

Filename M:\_EAC\Miles Davis and Milt Jackson - Quintet-Sextet (1955) [FLAC] {2013 Japan Prestige 7000 Chronicle}\04 - Changes.wav

Pre-gap length 0:00:01.14

Peak level 92.2 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 4B4F79DB
Copy CRC 4B4F79DB
Accurately ripped (confidence 2) [30526829] (AR v2)
Copy OK

All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum A2E99DCAD37199838E0927C43A0BAD15CE556381A078A6804802A1920797ED37 ====

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