Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen (2005) {hat[now]ART 162}
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© 2005 HAT HUT Records | hat[now]ART 162
Classical / Contemporary Classical / Post Modern / Piano Solo
Chen's survey of Boulez's piano music (bar the little competition piece Incises) invites comparisons with Paavali Jumppanen's accounts of the three sonatas released by Deutsche Grammophon earlier in the year. Both are first rate; Chen's tempi are marginally slower, but her approach is more dramatic - some of the early Notations are positively explosive - while Jumppanen explores Boulez's command of keyboard sonority more fastidiously. Both convey the energy of the young Boulez's piano writing.
It's hard to believe the Notations were composed 60 years ago, and the First Sonata, with its strange, intensely French flavour, followed a year later; this music still sounds astonishingly fresh.
A commonplace in today's new music scene/venues is pianists devoted to modernist repertoire must, in fact it is mandatory to play "complete" oeuvre of the primary architects of modernity and post-modernity as Boulez, now the late Stockhausen, Berio, Brown, Cage, Finnissy,Flynn,Feldman,string quartets as well;but any pianist who plays anything short of "complete" is somehow thrown into a pit of mediocrity, these /are the market force fields at work, every generation or so ups-the-anti-to stay in the game.The brilliant pianist Ian Pace was one who began all this, putting his "scent" down on the repertoire, as Arditti, playing everything, (more dog scent placed on the concert venues. )
I greatly admire pianists as Massimiliano Damerini or Nic Hodges, Mario Ormenti who have no pretensions of playing the "complete" totality of the modernist canon, they play only one or two Stockhausen "klavierstuck", one Boulez "Sonata", one Sciarrino :Sonata:. So there is more creative focus I suspect in each, each work is honed down over the course of years to a positive interpretive vision, with Ian Pace it is all questionable how much he actually comprehends, and his playing is rather sterile and unengaging.The playing enters a kind of safe mediocrity, a safewway house of playing,a center of expression is aimed at, as the final agenda.Aimard as well I admire for he carefully chooses what he plays, most notably the high symbolic order, of Ligeti, Messiaen, Boulez, and Carter; no surprise.
Ms. Chen is a wonderful pianist and her Boulez is very well focused,well-timed at least where each "Sonata" has their own special paradigms of interpretive problems, one is tempi, usually everything is break-neck, fast furioso speed in everything, What? no reflections on the context of the the work, well, this "Virilio-ian "Droma", ""speed"", effects, affects the modernist piano fragments here no matter when written as it does other particles of culture and communication.
Boulez's [Second Sonata] for example is usually played very fast,(everyone forgot Yvonne Loriod's recording) some play it as Jumppanen, in [31 minutes 12 seconds],the other end is Marc Ponthus who plays the same Sonata in [40 minutes]. Ponthus takes the slow "Lent" movement even slower to augment the "irrational" or surreal" dimensions of the movement.The late Claude Lefourt, and Idil Biret, Florent Bouffard and Pierre Aimard, are all fast people, [too much coffee].In the score Boulez indicates circa 32 minutes for a length.But that indication dates from the time it was written, Music is suppose to "live" with time, where we should not have a fixed interpretive center, a sign a signifier for a great work in the old pretensions of modernity.So it is fairly fascinating how 10 more minutes can be realized, "Read" into the work,the concpet of the piece certainly allows for it, written in the after-reality of WW2; But they prefer the violence of the work, and that fine and dandy,we still have much violence gratuitous brutaliies around us, like a permanent part of the neo-liberal order.
Chen joins them here, not going too far afield in her vision. The {Third Sonata} is very problematical not a piece that has entered the repertoire as readily as the previous; and she plays it very well.The indeterminate dimensions of structures, the "mobility" of the movements, and its unfinished element is fascinating to see how pianists/interpreters find a center for this.Although Boulez places so many directions in the work, that he should have written out the work;, the "alea" element, the "chance Mallarme-ian" dimension is really not exploited by Boulez, who was about 30 years old at the time of writing.
I haven't heard Marilyn Nonken who also plays all the :Sonatas:, and Herbert Henck as well. The [Third Sonata] can be more rarefied, more abstract, more elitist,more layering of resonances and timbres; other-"Other" worldly as well,yet deeply brutal and penumbral. All the piano pedals resonance is utilized for example, there are simply more fragments of piano timbre to deal with; The \First Sonata\ has no great mysteries,two movement, 8 minutes in total length although the more you play it, you see the direct similarities of shape and gesturethe of melodic realms and linear arrays with the (Second Sonata). Boulez had used the piano for his work-abstractions, like an aesthetic "workshop for his "texts" analysis, as he has said, the challenge of organizing infinity, density, complexity was left to his chamber worksperhaps the Two Books of "structures" have a more theoretical premise than htese "Sonatas", This gave Boulez the "Freedom, the context to write the "endless" "Le Marteau sans Maitre". Yet the [Second Sonata] as Ponthus has said enters another "Other" place,more of context than technical deployments, because of its gratuitous violence,brutal moments,structures, overwhelming for the senses, where as Dennett shows we can no longer take it all in; in one or even multiple experiences. Ponthus has good perspectives, shows he thinks about what he plays, not merely plays the works, readied for recording contract.
Chen is very close to Aimard, very mainstream here, and this is wonderful to experience. Barbara Dobretsberger has a wonderful analysis on the "First and Second Sonatas", if you happen to read German.
The "Notations" are here as well, the first pieces the young Boulez wrote within the gaze of Messiaen, and for their time they are exceedingly original, no Messiaen piano shapes here, very brutal, very raw power, and soon to be copied by the entire avant-garde for the next 20 years.
Performer:
Chen Pi-hsien - piano solo
Recording:
11 April 1997 at Tonstudio Teje van Geest (Notations);
14/15 February 2002 & 31 March 2004 at Sendesaal, Hessischen Rundfunk, Frankfurt am Main (Sonatas)
Works on This Recording
1.
Notations (12) for Piano by Pierre Boulez
Performer: Chen Pi-hsien (Piano)
Period: 20th Century
Written: 1945; France
2.
Sonata for Piano no 1 by Pierre Boulez
Performer: Chen Pi-hsien (Piano)
Period: 20th Century
Written: 1946
3.
Sonata for Piano no 2 by Pierre Boulez
Performer: Chen Pi-hsien (Piano)
Period: 20th Century
Written: 1948
4.
Sonata for Piano no 3 by Pierre Boulez
Performer: Chen Pi-hsien (Piano)
Period: 20th Century
Written: 1957
X Lossless Decoder version 20140504 (147.0)
XLD extraction logfile from 2014-08-06 11:45:22 +0200
Pi-hsien Chen / Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]
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XLD extraction logfile from 2014-08-06 11:45:22 +0200
Pi-hsien Chen / Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]
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Make use of C2 pointers : NO
Read offset correction : 6
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 00:00:00 | 00:53:65 | 0 | 4039
2 | 00:53:65 | 00:21:23 | 4040 | 5637
3 | 01:15:13 | 00:47:30 | 5638 | 9192
4 | 02:02:43 | 00:29:69 | 9193 | 11436
5 | 02:32:37 | 00:49:23 | 11437 | 15134
6 | 03:21:60 | 00:28:10 | 15135 | 17244
7 | 03:49:70 | 01:01:08 | 17245 | 21827
8 | 04:51:03 | 00:42:23 | 21828 | 25000
9 | 05:33:26 | 01:41:33 | 25001 | 32608
10 | 07:14:59 | 00:21:17 | 32609 | 34200
11 | 07:36:01 | 00:51:73 | 34201 | 38098
12 | 08:27:74 | 01:17:66 | 38099 | 43939
13 | 09:45:65 | 05:00:41 | 43940 | 66480
14 | 14:46:31 | 05:35:46 | 66481 | 91651
15 | 20:22:02 | 07:39:26 | 91652 | 126102
16 | 28:01:28 | 10:45:53 | 126103 | 174530
17 | 38:47:06 | 02:32:22 | 174531 | 185952
18 | 41:19:28 | 13:00:55 | 185953 | 244507
19 | 54:20:08 | 01:19:06 | 244508 | 250438
20 | 55:39:14 | 03:19:31 | 250439 | 265394
21 | 58:58:45 | 02:31:36 | 265395 | 276755
22 | 61:30:06 | 01:32:35 | 276756 | 283690
23 | 63:02:41 | 12:16:32 | 283691 | 338922
AccurateRip Summary (DiscID: 00271aee-02eccd9e-3011a617)
Track 01 : OK (v2, confidence 1/1)
Track 02 : OK (v2, confidence 1/1)
Track 03 : OK (v2, confidence 1/1)
Track 04 : OK (v2, confidence 1/1)
Track 05 : OK (v2, confidence 1/1)
Track 06 : OK (v2, confidence 1/1)
Track 07 : OK (v2, confidence 1/1)
Track 08 : OK (v2, confidence 1/1)
Track 09 : OK (v2, confidence 1/1)
Track 10 : OK (v2, confidence 1/1)
Track 11 : OK (v2, confidence 1/1)
Track 12 : OK (v2, confidence 1/1)
Track 13 : OK (v2, confidence 1/1)
Track 14 : OK (v2, confidence 1/1)
Track 15 : OK (v2, confidence 1/1)
Track 16 : OK (v2, confidence 1/1)
Track 17 : OK (v2, confidence 1/1)
Track 18 : OK (v2, confidence 1/1)
Track 19 : OK (v2, confidence 1/1)
Track 20 : OK (v2, confidence 1/1)
Track 21 : OK (v2, confidence 1/1)
Track 22 : OK (v2, confidence 1/1)
Track 23 : NG (total 1 submission)
->22 tracks accurately ripped, 1 track not
All Tracks
Album gain : 0.33 dB
Peak : 0.989960
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 01
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/01 Douze Notations pour piano [1945]: I. Fantasque - Modéré.flac
Pre-gap length : 00:02:00
Track gain : 5.37 dB
Peak : 0.951904
CRC32 hash (test run) : EDC6080D
CRC32 hash : EDC6080D
CRC32 hash (skip zero) : 5DAF87FC
AccurateRip v1 signature : 53CF2AFD
AccurateRip v2 signature : 27C05142
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 02
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/02 Douze Notations pour piano [1945]: II. Très vif.flac
Track gain : -7.07 dB
Peak : 0.989960
CRC32 hash (test run) : F451BE8F
CRC32 hash : F451BE8F
CRC32 hash (skip zero) : A56DFE44
AccurateRip v1 signature : 262C3D94
AccurateRip v2 signature : B5004436
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 03
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/03 Douze Notations pour piano [1945]: III. Assez lent.flac
Track gain : 3.48 dB
Peak : 0.531372
CRC32 hash (test run) : 6DFB36D1
CRC32 hash : 6DFB36D1
CRC32 hash (skip zero) : 079EF740
AccurateRip v1 signature : D188358D
AccurateRip v2 signature : 6CA45534
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 04
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/04 Douze Notations pour piano [1945]: IV. Rythmique.flac
Track gain : -4.17 dB
Peak : 0.840485
CRC32 hash (test run) : 1B10BE56
CRC32 hash : 1B10BE56
CRC32 hash (skip zero) : 0C4AE999
AccurateRip v1 signature : F3510447
AccurateRip v2 signature : FD4663C9
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 05
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/05 Douze Notations pour piano [1945]: V. Doux et improvisé.flac
Track gain : 13.67 dB
Peak : 0.160095
CRC32 hash (test run) : F0E8C2DA
CRC32 hash : F0E8C2DA
CRC32 hash (skip zero) : D7484710
AccurateRip v1 signature : 1FC3D87A
AccurateRip v2 signature : 1BFEA049
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 06
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/06 Douze Notations pour piano [1945]: VI. Rapide.flac
Track gain : -1.29 dB
Peak : 0.648529
CRC32 hash (test run) : E155B7AB
CRC32 hash : E155B7AB
CRC32 hash (skip zero) : 2213470D
AccurateRip v1 signature : D458D157
AccurateRip v2 signature : 8E636A74
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 07
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/07 Douze Notations pour piano [1945]: VII. Hiératique.flac
Track gain : 2.17 dB
Peak : 0.439331
CRC32 hash (test run) : 86426084
CRC32 hash : 86426084
CRC32 hash (skip zero) : 5DEDCD82
AccurateRip v1 signature : 902216B1
AccurateRip v2 signature : F1FF8C85
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 08
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/08 Douze Notations pour piano [1945]: VIII. Modéré jusqu'à très vif.flac
Track gain : -5.32 dB
Peak : 0.910645
CRC32 hash (test run) : CD171CF7
CRC32 hash : CD171CF7
CRC32 hash (skip zero) : 8FD32281
AccurateRip v1 signature : 3DDA51F0
AccurateRip v2 signature : EC54AB9A
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 09
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/09 Douze Notations pour piano [1945]: IX. Lointain - Calme.flac
Track gain : 19.39 dB
Peak : 0.095184
CRC32 hash (test run) : DD8BF442
CRC32 hash : DD8BF442
CRC32 hash (skip zero) : 5C293C3E
AccurateRip v1 signature : A05B4D86
AccurateRip v2 signature : 31F7D031
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 10
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/10 Douze Notations pour piano [1945]: X. Mécanique et très sec.flac
Track gain : -1.85 dB
Peak : 0.964752
CRC32 hash (test run) : BCEEDAE8
CRC32 hash : BCEEDAE8
CRC32 hash (skip zero) : 4CA3BB88
AccurateRip v1 signature : 8B4A3874
AccurateRip v2 signature : 1FB219EB
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 11
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/11 Douze Notations pour piano [1945]: XI. Scintillant.flac
Track gain : 12.91 dB
Peak : 0.172577
CRC32 hash (test run) : 2CF30A97
CRC32 hash : 2CF30A97
CRC32 hash (skip zero) : 4C54FB75
AccurateRip v1 signature : E9142C2D
AccurateRip v2 signature : 67BEFEA3
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 12
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/12 Douze Notations pour piano [1945]: XII. Lent - Puissant et âpres.flac
Track gain : -0.94 dB
Peak : 0.926331
CRC32 hash (test run) : A1E7F45D
CRC32 hash : A1E7F45D
CRC32 hash (skip zero) : 21BAED4F
AccurateRip v1 signature : 396A05EB
AccurateRip v2 signature : 89B802FF
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 13
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/13 Première Sonate pour piano [1946]: I.flac
Track gain : 1.45 dB
Peak : 0.953064
CRC32 hash (test run) : CF1DBD76
CRC32 hash : CF1DBD76
CRC32 hash (skip zero) : 638B9A3A
AccurateRip v1 signature : 42BD5BF3
AccurateRip v2 signature : F6F9D63B
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 14
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/14 Première Sonate pour piano [1946]: II.flac
Track gain : 0.52 dB
Peak : 0.922455
CRC32 hash (test run) : 9262EB33
CRC32 hash : 9262EB33
CRC32 hash (skip zero) : A3A1A2F0
AccurateRip v1 signature : C9429D8E
AccurateRip v2 signature : 27F57BD6
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 15
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/15 Deuxième Sonate pour piano [1947-48]: I.flac
Track gain : -0.55 dB
Peak : 0.895721
CRC32 hash (test run) : 8DA517DC
CRC32 hash : 8DA517DC
CRC32 hash (skip zero) : AA62098E
AccurateRip v1 signature : 0E4644E0
AccurateRip v2 signature : 72314863
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 16
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/16 Deuxième Sonate pour piano [1947-48]: II.flac
Track gain : 1.18 dB
Peak : 0.768829
CRC32 hash (test run) : 998059F8
CRC32 hash : 998059F8
CRC32 hash (skip zero) : 42FFA3C0
AccurateRip v1 signature : EABD4541
AccurateRip v2 signature : 1816A31C
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 17
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/17 Deuxième Sonate pour piano [1947-48]: III.flac
Track gain : -0.04 dB
Peak : 0.951508
CRC32 hash (test run) : 1E4DFB47
CRC32 hash : 1E4DFB47
CRC32 hash (skip zero) : F2E263BA
AccurateRip v1 signature : 1C52DD7E
AccurateRip v2 signature : FAB4E3CA
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 18
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/18 Deuxième Sonate pour piano [1947-48]: IV.flac
Track gain : -0.35 dB
Peak : 0.942505
CRC32 hash (test run) : 1DFC454A
CRC32 hash : 1DFC454A
CRC32 hash (skip zero) : 65080901
AccurateRip v1 signature : CE079007
AccurateRip v2 signature : 17F727EC
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 19
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/19 Troisième Sonate pour piano [1955-57]: I. Trope: Texte.flac
Track gain : 2.75 dB
Peak : 0.641846
CRC32 hash (test run) : FD80A404
CRC32 hash : FD80A404
CRC32 hash (skip zero) : 3E1B25D1
AccurateRip v1 signature : 93231D83
AccurateRip v2 signature : 3DE1A552
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 20
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/20 Troisième Sonate pour piano [1955-57]: I. Trope: Parenthèse.flac
Track gain : 3.83 dB
Peak : 0.829254
CRC32 hash (test run) : EB5FAC25
CRC32 hash : EB5FAC25
CRC32 hash (skip zero) : F58F2A3A
AccurateRip v1 signature : DC63354F
AccurateRip v2 signature : 0064CBAC
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 21
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/21 Troisième Sonate pour piano [1955-57]: I. Trope: Commentaire.flac
Track gain : -0.52 dB
Peak : 0.986115
CRC32 hash (test run) : 63F6C89C
CRC32 hash : 63F6C89C
CRC32 hash (skip zero) : 74AE3499
AccurateRip v1 signature : E507BC41
AccurateRip v2 signature : 04D4398E
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 22
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/22 Troisième Sonate pour piano [1955-57]: I. Trope: Glose.flac
Track gain : 0.75 dB
Peak : 0.986115
CRC32 hash (test run) : C49E52DF
CRC32 hash : C49E52DF
CRC32 hash (skip zero) : 44CAF6C1
AccurateRip v1 signature : EAE07932
AccurateRip v2 signature : 30A47C53
->Accurately ripped (v2, confidence 1/1)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 23
Filename : /Volumes/4TB 2/CD rips/Contemporary Composers/Pierre Boulez/Pierre Boulez - Notations & Piano Sonatas - Pi-hsien Chen [Hat Hut]/23 Troisième Sonate pour piano [1955-57]: II. Miroir.flac
Track gain : 3.10 dB
Peak : 0.986145
CRC32 hash (test run) : 1D109D7F
CRC32 hash : 1D109D7F
CRC32 hash (skip zero) : 827B9B7E
AccurateRip v1 signature : C9C7A361
AccurateRip v2 signature : BFABCA2B
->Rip may not be accurate (total 1 submission).
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
No errors occurred
End of status report
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===