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Prokofiev - The Violin Concertos - Shlomo Mintz / Claudio Abbado (Deutsche Grammophon 1984)

Posted By: luckburz
Prokofiev - The Violin Concertos - Shlomo Mintz / Claudio Abbado (Deutsche Grammophon 1984)

Serge Prokofiev - The Violin Concertos
Chicago Symphony Orchestra / Shlomo Mintz / Claudio Abbado
EAC+LOG+CUE | FLAC: 216 MB | MP3 CBR 320: 120 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon 410 524-2 | Country/Year: Germany 1984
Genre: Classical | Style: Modern

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Prokofiev - The Violin Concertos - Shlomo Mintz / Claudio Abbado (Deutsche Grammophon 1984)



Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 29. May 2012, 18:15

Mintz/CSO/Abbado / Prokofiev - The Violin Concertos

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.33 | 10:01.00 | 33 | 45107
2 | 10:01.33 | 3:55.15 | 45108 | 62747
3 | 13:56.48 | 8:18.62 | 62748 | 100159
4 | 22:15.35 | 10:46.68 | 100160 | 148677
5 | 33:02.28 | 9:58.17 | 148678 | 193544
6 | 43:00.45 | 6:15.00 | 193545 | 221669


Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mintz,CSO,Abbado - Prokofiev - The Violin Concertos.wav

Peak level 87.2 %
Extraction speed 7.1 X
Range quality 100.0 %
Test CRC 6234B17F
Copy CRC 6234B17F
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [20347793] (AR v2)
Track 2 accurately ripped (confidence 2) [7003C708] (AR v2)
Track 3 accurately ripped (confidence 2) [012E38E3] (AR v2)
Track 4 accurately ripped (confidence 2) [C8B3F5D6] (AR v2)
Track 5 accurately ripped (confidence 2) [E9D43BAA] (AR v2)
Track 6 accurately ripped (confidence 2) [E1A52A2F] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum F9A4CEC85C780A77BC5EC92B900B660D6EB9E646680B2295D6BDBD666D4BEE34 ====


foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-05-31 19:00:41

––––––––––––––––––––––––––––––––––––––––
Analyzed: Mintz/CSO/Abbado / Prokofiev - The Violin Concertos
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -7.33 dB -30.80 dB 10:01 01-001 Andantino_ Andante Assai
DR16 -1.18 dB -24.02 dB 3:55 02-002 Scherzo_ Vivacissimo
DR16 -3.03 dB -25.94 dB 8:19 03-03 Moderato_ Allegro Moderato_ Moderato_ Più Tranquillo
DR16 -4.69 dB -27.47 dB 10:47 04-001 Allegro Moderato
DR13 -9.98 dB -30.30 dB 9:58 05-002 Andante Assai
DR14 -2.34 dB -25.24 dB 6:15 06-003 Allegro_ Ben Marcato
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 562 kbps
Codec: FLAC
================================================================================



CD Info:

Serge Prokofiev - The Violin Concertos - Chicago Symphony Orchestra / Shlomo Mintz / Claudio Abbado

Label: Deutsche Grammophon
Catalog#: 410 524-2
Format: CD, Album
Country: Europe
Released: 1984
Genre: Classical

Tracklist:

Serge Prokofiev (1891-1953)

1-3 Concerto for Violin and Orchestra no. 1 in D major, op. 19
4-6 Concerto for Violin and Orchestra no. 2 in G minor, op. 63

Prokofiev - The Violin Concertos - Shlomo Mintz / Claudio Abbado (Deutsche Grammophon 1984)


As readers familiar with his accounts of the Third Symphony (Decca SXL6469, 10/70) and the Scythian Suite (DG 2530 967, 11/78) will know, Claudio Abbado has a highly-developed feeling for Prokofiev's sound world. Rarely has the fairy-tale atmosphere of the First Concerto been more keenly evoked. Compare the closing paragraphs of the first movement (after the soloist's cadenza) in the rival versions, and there is no question that Abbado distills a sense of wonder and enchantment that is quite special. Others are magical too: Rozhdestvensky with the BBC Symphony Orchestra (HMV) and Kondrashin with the LPO (Decca) are given slightly more detailed yet not more subtle recording, but it is Abbado that casts the strongest spell. Throughout both concertos textures are more delicately coloured, dynamic nuances scrupulously observed and there are feather-light string Sonorities.

In the Second Concerto stress is laid on its lyricism and the slow movement in particular is spacious and relaxed (it becomes a shade slower than quaver= 180); Rozhdestvensky is less ruminative (and, I think, less imaginative) here. Heifetz's pioneering recording with Koussevitzky and the Boston Symphony Orchestra which I still treasure, was sharper etched, tauter and more astringent (HMV DB3604-06, 10/38) but the eloquence of the new issue is not in question. Nor, for that matter, is the quality of the solo playing. Shlomo Mintz phrases with imagination and individuality; you need only hear the way he shapes the first bars of the G minor Concerto for that to register. He plays with greater polish and beauty of tone than Boris Belkin, greater freshness than Stern (CBS-7/83) though with less sense of that complete and total authority that informs Perlman's playing. Occasionally he colours a phrase by playing on the flat side of the note though his intonation is fine throughout. Although the DG recording is not quite so detailed as the Decca or HMV, the engineers produce a beautifully refined and homogeneous balance and (save for the fact that the soloist is a shade larger than life, albeit not so much as Perlman for HMV), it is very impressive indeed. There is plenty of space round the instruments and the sound is truthful.

– Gramophone [4/1984] arkivmusic

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