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Smetana, Dvorak - Kubelik - Die Moldau; Aus Böhmens Hain und Flur (1971/1975) [reissued on CD 1988]

Posted By: luckburz
Smetana, Dvorak - Kubelik - Die Moldau; Aus Böhmens Hain und Flur (1971/1975) [reissued on CD 1988]

Smetana / Dvorak - Rafael Kubelik - Aus Böhmens Hain und Flur / Die Moldau / Slawische Tänze
EAC+LOG+CUE | FLAC: 275 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 423 769-2 | Country/Year: Germany 1988 (1971 & 1975)
Genre: Classical | Style: Romantic

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Smetana, Dvorak - Kubelik - Die Moldau; Aus Böhmens Hain und Flur (1971/1975) [reissued on CD 1988]


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 12. July 2012, 9:30

Rafael Kubelik / Die Moldau; Aus Böhmens Hain und Flur; Slawische Tänze

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 12:00.70 | 33 | 54102
2 | 12:01.28 | 12:40.57 | 54103 | 111159
3 | 24:42.10 | 3:41.13 | 111160 | 127747
4 | 28:23.23 | 4:47.60 | 127748 | 149332
5 | 33:11.08 | 4:16.55 | 149333 | 168587
6 | 37:27.63 | 6:47.45 | 168588 | 199157
7 | 44:15.33 | 5:25.07 | 199158 | 223539
8 | 49:40.40 | 3:13.38 | 223540 | 238052
9 | 52:54.03 | 5:41.30 | 238053 | 263657
10 | 58:35.33 | 6:52.30 | 263658 | 294587


Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Rafael Kubelik - Die Moldau; Aus Böhmens Hain und Flur; Slawische Tänze.wav

Peak level 87.9 %
Extraction speed 6.7 X
Range quality 99.9 %
Test CRC FCE2AF3C
Copy CRC FCE2AF3C
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [869952C4] (AR v2)
Track 2 accurately ripped (confidence 3) [2780AA85] (AR v2)
Track 3 accurately ripped (confidence 3) [F8396B05] (AR v2)
Track 4 accurately ripped (confidence 3) [998B5386] (AR v2)
Track 5 accurately ripped (confidence 3) [37F35B84] (AR v2)
Track 6 accurately ripped (confidence 3) [E024E063] (AR v2)
Track 7 accurately ripped (confidence 3) [E56D6B73] (AR v2)
Track 8 accurately ripped (confidence 3) [78098923] (AR v2)
Track 9 accurately ripped (confidence 3) [6DA71138] (AR v2)
Track 10 accurately ripped (confidence 3) [DD3F412A] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 5GWaTvdT0y26X7tZ4EODiBXIajM-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version


==== Log checksum 63FE0F80CF85BDA64E622B88581DB3A4A0243D69DD3EAA3650251DF77D00BA06 ====

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-07-16 21:26:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik / Die Moldau; Aus Böhmens Hain und Flur; Slawische Tänze
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.12 dB -21.45 dB 3:41 03-Slavische Tänze op.46 | No.1 in C dur: Presto
DR14 -3.89 dB -25.63 dB 4:48 04-Slavische Tänze op.46 | No.2 in E moll: Alleg
DR16 -1.54 dB -23.46 dB 4:17 05-Slavische Tänze op.46 | No.3 in As dur: Poco
DR15 -2.54 dB -23.63 dB 6:48 06-Slavische Tänze op.46 | No.4 in F dur: Tempo
DR15 -2.25 dB -24.28 dB 5:25 07-Slavische Tänze op.46 | No.6 in D dur: Allegr
DR14 -3.37 dB -22.82 dB 3:14 08-Slavische Tänze op.46 | No.7 in C moll: Alleg
DR14 -5.90 dB -25.60 dB 5:41 09-Slavische Tänze op.72 | No.2 in E moll: Alleg
DR14 -3.35 dB -24.66 dB 6:52 10-Slavische Tänze op.72 | No.8 in As dur: Granonon troppo, quasi Tempo di Valse
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 588 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Bedrich Smetana | Bosten Symphony Orchestra & Rafael Kubelik / Die Moldau; Aus Böhmens Hain und Flur; Slawische Tänze
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.73 dB -20.80 dB 12:01 01-Die Moldau
DR13 -4.76 dB -24.06 dB 12:41 02-Aus Böhmens Hain und Flur
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 2
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 588 kbps
Codec: FLAC
================================================================================



CD Info:

Smetana / Dvorak - Rafael Kubelik - Aus Böhmens Hain und Flur / Die Moldau / Slawische Tänze

Label: Deutsche Grammophon
Series: Favorit
Catalog#: 423 769-2
Format: CD, Album
Country: Germany
Released: 1988, 1971/1975
Genre: Classical

Tracklist:

01. Bedrich Smetana | Bosten Symphony Orchestra & Rafael Kubelik - Die Moldau 12:00
02. Bedrich Smetana | Bosten Symphony Orchestra & Rafael Kubelik - Aus Böhmens Hain und Flur 12:40
03. Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.46 | No.1 in C dur: Presto 3:41
04 Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.46 | No.2 in E moll: Alleg 4:47
05. Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.46 | No.3 in As dur: Poco 4:16
06. Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.46 | No.4 in F dur: Tempo 6:47
07. Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.46 | No.6 in D dur: Allegr 5:25
08. Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.46 | No.7 in C moll: Alleg 3:13
09. Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.72 | No.2 in E moll: Alleg 5:41
10. Antonín Dvorák | Symphonie-Orchester des Bayerischen Rundfunks & Rafael Kubelik - Slavische Tänze op.72 | No.8 in As dur: Granonon troppo, quasi Tempo di Valse 6:52

Smetana, Dvorak - Kubelik - Die Moldau; Aus Böhmens Hain und Flur (1971/1975) [reissued on CD 1988]


biography by Bruce Eder
A top conductor of large orchestral works of the late nineteenth century, Rafael Kubelik was born near Prague in 1914. The son of violinist Jan Kubelik (1880-1940), he studied violin, piano, composition, and conducting at the Prague Conservatory. He made his debut before the Czech Philharmonic Orchestra at age 19, and in 1939 became the music director of the National Opera in Brno, Czechoslovakia. In 1941, he became the music director of the Czech Philharmonic Orchestra, a post he held until 1948. In 1948, with the establishment of a Communist dictatorship in Czechoslovakia, Kubelik left his homeland and became an exile for the next 40 years.
Kubelik's three years with the Chicago Symphony Orchestra, beginning in 1950, were frustrating. A persuasive rather than a dictatorial figure and a diplomat rather than a martinet, he lacked the ability to control the orchestra. Additionally, Kubelik's musical sensibilities had been shaped in the early twentieth century rather than the late nineteenth, as had been the case with his immediate predecessors, and he programmed far too much modern music for the taste of critics and subscribers. Kubelik was fortunate that his appointment coincided with the orchestra making its first move into long-playing records for the Mercury label. Among his two dozen recordings with the Chicago Symphony Orchestra was a riveting performance of Mussorgsky's Pictures at an Exhibition and one of Smetana's My Fatherland. Ultimately the fit just wasn't right between Kubelik and the orchestra, and he gave up the appointment.
Kubelik served for three years, from 1955 through 1958, as music director of the Covent Garden Opera in London, where he conducted the British premieres of Janácek's Jenufa and Berlioz's Les troyens. From 1961 until 1979, he was music director of the Bavarian Radio Symphony in Munich, with which he also recorded extensively (for Deutsche Grammophon), and was the principal conductor of the Metropolitan Opera in New York during the 1973-1974 season as well. He was a most-welcomed guest conductor in Chicago on many occasions throughout his later career, appeared with virtually all of the world's major orchestras, and recorded extensively in England, America, and Germany. In 1973, he became a Swiss citizen.
Rafael Kubelik embodied a tradition of robust post-Romantic music-making that was ideally suited to the recording medium as well as the concert hall. He was celebrated as a master of rich orchestral color, which was brought out most vividly in the late Romantic and post-Romantic scores for which he was most popular. This included much of the Russian repertory and virtually all of the nationalist music of the era, especially the work of his fellow countrymen Antonin Dvorák, Leos Janácek, and Bedrich Smetana. He recorded the latter's Má Vlast at least four times on as many different labels, the last at a live performance in Prague during 1990 at a concert commemorating the liberation of the country from Communist rule released on the Supraphon label. The sheer number of his recordings that remain in print, and their equal distribution between the "historical" and modern sections of classical music departments, speaks volumes about his enduring popularity and the validity of his performances and interpretations. His complete Beethoven and Mahler cycles remained in print for many years. Although relatively little of his operatic work was preserved on record, the small number of these are also well-regarded, especially his Rigoletto.
With the fall of the Communist dictatorship, Kubelik, who had been intermittently ill for several years, returned to Czechoslovakia for the first time in four decades with the intention of resuming composing full-time. As it was, he had authored five operas, several symphonies, and various works for soloist and orchestra, vocal works, and chamber pieces. allmusicguide
Smetana, Dvorak - Kubelik - Die Moldau; Aus Böhmens Hain und Flur (1971/1975) [reissued on CD 1988]

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