Supergrass - In It For The Money
EAC+LOG+CUE | FLAC: 304 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Parlophone # 7243 8 55228 2 6 | Country/Year: UK 1997
Genre: Rock | Style: Alternative Rock, Brit Pop
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [X] not my rip []
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 15. January 2013, 14:10
Supergrass / In It For The Money
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 3:05.68 | 32 | 13974
2 | 3:06.25 | 3:12.72 | 13975 | 28446
3 | 6:19.22 | 3:09.53 | 28447 | 42674
4 | 9:29.00 | 4:43.32 | 42675 | 63931
5 | 14:12.32 | 3:27.38 | 63932 | 79494
6 | 17:39.70 | 4:55.60 | 79495 | 101679
7 | 22:35.55 | 4:16.65 | 101680 | 120944
8 | 26:52.45 | 2:56.37 | 120945 | 134181
9 | 29:49.07 | 2:43.13 | 134182 | 146419
10 | 32:32.20 | 3:40.57 | 146420 | 162976
11 | 36:13.02 | 4:08.50 | 162977 | 181626
12 | 40:21.52 | 2:48.03 | 181627 | 194229
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Supergrass - In It For The Money.wav
Peak level 100.0 %
Extraction speed 7.0 X
Range quality 100.0 %
Test CRC AAECDCE6
Copy CRC AAECDCE6
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 22) [3E334DC9] (AR v2)
Track 2 accurately ripped (confidence 22) [DC50DA83] (AR v2)
Track 3 accurately ripped (confidence 22) [881BD4E9] (AR v2)
Track 4 accurately ripped (confidence 22) [BE3351F4] (AR v2)
Track 5 accurately ripped (confidence 22) [A54194B5] (AR v2)
Track 6 accurately ripped (confidence 22) [E7A53F1D] (AR v2)
Track 7 accurately ripped (confidence 22) [B5F4A25B] (AR v2)
Track 8 accurately ripped (confidence 22) [0403438C] (AR v2)
Track 9 accurately ripped (confidence 22) [BF1ED454] (AR v2)
Track 10 accurately ripped (confidence 22) [0EE858A4] (AR v2)
Track 11 accurately ripped (confidence 22) [ACAB4DC9] (AR v2)
Track 12 accurately ripped (confidence 22) [5278AECF] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: flsb1Db3vpg58c_YDldWjYveaho-] found, Submit result: discs with pregaps not supported in this protocol version
[797b0c93] (190/190) Differs in 0 samples @
You can use CUETools to repair this rip.
==== Log checksum 3400DDAAD6C8959F9599BFCFB81510C8B3EFDA1DB68BF69949857EDD5755FA3E ====
EAC extraction logfile from 15. January 2013, 14:10
Supergrass / In It For The Money
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 3:05.68 | 32 | 13974
2 | 3:06.25 | 3:12.72 | 13975 | 28446
3 | 6:19.22 | 3:09.53 | 28447 | 42674
4 | 9:29.00 | 4:43.32 | 42675 | 63931
5 | 14:12.32 | 3:27.38 | 63932 | 79494
6 | 17:39.70 | 4:55.60 | 79495 | 101679
7 | 22:35.55 | 4:16.65 | 101680 | 120944
8 | 26:52.45 | 2:56.37 | 120945 | 134181
9 | 29:49.07 | 2:43.13 | 134182 | 146419
10 | 32:32.20 | 3:40.57 | 146420 | 162976
11 | 36:13.02 | 4:08.50 | 162977 | 181626
12 | 40:21.52 | 2:48.03 | 181627 | 194229
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Supergrass - In It For The Money.wav
Peak level 100.0 %
Extraction speed 7.0 X
Range quality 100.0 %
Test CRC AAECDCE6
Copy CRC AAECDCE6
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 22) [3E334DC9] (AR v2)
Track 2 accurately ripped (confidence 22) [DC50DA83] (AR v2)
Track 3 accurately ripped (confidence 22) [881BD4E9] (AR v2)
Track 4 accurately ripped (confidence 22) [BE3351F4] (AR v2)
Track 5 accurately ripped (confidence 22) [A54194B5] (AR v2)
Track 6 accurately ripped (confidence 22) [E7A53F1D] (AR v2)
Track 7 accurately ripped (confidence 22) [B5F4A25B] (AR v2)
Track 8 accurately ripped (confidence 22) [0403438C] (AR v2)
Track 9 accurately ripped (confidence 22) [BF1ED454] (AR v2)
Track 10 accurately ripped (confidence 22) [0EE858A4] (AR v2)
Track 11 accurately ripped (confidence 22) [ACAB4DC9] (AR v2)
Track 12 accurately ripped (confidence 22) [5278AECF] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: flsb1Db3vpg58c_YDldWjYveaho-] found, Submit result: discs with pregaps not supported in this protocol version
[797b0c93] (190/190) Differs in 0 samples @
You can use CUETools to repair this rip.
==== Log checksum 3400DDAAD6C8959F9599BFCFB81510C8B3EFDA1DB68BF69949857EDD5755FA3E ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-01-15 19:32:06
––––––––––––––––––––––––––––––––––––––––
Analyzed: Supergrass / In It For The Money
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.14 dB -8.78 dB 3:06 01-In It For The Money
DR7 -0.12 dB -8.19 dB 3:13 02-Richard III
DR8 -0.09 dB -9.47 dB 3:10 03-Tonight
DR10 -0.11 dB -12.22 dB 4:43 04-Late In The Day
DR9 -0.07 dB -10.37 dB 3:28 05-G-Song
DR8 -0.11 dB -8.75 dB 4:56 06-Sun Hits The Sky
DR8 0.00 dB -9.23 dB 4:17 07-Going Out
DR8 -0.17 dB -11.34 dB 2:56 08-It's Not Me
DR10 -0.17 dB -11.76 dB 2:43 09-Cheapskate
DR8 -0.11 dB -9.47 dB 3:41 10-You Can See Me
DR11 -0.14 dB -12.41 dB 4:09 11-Hollow Little Reign
DR9 -0.16 dB -10.60 dB 2:48 12-Sometimes I Make You Sad
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR9
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 985 kbps
Codec: FLAC
================================================================================
log date: 2013-01-15 19:32:06
––––––––––––––––––––––––––––––––––––––––
Analyzed: Supergrass / In It For The Money
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.14 dB -8.78 dB 3:06 01-In It For The Money
DR7 -0.12 dB -8.19 dB 3:13 02-Richard III
DR8 -0.09 dB -9.47 dB 3:10 03-Tonight
DR10 -0.11 dB -12.22 dB 4:43 04-Late In The Day
DR9 -0.07 dB -10.37 dB 3:28 05-G-Song
DR8 -0.11 dB -8.75 dB 4:56 06-Sun Hits The Sky
DR8 0.00 dB -9.23 dB 4:17 07-Going Out
DR8 -0.17 dB -11.34 dB 2:56 08-It's Not Me
DR10 -0.17 dB -11.76 dB 2:43 09-Cheapskate
DR8 -0.11 dB -9.47 dB 3:41 10-You Can See Me
DR11 -0.14 dB -12.41 dB 4:09 11-Hollow Little Reign
DR9 -0.16 dB -10.60 dB 2:48 12-Sometimes I Make You Sad
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR9
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 985 kbps
Codec: FLAC
================================================================================
CD Info:
Supergrass - In It For The Money
Label: Parlophone
Catalog#: 7243 8 55228 2 6
Format: CD, Album
Country: UK
Released: 1997
Genre: Rock
Style: Brit Pop, Indie Rock
Tracklist:
1 In It For The Money 3:05
2 Richard III 3:12
3 Tonight 3:09
4 Late In The Day 4:43
5 G-Song 3:27
6 Sun Hits The Sky 4:55
7 Going Out 4:16
8 It's Not Me 2:56
9 Cheapskate 2:43
10 You Can See Me 3:40
11 Hollow Little Reign 4:08
12 Sometimes I Make You Sad 2:48
Companies etc:
Recorded At – Sawmills Studio
Phonographic Copyright (p) – EMI Records Ltd.
Copyright © – EMI Records Ltd.
Pressed By – EMI Uden
Barcode and Other Identifiers:
Barcode: 724385522826
Rights Society: bel / BIEM
Label Code: LC 0299
review by Stephen Thomas Erlewine
Supergrass' debut album, I Should Coco, rushed by at such a blinding speed that some listeners didn't notice the melodic complexity of its best songs. On its second album, the cleverly titled In It for the Money, Supergrass brought the songs to the forefront, slowing the tempos considerably and constructing a varied, textured album that makes the band's ambition and skill abundantly clear. From the droning mantra of the opening title track, it's clear that the band has delved deeply into psychedelia, and hints of Magical Mystery Tour are evident throughout the album, from swirling organs and gurgling wah-wahs to punchy horn charts and human beatboxes. In fact, Supergrass has substituted the punky rush of I Should Coco for such sonic details, and while that means the band only occasionally touches upon the breakneck pace of its debut (the hard-driving "Richard III"), it also deepens its joyful exuberance with subtle songs and remarkably accomplished musicianship. There might not be a "Caught by the Fuzz" or "Alright" on In It for the Money, but that's not a problem, since the bright explosion of "Sun Hits the Sky" and the nervy "Tonight" are just as energetic, and the album features introspective numbers like the gorgeous "Late in the Day" and "It's Not Me" that give it substantial weight. And even with all this musical maturity, Supergrass hasn't sacrificed its good-natured humor, as the detailed production and the bizarre closer, "Sometimes I Make You Sad," make abundantly clear. Sometimes, maturity turns out to be everything it's supposed to be. allmusicguide