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The Band - Music From Big Pink [Remastered and Expanded]

Posted By: Toxxy

The Band - Music From Big Pink [Remastered and Expanded]
Year: 1968, 2000 Capitol Records | CD#: 7243 5 25390 2 4
FLAC-image + Mp3 320 CBR (tracks) | Complete Artwork (600dpi) | 5% WinRAR Recovery
Rock | CD-length 1:14:05 | File-host: RS.com | 447 MB (FLAC) | 169 MB (Mp3)
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Source: my CD-collection | EAC Secure-rip + LOG + CUE

24bit Digitally Remastered & Expanded Edition

The Band - Music From Big Pink [Remastered and Expanded]


Amazon essential recordings.

Music from Big Pink stands as one of those rare albums that turned the rock world on its axis. On this record, released in 1968 at the height of the psychedelic revolution, the five members of the Band (along with producer-sideman John Simon) eschewed spacey diversions, opting for an earthier route. Soon enough, wah-wah pedals and tape loops were making way for fiddles and mandolins. The group's most democratic effort (Robbie Robertson would soon emerge as the ensemble's mouthpiece), the debut's 11 songs come from Robertson, bassist Rick Danko, and pianist Richard Manuel, who contributes two songs and cowrote the doleful opener, "Tears of Rage," with Bob Dylan. Manuel's role would diminish from this point hence and the balance he brought to the quintet would be missed. Many would argue that Big Pink's sequel, The Band, represents their crowning achievement. The truth is, Big Pink is the purest distillation of the Band, and their preeminent recording. This remastered reissue is generously expanded to include nine bonus tracks, a bunch highlighted by a Robertson rarity ("Ferdinand the Imposter") and a cover of the Stanley Brothers's "If I Lose."

[Steven Stolder]




The Band:

Richard Manuel (vocals, keyboards)
Rick Danko (vocals, bass)
Levon Helm (vocals, drums)
Robbie Robertson (guitar)
Garth Hudson (keyboards)


Album recorded at Big Pink, West Saugerties, New York.





Although the five musicians who came together in the late 1950s and early 1960s to back up Canadian rockabilly singer Ronnie Hawkins probably had played thousands of shows and had made numerous recordings, none of these public appearances gave much of a clue about how they would sound when they released their first album as the Band in July 1968. If people at that time had heard the 1967 sessions later dubbed "the basement tapes" that the musicians had made with Bob Dylan, they would have been better prepared. As it was, "Music From Big Pink" came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, the arrangements giving alternating emphases to different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. "Tears Of Rage," the lead-off track, was a lament by parents about a rebellious child; "The Weight" considered various acts of kindness that went wrong; and "I Shall Be Released," the closing track, expressed the hopeless hope of a prisoner who determined his salvation by viewing the world in reverse ("I see my light coming shining from the west unto the east," he sang, as if the earth were spinning in the opposite direction from its usual course). Other songs took on the theme of declining institutions less clearly, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, even when he wasn't singing lead (especially his moans in "The Weight"), while Rick Danko and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor. The dominant instrument was Garth Hudson's organ, which could be icy and majestic, his other keyboards introducing novel sounds, while Robbie Robertson's unusual guitar work further destabilized the sound. The result was an album that reflected the cultural and political turmoil of the late '60s in a way that emphasized the tragedy inherent in the conflicts.

Nevertheless, "Music From Big Pink" came off as a shockingly divergent musical statement only a year after "Sgt. Pepper's Lonely Hearts Club Band", when rock had moved toward ornate productions. Bob Dylan, the Band's mentor, had begun a move back to a simpler, if more ambiguous style with "John Wesley Harding" six months earlier, and "Music From Big Pink" initially attracted attention because of the three songs ("Tears Of Rage," "This Wheel'S On Fire," and "I Shall Be Released") he had either written or co-written. Soon, however, as "The Weight" became a minor singles chart entry, the album and the group made their own impact, influencing a movement more toward roots styles and country elements in rock. Over time, "Music From Big Pink" came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre.

The CD reissue released on August 29, 2000, was remastered for a clearer sound that produced a more detailed sound picture, making those rambling arrangements easier to appreciate. The reissue featured extensive liner notes by Band expert Rob Bowman and included nine bonus tracks, expanding the running time from 42 to 74 minutes. Among the new material, there were alternate takes of "Tears Of Rage" and "Lonesome Suzie" (the former only marginally different, the latter a completely different approach to the song); versions of four songs previously released on the 1975 album "The Basement Tapes" ("Yazoo Street Scandal," "Katie'S Been Gone," "Long Distance Operator," and "Orange Juice Blues [Blues For Breakfast]"); covers of country and blues material ("If I Lose," "Key To The Highway"); and one original song probably from the group's initial demo session ("Ferdinand The Imposter"). None of these recordings sounded like they should have been included on the original album, but they provided an interesting addenda, especially for aficionados who might need a reason to invest in yet another reissue of this classic album.

[William Ruhlmann, All Music Guide]





The Band Official Homepage

The Band at Wikipedia




Tracks:

01. Tears Of Rage (5:24)
02. To Kingdom Come (3:22)
03. In A Station (3:35)
04. Caledonia Mission (2:59)
05. The Weight (4:39)
06. We Can Talk (3:07)
07. Long Black Veil (3:06)
08. Chest Fever (5:19)
09. Lonesome Suzie (4:04)
10. This Wheel's On Fire (3:14)
11. I Shall Be Released (3:19)

Bonus Tracks:

12. Yazoo Street Scandal (Outtake) (4:02)
13. Tears Of Rage (Alternate Take) (5:32)
14. Katie's Been Gone (Outtake) (2:47)
15. If I Lose (Outtake) (2:30)
16. Long Distance Operator (Outtake) (3:58)
17. Lonesone Suzie (Alternate Take) (3:00)
18. Orange Juice Blues (Blues For Breakfast) (Outtake - Demo) (3:40)
19. Key To The Highway (Outtake) (2:28)
20. Ferdinand The Imposter (Outtake - Demo) (4:00)



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More Remastered and Expanded CDs with The Band will be posted in the coming days!