Best Service - Chris Hein Orchestral Brass EXtended KONTAKT

Chris Hein Orchestral Brass EXtended is an extensive orchestral brass library meeting highest expectations regarding sound quality, expression and applicability. What started out as a functional and fun brass library in its first iteration, has been taken to the next level with the EXtended Version.


Producer Chris Hein has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use. For the EXtended Version Chris Hein pushed the limits of Kontakt scripting and modelling to power the most realistic and dynamic brass collection ever seen.

While the original library featured nine instruments, Chris Hein Orchestral Brass EXtended comes with twelve instruments in total. Included are all nine original instruments plus three additional instruments, six ensemble instrument patches, and two effects articulation patches. All in all, Chris Hein Orchestral Brass EXtended contains 20 GB of additional content - more than twice as much as the original library and over 43,000 new samples.

Instruments from Orchestral Brass Complete: three Trumpets, three Trombones, and three French Horns recorded as individual instruments and as three ensembles. Each instrument builds upon almost 8,000 single samples, 14 articulations and up to eight dynamic layers.

Additional instruments in the EXtended Version:
- F-Tuba
- Sousaphone
- Euphonium

In fact, these three Low Brass Instruments have more articulations and samples than the original Brass Instruments - there are 24 articulations in total for each of the Tuba, Sousaphone and Euphonium.

Sousaphone ImageIn addition to 5 different sustains, 6 different shorts and 5 different special articulations, you’ll find:
- Added Repetitions in 16th and 8th notes with adjustable speed
- 6 new short articulations and hundreds of stunning one shot effect samples

Euphonium ImageChris has sampled these instruments in exquisite detail, with 16 dynamic layers for the normal shorts. This provides a huge range of variation and expression. Short repetitions, dirty attacks, growls and ornaments were deliberately recorded with character and expression, so they’ll bring unparalleled realism to your parts, simulating the natural playing nuances of a real-life player.

More Features inside Orchestral Brass EXtended

Note-Head Variations - Changing the Note-head variations has always been a standout feature of Chris Hein libraries, and with Orchestral Brass EXtended the number of different attack articulations increases from 6 to 12. This is the easiest way to bring more character, variations and nuance to your brass performances. Instantly switch between all versions of clean or dirty attacks by just moving the Note-Head fader.

Simulated Mute Controls - The simulated mute controls inside Orchestral Brass EXtended are effective, realistic and first and foremost lots of fun. Because they’re modelled, rather than sampled, Orchestral Brass EXtended consists of a reasonable size without multi-sampling every different type of mute. All the EXtended instruments are armed with the mute modelling, accessible from the front panel. Included are five different Mutes: Bucket, Cup, Harmon, Straight, and Stop mute.

True Legato - The instruments of Chris Hein Orchestral Brass Complete offer true legato. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. At the same time you can expand these realistic articulations by additional, artificially inserted legatos.

Perfect Dynamic Transitions thanks to Phase Alignment - All samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.

Both the high quality gear such as selected Neumann microphones and the musician's significant performances drive the sound aesthetics. Unlike the award-winning Chris Hein – Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.

For this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds Compact incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other, forming perfectly balanced ensembles. Consequently, time-dependent articulations such as Dynamic Expression achieve an especially coherent tone, allowing you to combine individual instruments for perfectly matched ensembles.