My Fair Lady (1964)

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My Fair Lady (1964)

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In the mid-1930s, film producer Gabriel Pascal acquired the rights to produce film versions of several of George Bernard Shaw's plays, Pygmalion among them. However, Shaw, having had a bad experience with The Chocolate Soldier, a Viennese operetta based on his play Arms and the Man, refused permission for Pygmalion to be adapted into a musical. After Shaw died in 1950, Pascal asked lyricist Alan Jay Lerner to write the musical adaptation. Lerner agreed, and he and his partner Frederick Loewe began work. They quickly realized, however, that the play violated several key rules for constructing a musical: the main story was not a love story, there was no subplot or secondary love story, and there was no place for an ensemble. Many people, including Oscar Hammerstein II, who, with Richard Rodgers, had also tried his hand at adapting Pygmalion into a musical and had given up, told Lerner that converting the play to a musical was impossible, so he and Loewe abandoned the project for two years.

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My Fair Lady (1964)

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Eliza Doolittle (Audrey Hepburn, Breakfast at Tiffany's) peddles flowers to any and all comers, even the wealthy elite amongst whom she may never truly mingle for her social status and thick Cockney accent, either of which are a hurdle, both of which mean she's in for a hard life of poverty. But as chance would have it, she runs into a professor of phonetics, Henry Higgins (Rex Harrison), who is so gifted with a knowledge of patterns of speech that he can pinpoint anyone's place of origin to within a few miles. He's rather stuffy and too self-assured, looking down on those poor souls who "butcher" his language, even if they do so naturally rather than by choice. Eliza overhears him boasting that he can turn any old peasant with a go-nowhere accent into a proper socialite and accepted member of high society in six months. Eliza tracks him down and begs him to improve upon her native tongue so she might land a career in a real flower shop, but there's only one problem: she can't afford to pay the professor his usual wage. As fate would have it, a wealthy nobleman and noted phonetician, Colonel Hugh Pickering (Wilfrid Hyde-White), makes a wager with Higgins, challenging him to turn Eliza into a first-class fair lady who will be accepted amongst the elite based strictly on her use of the English language. The game is on, the challenge is difficult, and the rewards promise to be many, but what will success really do to someone who's a Cockney peasant flower girl at heart?

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My Fair Lady (1964)

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Looking at My Fair Lady, one can't help but to immediately wonder how it is that man can so capably and brazenly discriminate on any old thing of his choosing. In Director George Cukor's filmed adaptation of George Bernard Shaw's Pygmalion, it's an individual's speech pattern that's at the root of the problem. See, a certain manner of speaking, apparently, implies a particular class; a place of origin; and certain, other general stigmas, all of which of course certainly mean not only diminished chances of success, but no chances at all. Then the film posits the question, "is it better to live as one is, or strive for improvement?" Obviously the answer to that question will lie with the latter for most, but then the question revolves around whether one wishes to improve him or herself for personal gain and satisfaction, or simply to please others, to ascend to a class, a status, a way of life that discriminated so broadly to begin with? Is there room at the top to induce top-down change, going up the ladder only to knock it down? As Audrey Hepburn's character discovers in My Fair Lady, the transformation from one class to another leads to a little bit of both. She must improve her speech and elevate her status if she wants to make it in a world that dictates she must, but she must not do so at the expense of her very essence. Hers becomes a delicate balancing act, and when she sees her success defined as someone else's success rather than her own, it will be then that she will be challenged to find her true place in life.

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My Fair Lady (1964)

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What's so wonderful about My Fair Lady is the way it tackles such important issues – discrimination, acceptance, and self-worth – but does so with with an innate silliness, a buoyant sense of humor, and great ease of storytelling. The movie never feels at all structurally cumbersome or emotionally burdensome. On the contrary, it's wonderfully breezy and loads of fun. The performances are strong, and the music is catchy and uplifting from the first tune to the last. More important, the lyrics never betray the basic story elements and, like the best musicals, they enhance the movie rather than just fill in gaps and try to sell soundtracks. The entire thing is just whimsically fun from beginning to end. My Fair Lady masters the art of combining entertainment-as-diversion and entertainment-as-social-commentary brilliantly. The former is certainly the real star of the show, but never does the latter ever feel lost or secondary underneath the songs and jokes, even when the movie is superficially dominated by them, as it often is.

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My Fair Lady (1964)

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Lastly, and probably most readily evident, is the grace with which the movie plays. From the top down, there's never a moment where the movie exudes anything less than the pleasantly spectacular. It's a real show, a movie that certainly offers its audience its money's worth and then some: there are no corners cut, no performance left unmastered, no scene halfheartedly directed, no song less than perfectly executed. The picture's production values are exquisite. Set design is relatively simple and there aren't all that many different locations in the movie. It plays with something of a stage production feel, which doesn't betray the story's roots but doesn't hinder its success as a motion picture, either. Costumes are brilliant, lavish and exciting, and every fine detail is so perfectly in place that there just had to be a science behind the making of this movie. Director George Cukor rightly seems content to simply allow the movie to make itself through song, sets, and performances. The cast is nearly faultless, with headliner Audrey Hepburn delivering a polished and wonderfully complex performance, playing a character on two drastically different ends of the human spectrum, each with a grace, wit, and charm that's evident no matter her costume, cleanliness, speech patterns, or physical interaction with other characters and set pieces.

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My Fair Lady (1964)

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My Fair Lady Blu-ray, Video Quality
My Fair Lady's extravagant sets and costumes often sparkle on Blu-ray. Colors are quite gorgeous and stand out as the transfer's best asset. From the opening shot of well-dressed socialites leaving the opera forward, the transfer yields sparkling hues, generally well-balanced and harmonious, looking as exquisitely natural as ever. Even the bright white social circle scenes and the very warm interior of Higgins' office offer stability and evenness. Black levels are strong throughout, even as dark suits and black carriages bump up against shadowy backgrounds at film's open. Fine detail is strong, but not perfect. Faces and clothes, of course mainstays of Blu-ray visual efficiency, look quite good, but so too do everything from Eliza's wicker flower basket to brick façades, wooden textures, and even dirt on the ground, all of which are presented with a natural, almost tactile appearance. Clarity is strong, but the image does appear to drift into softness and edge murkiness every now and again. It's also dotted by occasional speckles, but the print appears to be in otherwise fine shape. This isn't the snazziest looking catalogue title on Blu-ray, but Paramount's 1080p release is solid all around and should please longtime fans looking to enjoy the boost in resolution and stability the format offers.

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My Fair Lady (1964)

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My Fair Lady Blu-ray, Audio Quality
My Fair Lady graces Blu-ray with a DTS-HD MA 7.1 lossless soundtrack. The track presents a big and spacious sensation from the opening titles forward. It makes fine use of the many surround speakers, allowing music to settle in and play complimentary to the primary fronts. It's an enveloping, often exhilarating and satisfying presentation, which holds true throughout the film beyond the opening titles. The low end is hefty but not overbearing, making for a good support element to give body to the film's music. Atmospherics aren't always dominant or even prominent. Heavy rain at film's start plays rather small, and seems lost under the thunderous music. Additional ambiance plays lightly, too, but often a bit more effectively. Dialogue is, of course, focused in the front center channel. It's adequately clear and effective, and the track does well to bounce the dialogue gently across the front when words echo around the sets. This is a big, wide, energetic track. It's fun and effective, but not necessarily perfect.

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My Fair Lady (1964)

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My Fair Lady Blu-ray, Special Features and Extras
My Fair Lady graces Blu-ray with a nice assortment of extra content, including several featuettes, an audio commentary track, trailers, and still galleries.

Audio Commentary: Gene Allen, Marni Nixon, Robert A. Harris, and James C. Katz offer a track that's heavy on the filmmaking and restoration process, both video and audio. It can get a little technical, but it's honest in terms of the difficulty of the process and the need to remain true to the film's original vision and structure. It also delves heavily into the history of the production which makes for a more traditional-like string of comments. Marni Nixon chimes in from time to time, recorded separately and discussing her work on the film as Hepburn's singer.
More Loverly than Ever: The Making of My Fair Lady Then & Now (480p, 57:53): Jeremy Brett leads a look back at the movie's classic moments and music, its reception and acceptance, the history of its story and production, leading all the way through to its restoration by Robert Harris and James Katz, the saving of a classic picture for future generations.
1963 Production Kick-Off Dinner (480p, 23:19): Vintage black-and-white footage features cast and crew interviews and speeches.
George Cukor Directos Baroness Bina Rothschild (Audio Track Only with Stills) (480p, 2:36): The My Fair Lady director improves a performance.
The Fairest Fair Lady (480p, 9:33): This basic vintage color piece breezes through the basics of the production.
Los Angeles Premiere 10/28/1964 (480p, 4:51): Inside (black-and-white) access to the film's glamorous premiere for a look at the arriving stars.
Rex Harrison Golden Globe Acceptance Speech (480p, 0:43): The actor delivers a prerecorded speech from Europe.
Academy Awards Ceremony Highlights 4/5/1965 (480p, 0:25): "Highlights," as in "plural," is a bit misleading; this is a single and all-too-brief clip from the prestigious event.
Alternate Audrey Hepburn Vocals (1080p): Show Me (2:38) and Wouldn't It Be Loverly? (4:26).
Galleries: Sketches (1080p, 1:12), B&W Stills (1080p, 1:02:43), Color Production Stills (1080p, 6:56), Documents and Publicity (1080p, 5:20), and Poster Cards with Rex Harrison Radio Interview (480p, 1:03).
Comments on a Lady (480p): Andrew Lloyd Webber (1:06) and Martin Scorsese (1:19).
Trailers (480p): 1964 'My Fair Lady' (5:04) and 1994 'My Fair Lady' Re-Release (3:46).

My Fair Lady Blu-ray, Overall Score and Recommendation
My Fair Lady is a definition of classic cinema. It's big, lavish, populated by several great stars, and most importantly, is simply unforgettable. The music is wonderful, the production values faultless, and the story endlessly entertaining while also surprisingly deep and meaningful, too. The movie may be enjoyed as a thinking man's musical or as a whimsically light good time at the movies. Is it the best of its kind? Probably not; nothing beats The Sound of Music in the Musical category, but place My Fair Lady right up there with the best of the best. Paramount's Blu-ray release of My Fair Lady offers handsome picture quality, a sound 7.1 lossless audio track, and a nice array of classic supplements. Recommended.

..:: Italian Language ::..

Un noto glottologo londinese, il professor Higgins, scommette con un suo amico e collega, il colonnello Pickering, che riuscirà a trasformare - tempo sei mesi - la sgraziata e cenciosa fioraia Eliza in una raffinata dama degna d'essere presentata all'annuale ballo dell'ambasciata. Dopo laboriose ed estenuanti lezioni, volte a far perdere alla ragazza le terribili inflessioni dialettali, ed un primo fallito tentativo di presentare Eliza in società, il professor Higgins puo' finalmente considerare riuscita la sua opera allorchè Eliza ottiene l'universale ammirazione dell'alta società. Per Higgins e Pickering l'esperimento sarebbe cosi' concluso, ma Eliza ha ormai una nuova personalità che le impedisce di tornare alla sua vecchia vita e d'altra parte è ormai profondamente innamorata del suo maestro. Vedendosi incompresa, abbandona la casa di Higgins, il quale, soltanto allora, s'accorge dell' importanza che la fanciulla ha per lui. Dopo un breve periodo di separazione, i due torneranno l'uno nelle braccia dell'altro.

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My Fair Lady (1964)

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