With minimal narration by the director and very little context this is a kaleidoscope of stunning visuals from Calcutta, a city of 8,000,000 in the late 1960's: rich and poor, exotic and mundane, secular and religious, children and adults, animate and inanimate. Given only the images, the viewer can read any meaning she or he wants into the film.

Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan.

Two women attend a party in a barn, where they meet Mr. Bradley, a strange middle-aged man with a British accent. He saves one of them from an attempted rape in a hayloft, so she introduces him to her friend Terry. After chatting a while, he leaves and drains the gas from their car. Finding their gas tank empty, Ann and Terry walk until they come to Bradley's isolated house, where he lives with his sister Myla and a servant named Freddy. It turns out that Bradley is actually an insane mortician and that he have certain plans with his guests.

A divorcée falls for an over-the-hill cowboy who is struggling to maintain his romantically independent lifestyle.

Gloria is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. While recovering from a suicide attempt, she gets the idea from a movie magazine to head for Hollywood to make it as an actress. Robert is a desperate Hollywood citizen trying to become a director, never doubting he'll make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the 1930's. The grueling dancing takes its toll on Gloria's already weakened spirit, and she tells Robert that she'd be better off dead, that her life is hopeless - all the while acting cruelly and bitterly, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don't they?

When an eclectic group of passengers boards a cruise ship bound for prewar Germany, they form a microcosm of 1930s society. One passenger, a mysterious countess (Simone Signoret), is headed for a German prison camp. The charming Dr. Schumann (Oskar Werner) harbors a debilitating heart condition. Then there's American divorcée Mary Treadwell (Vivien Leigh), who vainly attempts to outrun time itself. During their weeks at sea, the group forges bonds and rivalries, and unearths secrets.

After enduring a series of nightmares, painter Leonardo Ferri (Franco Nero) decides he needs to get out of Milan. His agent and sometime lover, Flavia (Vanessa Redgrave), is able to find a remote villa for him to work in, but country life proves no less turbulent than life in the city. A supernatural presence haunts the villa, and after some research Leonardo comes to believe it's the ghost of a mysterious countess killed during a World War II air raid.

New Yorkers Paul Bratter and Corie Bratter née Banks have just gotten married. He is a stuffed shirt just starting his career as a lawyer.

This compilation of five early short films by Martin Scorsese offers a fascinating window onto his artistic development. Spanning the years from Scorsese’s time at NYU in the mid-1960s to the late ’70s, when he was emerging as one of the era’s most electrifying talents, Scorsese Shorts centers on the intimate home movie Italianamerican—a loving snapshot of the director’s parents—and American Boy, a freewheeling portrait of the larger-than-life raconteur Steven Prince. Also included are The Big Shave, a daringly visceral response to America’s involvement in Vietnam, and the bracing student films What’s a Nice Girl Like You Doing in a Place Like This? and It’s Not Just You, Murray! Touching on many of Scorsese’s key themes—Italian American identity, family, his beloved New York City—these are hilarious, candid, and illuminating works from the pre­eminent American filmmaker of our time.

Bored farmer's daughter sets out to make it in the big city. She gets mixed up with freaks, perverts and degenerates and winds up a stripper in New Orleans.

Loser Charlie Wishnick, locked out of his trailer home by his awful wife, ends up in a time machine that's disguised as a taxicab. Transported to 50,000 B.C., Charlie meets cavemen and cavewomen, many of which are often nude. He falls in love and is almost eaten by a giant.

Stripper Blaze Starr, playing herself, drives her agent–who is also her fiancé–to distraction by ignoring scheduled "press functions" and spending her weekends at a nudist camp.

During the American Civil War, three men set off to find $200,000 in buried gold coins. Tuco and Blondie have known each other for some time now having used the reward on Tuco's head as a way of earning money. They come across a dying man, Bill Carson, who tells them of a treasure in gold coins. By chance, he tells Tuco the name of the cemetery and tells Blondie the name of the grave where the gold is buried. Now rivals, the two men have good reason to keep each other alive. The third man, Angel Eyes, hears of the gold stash from someone he's been hired to kill. All he knows is to look for for someone named Bill Carson. The three ultimately meet in a showdown that takes place amid a major battle between Confederate and Union forces.

After a drunken spree on a cruise ship, two women discover that they're pregnant, and set out to find who the fathers are.

Though married to the good-natured, beautiful Thérèse (Claire Drouot), young husband and father François (Jean-Claude Drouot) finds himself falling unquestioningly into an affair with an attractive postal worker. One of Agnès Varda's most provocative films, Le bonheur examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world.