After trying to commit suicide, the widow Julie Kohler (Jeanne Moreau) pretends to her mother that she will leave her town. Actually she stays, chases and assassinates the five men that accidentally killed her beloved husband in the stairs of the church immediately after their wedding ceremony.

A supressed and sociopathic school teacher unsuspectedly torments residents of a small French village with acts of violence and destruction. An erotic obsession with an ostracised outsider causes her behaviour to become yet more erratic but, as tensions in the community reach boiling point, will the villagers see beyond their prejudices?

A supressed and sociopathic school teacher unsuspectedly torments residents of a small French village with acts of violence and destruction. An erotic obsession with an ostracised outsider causes her behaviour to become yet more erratic but, as tensions in the community reach boiling point, will the villagers see beyond their prejudices?

Bay of the Angels (La Baie des anges) stars Jeanne Moreau as a middle-aged Parisian gambling addict who leaves her husband and children and heads for the roulette tables of Nice. There she meets young and handsome Claude Mann–a meeting which coincides with Moreau's first winning streak. She latches onto Mann in the belief that he's a good luck charm, and remains with him even when she starts losing heavily. Mann, emotionally drained, walks out of the relationship. The film ends with Mann entreating Moreau to return with him to the bourgeois existence that she'd escaped in the first scene. Bay of the Angels was directed by Jacques Demy, just before he achieved international fame with his musical films Young Girls of Rochefort and The Umbrellas of Cherbourg.

Hailed as one of the finest films ever made, Jules and Jim charts, over twenty-five years, the relationship between two friends and the object of their mutual obsession. The legendary François Truffaut directs, and Jeanne Moreau stars as the alluring and willful Catherine, whose enigmatic smile and passionate nature lure Jules (Oskar Werner) and Jim (Henri Serre) into one of cinema’s most captivating romantic triangles. An exuberant and poignant meditation on freedom, loyalty, and the fortitude of love, Jules and Jim was a worldwide smash in 1962 and remains every bit as audacious and entrancing today.

A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor (Gastone Moschin) goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress (Elsa Martinelli). 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini (Raquel Welch) discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo. 5) "Paris Today": Two girls pick up clients by driving around in a car, and then an ambulance. Police pull the vehicle over for speeding. 6) "Anticipation": Demetrius (Jacques Charrier) has just arrived on Earth from another galaxy. But the girl brought to him by the commissar, Hostess 703 (Anna Karina), is not a "physical love" girl; she's a "sentimental love" one, who only knows how to excite men with language.

A collection of sketches on prostitution through the ages.

Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there is one rule: never fall in love. But this time Valmont falls madly in love with a girl he meets at a ski resort, Marianne.