A happy couple are trying to get pregnant but are failing each time. Eventually the woman's mind snaps and she enters a world of her own where she becomes pregnant. She starts seeing how her man is ignoring the baby that is growing in her belly and how he slowly distances himself from her. The hatred towards her man grows along with her insanity.

35-year-old Niki is a master of procrastination. Despite (or perhaps just because of) her mother worrying about her daughter's eternity-long teenage phase,

An eccentric millionaire dies at a manor in Dalarna in Sweden, leaving behind three sons and a mistress. One of four parallel stories about parents and children. Four sides of Sweden. Four shades of brown.

As a couple goes on a trip to find their way back to each other, a sideshow artist and his shady entourage emerge from the woods,

DAY AND NIGHT is about people that love and want to be loved. It's the story of a father, his young son, his unfaithful wife, her secret lover, his young mistress, his lonely sister, his forgetful mother, a fanatic football coach, a pregnant whore and an angel disguised as an old man. They are all looking for the answer to the same question: "If love is the answer - what is the question?"

This is a story of a disturbed normal life. In other words, it is a story that fear transforms the lives of the characters almost to destroy them. Ali is a man who comes from the Middle East. Lives in Sweden, is a taxi driver and has two daughters. Leo is an unassuming boy classmate of one of his daughters. Both will live in parallel a descent into hell when fear is installed in their lives and consumes them from within. In the case of Ali, through a message that sends memories to a distant past as a terrorist he thought he had finally escaped; in the case of Leo, when a series of unfortunate coincidences lead him to shoot another boy who constantly torments him. Both characters have to face their fears or succumb to it.

The Guitar Mongoloid is a 2004 Swedish film directed by Ruben Östlund, about different people living outside the norms in the fictional city Jöteborg, strikingly similar to real-life Jöteborg. Although not a documentary, most of the people seen in the film are non-actors more or less playing themselves.

In 1890, Pontus, the starving writer, wanders the streets of Christiania, in search of love and a chance to get his work published.

The Swedish 19th century engineer S. A. Andrée sets out to become the first man on the north pole.

Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of Mozart's Requiem at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity.

A movie director is approached by his old math teacher with a great movie idea: the Devil declares that the Earth is hell. The director rejects the idea, but subsequent events in the life of a writer, a friend of the director's, and a young prostitute he loves seem to prove the math teacher's idea.

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen’s legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious – instead it’s a witches’ brew of the scary, gross, and darkly humorous.

The last person to die on New Year’s Eve before the clock strikes twelve is doomed to take the reins of Death’s chariot and work tirelessly collecting fresh souls for the next year. So says the legend that drives The Phantom Carriage (Körkarlen), directed by the father of Swedish cinema, Victor Sjöström. The story, based on a novel by Nobel Prize winner Selma Lagerlöf, concerns an alcoholic, abusive ne’er-do-well (Sjöström himself) who is shown the error of his ways, and the pure-of-heart Salvation Army sister who believes in his redemption. This extraordinarily rich and innovative silent classic (which inspired Ingmar Bergman to make movies) is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects.

Tomas and Ingrid, two young leftist radicals, are living in a off relationship. Tomas is employed to edit and compile the diaries and correspondence of Dr. Arthur Bauer. A middle-aged German exiled revolutionary. The work is confidential. Tomas is required to move in with Bauer, his wife Francesca and the housekeeper. Tomas is not only asked to edit and compile the archives, he is also to keep the beautiful Francesca company, if she so pleases. In the library Tomas learns about a hidden tape-recorder, containing recordings and pm's by Bauer.

In a suburban Swedish apartment, Rickard (Thorsten Flinck) is directing a pornographic video starring his friend Geko (Goran Marjanovic) and a young woman named Tess (Sanna Bråding). Rickard's teenage son Eric (Björn Almroth) tries to ignore what is happening. During the course of filming, he is befriended by Tess, and fantasises about shooting his father. The atmosphere in the apartment becomes tense after Geko falls asleep during sex, and Tess teases him. Geko and Rickard threaten Tess with violence. She leaves, but later returns with a trolley full of groceries, prompting a food fight that ends with Geko vomiting into Tess' mouth. Tess and Eric are last seen taking turns climbing into a washing machine.