From Another Room invites listeners into the world of Diana Silvers with a cinematic, folk-inflected debut. Featuring her breakout singles “June” and “Airplane,” this release captures Diana’s intimate storytelling and alluring vocals in their purest form.

Curandero is the debut collaborative album by pioneering ambient electronic artist Steve Roach and acclaimed throat singer and ritual artist SoRIAH. The album, which the artists describe as "sonic shamanism" and "immersive ritual music," explores the frontiers between the known, the exotic, fear, and freedom. Roach, an originator of the tribal ambient genre, resides in Baja Arizona, drawing inspiration from the ancestral land of the curanderos (indigenous healers). SoRIAH, deeply devoted to Tuvan throat singing (Khöömei), traveled to the same region (the ancient motherland of Aztlán) for the collaboration. The music, which SoRIAH describes as "deep shadow work" on the cusp of healing and shamanic exorcism, and Roach calls a "portal" between worlds, blends interwoven trance rhythms, hallucinatory atmospheres, and harmonic vocal overtones. Recording and mixing took place in studios across Baja Arizona, Oregon, and Mongolia.

On EARTH, Møtrik delivers a sprawling, celestial journey through the outer limits of krautrock. From the glittering awe and breath-counting disorientation of “Weightless” to the tidal reckoning of “Ultimate Drive,” EARTH charts a course through sonic paradox; between body and void, machine and soul, end and beginning.

Prolific Norwegian trumpeter and ECM veteran Arve Henriksen returns with Estonian guitarist/composer Robert Jürjendal in tow, matching his idiosyncratic shakuhachi-style melodic condensations with Jürjendal's glassy electro-acoustic soundscapes and sonorous percussion. Fans of Jon Hassell & Brian Eno, Daniel Schmidt and Badalamenti, this one’s for you.

Pianist, composer, and activist Chloe Flower brings her captivating blend of classical mastery and modern flair to Joe’s Pub with music from her groundbreaking new holiday album, She Composed: The Holidays. The first-ever holiday album written entirely by women, the program spans from delicate carols to powerful orchestral works, spotlighting long-overlooked female composers across history. Expect a bold, virtuosic, and unforgettable evening that redefines the sound of the season.

n a landmark moment for one of Europe’s most celebrated large ensembles, Big Band Bass—out November 7, 2025 on Bass Lion Publishing—sees American bassist John Goldsby step into the spotlight as composer and featured soloist with the Grammy winning WDR Big Band. Marking his 30th anniversary as a member of the Cologne-based group, the album showcases eight original compositions arranged by long-time collaborators Bob Mintzer, Michael Abene, Dave Horler, and Vince Mendoza.

A surprising album, featuring no fewer than eight original tracks written especially for Amanda by talented songwriters such as Pierre Lapointe, Sacha Rudy and Patxi Garat. With this introspective album, the artist tackles a new repertoire of contemporary French pop music, as well as more unusual genres such as blues. She even collaborated with legendary American DJ Chris Cox on a cover of the powerful dance track ‘When I Was Your Favourite Singer’. Don't miss it!

From the radiant simplicity of Bob Chilcott and John Rutter to the mystical intensity of Judith Weir and James MacMillan, the Choir of Merton College’s An English Christmas gathers a century of festive choral inspiration into one luminous album. Benjamin Nicholas conducts forces including the Oxford Philharmonic and Contemporary Sinfonia in music that glows with lyric warmth and orchestral colour. Alongside carols by Holst, Howells and Vaughan Williams are new works by Kerensa Briggs, Roxanna Panufnik and Cecilia McDowall — a celebration of both tradition and renewal, and of the uniquely English choral sound that has become Merton’s hallmark.

On March 7, 2005, Marius Müller-Westernhagen's album "Nahaufnahme" (Close-Up) was released and debuted at number 1 on the German charts, where it remained for two weeks. It was certified gold for over 100,000 units sold. The album was produced by Dieter Krauthausen, Jay Stapley, and Westernhagen himself, and recorded at Mark Angelo Studios in London. The cover was photographed by Karl Lagerfeld. On this album, Westernhagen combines the songwriting passion of his early albums with the virtuosic, yet never intrusive, musicianship of his predominantly British band.

The album ‘Ganz allein krieg's nicht hin’ (I Can't Do It Alone) was released on 20 June 1977. Recorded at Alsterstudio and produced by Peter Hesslein, the music was once again performed by the members of Lucifer's Friend. Five of the songs were written by Marius Müller-Westernhagen. In the year after his breakthrough as an actor (with Peter F. Bringmann's ‘Aufforderung zum Tanz’), he remained unsuccessful as a musician.

Torna Giorgia dopo l'uscita dell'ultimo singolo “Golpe" annunciando il suo nuovo album, intitolato “G”, in uscita il 7 novembre e già disponibile in preorder nelle versioni LP nero 180 gr. e CD. Un progetto che include brani inediti e altri già noti, come il singolo “La Cura per Me”, successo di Sanremo già certificato disco di PLATINO, che ha dominato le classifiche radio e streaming per 12 settimane consecutive, superando i 130 milioni di stream audio e video. Il suo tour, ospitato nelle location più suggestive d’Italia, ha fatto registrare sold out in ogni data. Ora in tv alla conduzione della nuova edizione di X Factor. Preordina ora il nuovo album “G”!

The album Das Herz eines Boxers (The Heart of a Boxer) was released on 21 October 1982 and reached number 11 in the charts, remaining there for a total of 17 weeks. For the production of his seventh studio album, Westernhagen travelled to London for the first time with producer Lothar Meid and recorded an album at London's Townhouse Studio that took a more diverse and experimental sound direction.

"Marius and I have known each other for ages. We first met in 1980, when we went to the cinema together. He was sitting on top of the screen in a Volvo articulated lorry and I was sitting below, in the front row of the Grindel cinema. At the time, I also weighed about 52 kilos, wore size 28 jeans and, like him, had this nondescript, fringed hairstyle. I could totally identify with the dynamic ferret on the screen – not only because we actually looked alike, but because this little thin man named Theo, whom he embodied so magnificently, who was mercilessly inferior to ‘the rest of the world’ but walked around with his chest puffed out, had something in common with me. Because anyone who comes across as such a loudmouth is, in reality, only too familiar with the old monkey called fear."

The album ‘Stinker’ was released on 2 April 1981 and entered the charts at number 5, where it remained for two weeks. It spent a total of 51 weeks in the charts and sold over 500,000 copies, earning Westernhagen a platinum award. The album is once again produced by Lothar Meid. As the third part of the trilogy after ‘Mit Pfefferminz bin ich dein Prinz’ and ‘Sekt oder Selters,’ all three albums simultaneously enter the top 10 of the German sales charts. The second tour within a year takes place in front of an even larger audience. Westernhagen is now the biggest new rock star in Germany.

The Spanish star finds her muse in theology books: “This is maximalism.” For ROSALÍA, her fourth full-length album LUX only has “little pieces” of her in the lyrics of its songs—and she prefers it that way. “I think the best fiction has this blurry line, the sweet spot between what’s personal and what’s universal, what’s detailed and what’s abstract, what’s implicit and what’s explicit,” the Spanish star tells Apple Music. “It’s both. Because I wrote it, there has to be some sort of truth for me in it. But at the same time, I think it’s much more about the other than about myself.”