There’s no sign of any let up in Neil Young’s current reissue/release productivity, with the announcement of three new albums in his ‘Official Bootleg Series’. These are Royce Hall, 1971, a solo acoustic gig which was recorded on 30 January of that year on the UCLA (University of California) campus; Dorothy Chandler Pavilion, 1971, another solo acoustic performance and the last US show of his 1971 solo tour; and, perhaps most excitingly, Citizen Kane Jr. Blues (Live at The Bottom Line), an On The Beach-heavy set from New York City, 1974.

There’s no sign of any let up in Neil Young’s current reissue/release productivity, with the announcement of three new albums in his ‘Official Bootleg Series’. These are Royce Hall, 1971, a solo acoustic gig which was recorded on 30 January of that year on the UCLA (University of California) campus; Dorothy Chandler Pavilion, 1971, another solo acoustic performance and the last US show of his 1971 solo tour; and, perhaps most excitingly, Citizen Kane Jr. Blues (Live at The Bottom Line), an On The Beach-heavy set from New York City, 1974.

The magnificent series of recordings Dinu Lipatti made for Columbia in 1947-8 needs no introduction. They contain some of the most highly regarded performances ever committed to album and have remained in the catalogue almost continuously since their first issue on 78s. What makes the current set unique is the inclusion of five test albums made with the cellist Antonio Janigro, only two of which have appeared previously, and new masterings which reveal more of the original recordings than before. For the 1947 London recordings (originally released in 1999) APR had access to vinyl pressings from the original 78rpm masters and these have been further enhanced. For the newly transferred 1948 sessions, the original 78s were used rather that the subsequent LP issue (itself derived from the 78rpm masters) which appears to have been used in all other transfers. These turned out to have a much brighter sound and more ambience than the rather dull and filtered LP. We strongly believe the Schumann Concerto has never sounded so good!

Alpine folklore, Alpine jazz, yodeling funk, or Ukrainian folklore? What exactly are Tamara Lukasheva and Matthias Schriefl serving up on this album? And are they completely serious about it all? Some of it sounds like it’s being played and sung with a wink. Anyone who knows Matthias Schriefl, who was born in Allgäu and has been living in the Rhineland for quite some time now, is also familiar with his sometimes offbeat humor.

The renowned Genova & Dimitrov Piano Duo celebrates it's 30th anniversary in 2025. The duo has been honoured with numerous international awards and recordings. With the recording of all of Debussy's works in three volumes for piano duo, the Genova & Dimitrov Piano Duo is now appearing on the Oehms label. The programme includes both well-known and lesser-known works, some of which are versions of orchestral works such as the famous La Mer. The recording was made in co-operation with WDR Broadcast.

Jonah Jones was a jazz trumpeter who created concise versions of jazz and swing and jazz standards that appealed to a mass audience. In the jazz community, he is known for his work with Stuff Smith. He was sometimes referred to as "King Louis II", a reference to Louis Armstrong. Jones started playing alto saxophone at the age of 12 in the Booker T. Washington Community Center band in Louisville, Kentucky, before quickly transitioning to trumpet, where he excelled.

The second album from the Choir of St John’s with their new music director - Christopher Gray. At the centre of the programme are the atmospheric Quatre Motets pour le temps de Noël by Francis Poulenc, and the heartfelt Three Carol-Anthems by Herbert Howells who directed the Choir here at St John’s during the Second World War. Other items include the beautiful carol John Rutter wrote for the Choir in 1985, There is a flower, and the haunting Peace on earth by Master of the King’s Music, Errollyn Wallen. “My aim with this album has not been to break new ground with repertoire, but to ensure that classics remain fresh for the current generation” - Christopher Gray

Delos is thrilled to welcome Avery Fisher Career Grant-winning violinist and composer Tim Fain. A unique voice on the music scene, Tim is at the forefront of technology, and has produced boundary-pushing projects in collaboration with Google, Samsung, Facebook, BBC, and TEDx, among many others. He can also be heard on the soundtracks to many acclaimed films, including Black Swan, 12 Years a Slave, and Don't Look Up. His first album for Delos, Unraveling, was born from a time of profound uncertainty. Conceived against a backdrop of pandemic, political upheaval, climate crisis, and rising mental health struggles among the youth population, this collection of works is not a surrender to despair, but a search for meaning, resilience, and hope. Featuring powerful works by John Corigliano, Bryce Dessner, Esa-Pekka Salonen, Philip Glass, and Meredith Monk - alongside Tim's own deeply personal composition, Unraveling - this album is a journey through disintegration and renewal.

Irma Neumuller & Seth Sjostrom are two Swedish jazz musicians and composers based in Berlin. Their collaboration began as early as 2020 at Skurups Folk High School, where they quickly connected through their shared love of jazz and improvisation. In this project, they come together in an intimate duo setting, interpreting jazz standards, original compositions, and selected favourites from the Swedish pop and folk music repertoire. The contrasts between Irma and Seth–both as musicians and as individuals–are explored. The result is a unique and intimate sound that sheds new light on both the compositions and themselves. Over the past few years, Irma and Seth have performed in various ensembles across Sweden and the rest of Northern Europe, and both have made a name for themselves on the Nordic jazz scene.

Perhaps now overshadowed by his earlier ballet Checkmate, Miracle in the Gorbals was a tremendous hit for Bliss and the Sadler’s Wells Ballet company. First performed in 1944, it was repeated in every season through to 1950. Based on a scenario by Michael Benthall (inspired by Jerome K. Jerome and Dostoyevsky), the ballet features the appearance of a Christ-like figure amid Glasgow’s most infamous slum.

Tina Turner was a singer, songwriter, actress and author. Dubbed the "Queen of Rock 'n' Roll", her vocal prowess, powerful-raspy voice and electrifying stage presence broke the racial barrier in rock music. She is one of the best-selling recording artists of all time, with estimated sales of 100 million records.

Tina Turner was a singer, songwriter, actress and author. Dubbed the "Queen of Rock 'n' Roll", her vocal prowess, powerful-raspy voice and electrifying stage presence broke the racial barrier in rock music. She is one of the best-selling recording artists of all time, with estimated sales of 100 million records.

Pictures in a Dream is the fourth album from Trondheim’s finest prog band Arabs in Aspic. Originally released by the Italian label Black Widow Records in 2013, the album received great immediate feedback internationally and resulted in a good amount of concerts on the continent. Their love for experimenting with sounds and recordings shines through on this album, with some rather unconventional solutions - Using lots of microphones to capture the sound of the room instead of the sources, 9 microphones for the Hammond organ, and so on… This resulted in a lot of tweaking and not so much control – but definitely a different sound than what was common in 2013. A concert with Ruphus and Høst in Bodø in 2010 resulted in legendary Ruphus singer Rune Sundby guesting on two songs on the album.

“Thank You Kirin Kiki came together after months of working alone in my small bedroom, layering a million keyboard sounds until it finally made sense to me. Last February, I got out of that room and walked into Luxor Live in Arnhem with a group of incredible musicians and a recording crew. That day, something shifted.

Catalina Bertucci (soprano), Georg Poplutz (tenor), and Tatjana Dravenau (piano) don’t just say it „between the flowers“ on their new GENUIN album – they gather lieder from the 19th and 20th centuries that revolve around the theme of flowers and trees. Music and poetry speak directly and clearly of the associations between the language of love and the plant world – associations that were clear and unmistakable to people of the Romantic era, but which must be decoded anew for us today. These three remarkable artists uncover that hidden language in the most beautiful and sensuous way: through dreamlike interpretations of lieder from Schubert to Schonthal, Loewe to Faltis, and Kralik to Schumann.