"Idle Moments" is a 1963 jazz album, released in early 1965, by guitarist Grant Green. Released on Blue Note, it features performances by Joe Henderson on tenor saxophone, Bobby Hutcherson on vibes, Blue Note in-house producer Duke Pearson on piano, Bob Cranshaw on bass, and Al Harewood on drums. The album contains some of Grant Green's most sublime playing, and the title track is full of elegant expressiveness that is thorougly enjoyable.

Perhaps the perfect starting point for a reappraisal of Duke Pearson’s underrated career is his fantastic and aptly titled 1967 album The Right Touch. The album stands as perhaps the finest in Pearson’s discography and is a showcase of his sublime talents as a pianist, composer, and arranger. The Right Touch is comprised of six memorable Pearson compositions arranged for a dynamic 8-piece band featuring trumpeter Freddie Hubbard, trombonist Garnett Brown, alto saxophonist James Spaulding, alto saxophonist/flutist Jerry Dodgion, tenor saxophonist Stanley Turrentine, bassist Gene Taylor, and drummer Grady Tate. Highlights of the set include the picante opener “Chili Peppers,” the lightly swinging “Make It Good” (a feature for Pearson’s elegant piano stylings), the exquisite bossa nova ballad “My Love Waits (O Meu Amor Espera)” on which Hubbard’s flugelhorn takes the lead, the down-home blues “Scrap Iron” which seems to have been custom made for Turrentine’s soulful tenor, and the whirling album closer “Rotary” which swings round and round as the soloists each make their emphatic closing statements.

Originally released in 1960, "Byrd In Flight" features performances by trumpeter Donald Byrd with Hank Mobley (tenor saxophone) Duke Pearson (piano) Doug Watkins (bass) Lex Humphries (drums). Some tracks feature Reggie Workman instead of Doug Watkins on bass.

At the Half Note Cafe is a live album by American trumpeter Donald Byrd recorded in 1960 at the Half Note in Manhattan and released on the Blue Note label originally as two single LP issues (BLP 4060 and BLP 4061). he Allmusic review by Thom Jurek awarded the album 4½ stars and stated "This was a hot quintet, one that not only swung hard, but possessed a deep lyricism and an astonishing sense of timing, and one need only this set by them to feel the full measure of their worth".

After his big band experiment, Duke Pearson returned to a smaller group setting, but he didn't scale back his ambitions. The Phantom finds Pearson writing an ambitious set of post-bop that expands the boundaries of the music with Latin percussion and complex harmonies derived from the avant-garde…

Pianist Duke Pearson’s too-little-known holiday gem Merry Ole Soul was the sole Christmas album of the classic Blue Note era, and it remains a highly enjoyable treat for jazz fans and Christmas music lovers alike with its first-ever vinyl reissue. Recorded in 1969, the album featured the pianist, producer, and Blue Note stalwart in a trio with Bob Cranshaw on bass and Mickey Roker on drums…