A supressed and sociopathic school teacher unsuspectedly torments residents of a small French village with acts of violence and destruction. An erotic obsession with an ostracised outsider causes her behaviour to become yet more erratic but, as tensions in the community reach boiling point, will the villagers see beyond their prejudices?

A disillusioned, angry university graduate comes to terms with his grudge against middle-class life and values.

A supressed and sociopathic school teacher unsuspectedly torments residents of a small French village with acts of violence and destruction. An erotic obsession with an ostracised outsider causes her behaviour to become yet more erratic but, as tensions in the community reach boiling point, will the villagers see beyond their prejudices?

The suicide of his expatriate uncle (John Gielgud) draws Englishman and poet Dennis Barlow (Robert Morse) into California's booming funeral industry. Dennis falls for spiritual funeral home stylist Aimee (Anjanette Comer), whose boss, Mr. Joyboy (Rod Steiger), also has designs on her. Meanwhile, he's drawn into a crooked scheme by the cemetery's owner, Henry Glenworthy (Jonathan Winters), to shoot corpses into space and build a retirement home on the cemetery land.

Based on the novel by John Irving, this unusual comedic drama follows the exploits of the eccentric hotel-operating Berry family. While there are many strange dynamics between the various members of the Berry clan, arguably the most unconventional is the almost incestuous relationship that young, handsome John (Rob Lowe) has with his pretty sister, Franny (Jodie Foster). As the patriarch, Win (Beau Bridges), tries to keep his family together, unexpected events occur, changing them all forever.

Three short stories come to the screen, each focused on a man and a woman. The first is set in the 1940s, the other two in the 1920s. In "The Man in a Brooks Brothers Suit," a businessman of about 40 plies a younger Leftist women with liquor aboard a train. They spend the night together, and he decides he's in love with her. She plays along. In "Dusk Before Fireworks," Kit, a youthful flapper, arrives at Hoby's classy flat intent on an evening of passion. A constantly ringing telephone interrupts each embrace. In "Hills Like White Elephants," a couple traveling in Spain discuss her pregnancy: he wants things to stay as they are, she sees that notion as a fiction.