The astonishing twenty-one tracks on Cosmo Sheldrake's forthcoming album, Eye To The Ear, range from celebratory anthems to soulful elegies to irresistible dance numbers.

“Different Game”, is the long-awaited follow-up to their critically-acclaimed 2015 release “Still Got That Hunger”, which charted in Billboard’s Top 100 and SoundScanned over 12k units in America alone.

Australian-based folk diviner LEAH SENIOR has just announced her fourth studio album The Music That I Make is set for release this August via Poison City. The album's lead single ‘Pony’ sits alongside a playful video clip directed by Izzie Austin (Romero, RVG, King Gizzard and the Lizard Wizard).

With the rock’n’roll panache of a dive bar matador and the emotional force of a knife in the guts, Hemi Hemingway makes music that thrills, spills and breaks hearts. The effortlessly slick New Zealand star has a connoisseur’s ear for the finest parts of musical history, sweeping 60s rock, 50s sheen and 80s romanticism into the present day, refurbishing and refashioning them into something new and fresh. At home in the spotlight, he’s a showman in the best troubadour traditions, but one with real depth, showcasing swagger and vulnerability in equal measure.

Within the earthy, baroque psychedelia of his 3rd album, Amok, Declan O’Donovan meditates on losing track of time. It’s a phenomenon we’re all intimately familiar with—”a pedestrian and profound thing to do,” as the Yukon songwriter puts it. Amok is hardly a linear narrative, though, with a beginning, middle, and end; the album and the characters who populate it twist and pull time, fall out of it and into it, find themselves transformed by it. Songs go off the rails and expand themselves defiantly as O’Donovan inhabits their narrators—a hospital patient; a character in an Edgar Allen Poe story; people trapped on sinking ships or floating in space with satellites and dark matter.

PJ Harvey’s tenth studio album I Inside the Old Year Dying marks her first release in seven years, following UK number 1 album The Hope Six Demolition Project. On this album, which was recorded with long-time creative collaborators John Parish and Flood, PJ Harvey builds a sonic universe somehow located in a space between life’s opposites, and between recent history and the ancient past. Scattered with biblical imagery and references to Shakespeare, all of these distinctions ultimately dissolve into something profoundly uplifting and redemptive. I Inside the Old Year Dying is released on Partisan Records.

Artifacts began humbly as a means of compiling a few early Beirut EPs for a proper physical release. However, as Zach Condon explains in album’s excellent liner notes, reconnecting with old recordings through fresh ears turned a simple re-issue project into something much more expansive. “When the decision came to re-release this collection, I found myself digging through hard drives looking for something extra to add to the compilation.

It’s been six years since Sundfør’s last album, the critically acclaimed Music For People In Trouble. The time gap has been productive for the songwriter who became a mother, delved into regenerative farming and recorded more music. The forthcoming release is signposted by new two singles, Alyosha and Leikara Ljóð. These songs reveal different facets of Sundfør, an auteur, capable of producing impeccable pop tracks as well as haunting experimental compositions.

Multi-Award winning, hugely influential musician Feist returns with Multitudes, her sixth solo album and first since 2017’s Pleasure. Multitudes was produced by Feist with longtime collaborators Robbie Lackritz (The Weather Station, Bahamas, Robbie Robertson) and Mocky (Jamie Lidell, Vulfpeck, Kelela). Blake Mills (Bob Dylan, Fiona Apple, Perfume Genius) and Joseph Lorge came in to mix, with Mills as a co-producer in the final stages.

“Different Game”, is the long-awaited follow-up to their critically-acclaimed 2015 release “Still Got That Hunger”, which charted in Billboard’s Top 100 and SoundScanned over 12k units in America alone.

Pop in your earpiece, close your eyes and embrace the wonders (and horrors) of augmented reality and prepare to travel 500 years into the future as Richard Dawson returns with…The Ruby Cord. These seven tracks plunge us into an unreal, fantastical and at times sinister future where social mores have mutated, ethical and physical boundaries have evaporated; a place where you no longer need to engage with anyone but yourself and your own imagination. It’s a leap into a future that is well within reach, in some cases already here.

Cult producer Princess Chelsea crafted her “nervous breakdown album” Everything is Going to be Alright, at home in pastoral Aotearoa New Zealand. The album is a comforting offering. These aren’t wallowing sad songs, instead, they chronicle Chelsea Nikkel's recovery, and provide a hopeful and cathartic listen. Princess Chelsea’s cinematic, dreamy pop has been refined over 11 years, five albums, an E.P, and 11 singles. Her delivery and songwriting is distinctive for layering almost naive earnestness with cynical, tongue-in-check wit and aural sparkles.

For over 15 years, The Dodos have been careening, almost recklessly, towards some perfect ideal of how The Dodos should sound. First formed with the intention of creating a record that felt and sounded how the inside of a guitar might, the band have spent the intervening years sprinting towards that platonic ideal.

Found Light may be Laura Veirs’ 12th studio LP, but it also, in many ways, feels like her debut. If 2020’s My Echo - written and mixed just prior to her 2019 split from her longtime husband, her longtime producer, and the father of her two sons - was her divorce album, Found Light is about what comes after.

Florence releases her 5th studio album Dance Fever via Polydor Records.