In the mid '70s, trumpeter Randy Brecker and his saxophonist brother Michael were the Wynton and Branford Marsalis of their jazz fusion day. This live date features the brothers performing with the WDR Big Band in Koln, Germany in 2003. Augmented by conductor/arranger Vince Mendoza, bassist Will Lee, and drummer Peter Erskine, the Breckers revive some of their hits from their classic LPs Back to Back, Don't Stop the Music, Heavy Metal Be-Bop, Detente, and Strap-Hangin'. Randy's full-bodied trumpet tones and Michael's Tranish sheets-of-sound sax appeal reveal their tradition-born technique applied to funk, world, and pop-oriented soundscapes. The peppery title track and the mid-tempo backbeat on "Sponge" reveal their mainstream jazz cred, and the oblique "Wayne Out" is a tribute to Wayne Shorter. The Latin-tinged "Shanghigh" is a shout-out to Randy's former boss Horace Silver, while the percussive "For Barry" reveals Michael's type of tenor madness. Contrary to some critics, these fusion cats could swing.

Having established himself as an imaginative technical wizard in the forefront of the fusion movement during the 1980's, guitarist Mike Stern has left an indelible mark on the way the instrument is utilized in the jazz idiom. But there would be an unforeseen event that would test his physical and emotional will to overcome adversity. In July of 2016 Stern suffered a serious accident when he tripped over construction debris leaving his apartment in New York City. This led to severe fractures in both arms, and critical nerve damage extending to fingers in his right hand. After several operations and intense therapy, he was back on the guitar, and "Trip" proves he has not lost any of his amazing musical prowess.

Mike Stern is an American jazz guitarist. After playing with Blood, Sweat & Tears, he worked with drummer Billy Cobham, then with trumpeter Miles Davis from 1981 to 1983 and again in 1985. He then began a solo career, releasing more than a dozen albums. These Times was originally released in 2004 through ESC Records. The album reached a peak position of number eleven on Billboard's Top Jazz Albums chart.