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North Americans - Long Cool World (2023) [Official Digital Download]

Posted By: delpotro
Date: 8 Apr 2023 11:49:38
North Americans - Long Cool World (2023) [Official Digital Download]

North Americans - Long Cool World (2023)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 39:24 minutes | 369 MB
Folk, Ambient, Guitar, American Primitivism | Label: Third Man Records, Official Digital Download

Long Cool World is a blissful collection of instrumental folk tunes from Patrick McDermott and Barry Walker. This is the studio follow up to 2020's well-received, Roped In, which was covered by Uncut, Pitchfork, Shindig!, No Depression, Flood, LA Times, Glide, Mojo, and Aquarium Drunkard.
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North Americans - Lost Tracks (2018-2019) (2022) [Official Digital Download]

Posted By: delpotro
Date: 30 Oct 2022 19:37:58
North Americans - Lost Tracks (2018-2019) (2022) [Official Digital Download]

North Americans - Lost Tracks (2018-2019) (2022)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 36:23 minutes | 353 MB
Ambient, Guitar, American Primitivism | Label: Third Man Records, Official Digital Download

Today, instrumental outfit North Americans have released the Lost Tracks (2018-2019) EP, out now via Third Man Records. Though the songs on the EP were written and composed over the course of 2018-2019, they serve as an insightful preview to the as yet unannounced North Americans LP to follow next year.
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North Americans - Roped In (2020) [Official Digital Download]

Posted By: delpotro
Date: 30 Oct 2022 19:34:06
North Americans - Roped In (2020) [Official Digital Download]

North Americans - Roped In (2020)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 31:00 minutes | 315 MB
Ambient, Guitar, American Primitivism | Label: Third Man Records, Official Digital Download

Patrick McDermott began his North Americans project with two albums: 2013’s No_No, and 2015’s Legends. Both records were dense affairs, with blocks of sound shifting and moving like melting glaciers to create a gorgeous, impenetrable, collection of digital drones. Though they sounded nothing like what would come a bit later, both records showcased McDermott’s understanding of mood and composition.
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