Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.

Tenor saxophonist Hank Mobley was overshadowed by more influential tenors such as Sonny Rollins and John Coltrane during his career, but although he wasn't deliberately flashy or particularly innovative, his concisely measured, round sax tone made him the perfect ensemble player and he was a fine writer, as well, a talent who has often been undervalued and overlooked…

Coming off of his success as a sideman with Miles Davis' sextet, Riverside Records gave Kelly an opportunity to expand on his solo career. Kelly Blue was his second LP for the label. The songs feature Kelly and bassist Paul Chambers and drummer Jimmy Cobb. Together they had formed the rhythm section for the Miles Davis bands. Guests include Nat Adderley, Bobby Jaspar and Benny Golson. Producer and jazz critic Orrin Keepnews described the album as "a repertoire ideally suited to the blues concept on which the album is based".

The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb.

The second volume in the complete recordings from Miles Davis' legendary two-night stand at the Blackhawk in 1961 with his new quintet – which featured Hank Mobley, Wynton Kelly, Paul Chambers, and Jimmy Cobb – is as stunning as the first.

Maximum Swing: The Unissued 1965 Half Note Recordings is the first official release of the complete previously unissued recordings from jazz guitar giant Wes Montgomery with the Wynton Kelly Trio at the famed Half Note jazz club in New York City in 1965 with drummer Jimmy Cobb and bassists Paul Chambers, Ron Carter, Herman Wright and Larry Ridley. Including over 2 hours from the original radio broadcasts with host Alan Grant, the deluxe 2-CD set is mastered by Matthew Lutthans. 2023 marks Wes Montgomery’s Centennial (born March 6, 1923), and this is Resonance’s 7th release of Wes Montgomery recordings in cooperation with the estate. Now Wes Montgomery fans can hear the rest of the music from the Half Note that was only broadcast on the radio nearly 60 years ago.

This live set is notable for teaming guitarist Wes Montgomery and the Wynton Kelly Trio (comprised of pianist Kelly, bassist Paul Chambers, and drummer Jimmy Cobb) with the fiery tenor of Johnny Griffin. As with the OJC release, six selections (highlighted by "Blue 'n' Boogie" and Montgomery's "S.O.S.") are augmented by "Born to Be Blue" and a pair of alternate takes.

This 1965 recording is the second collaboration between the Wynton Kelly Trio and famed guitarist Wes Montgomery. The album reunites Montgomery with the essential Miles Davis rhythm section from the cool jazz era (1959-1963), namely Wynton Kelly, Paul Chambers, and Jimmy Cobb.

Sonny Rollins' first outing for Blue Note label was recorded at that label's last session of 1956. The album features Rollins playing with Gene Ramey (bass), Max Roach (drums), Donald Byrd (trumpet), and Wynton Kelly (piano). The original LP record, Blue Note release BLP-1542, did not distinguish the volume number in the title. It was simply called "Sonny Rollins".

Giant Steps is the fifth studio album by jazz musician John Coltrane as leader, released in January 1960 on Atlantic Records. This was his first album as leader for his new label Atlantic Records. Many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry.

When Wes Montgomery made his first amazing impact on the New York jazz scene at the end of the 1950s, a great many established stars actively sought to record with him. Milt Jackson was one of the few for whom the guitarist felt an equal affinity. For one thing, they shared a strong love for the blues; and Wes had learned, through years of playing with his brother Buddy, to value the vibes/guitar sound. To support this memorable meeting of thoroughly compatible jazz masters, Riverside assembled one of the most cohesive recording rhythm sections of its day: Wynton Kelly, Sam Jones, and Philly Joe Jones.

Seven of the great Miles Davis 50's tunes in two live dates. John Coltrane's last recording with Miles (recorded on March 21st, 1960). Coltrane's replacement in the band, Sonny Stitt (recorded on October 11th, 1960), has a more subdued style here. Great live sound. This is one to get if you enjoy jazz.

"Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6" brings together five mythic concert performances during the epochal Spring 1960 Jazz At The Philharmonic European Tour. The box set was produced by the multi-Grammy winning team of producers Steve Berkowitz, Michael Cuscuna and Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The Final Tour is essential listening, an invitation to travel through time to experience the enduring beauty and magic of Miles and Trane at the peak of their collective powers.

"Workout" is the 1961 hard bop album released by tenor saxophonist Hank Mobley under Blue Note. The record features jazz aficionados Wynton Kelly, Paul Chambers, Grant Green and Philly Joe Jones. Workout features "The Best Things in Life Are Free" and "Three Coins in the Fountain".

A delicate and deeply felt collection of recordings, originally released to coincide with the publication of Billie’s autobiography in 1956. In the years since the album title has been appropriated on a number of Billie Holiday collections, but the original album has never been on CD until 2007.