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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    «Cut the Cord» by Mace Styx

    Posted By: Gelsomino
    «Cut the Cord» by Mace Styx

    «Cut the Cord» by Mace Styx
    English | MP3@192 kbps | 24 min | 34.2 MB


    The Reaper did not speak. He did not even move, for what need did he have to chase anyone? Everyone comes to him eventually. Men, women and gods all are consumed in his ever waiting black. Clive, sighing deeply, turned to look Death in the face.
    In the form he took for Clive, Death stood around seven feet tall. The hood of his monk’s cowl falling to just above the bridge of the nose, had there been a nose to speak of. Instead, there was simply a hole, a cavernous nothing, like death itself, that hung like a cave above the fixed death's head smile. The unmoving, unflappable grin of the skull, never to be bargained with, never to be moved.
    In one hand, from which straggled tendrils of long rotted flesh hung like threads, the figure held a huge scythe. The blade for which, was so keen that the air moving around it seemed to divide and slice as it touched. A blade kept sharp for the reaping of souls. The severing of the cord from the mortal plain.
    As he stared into the inevitable, the gaping abyss represented by the figure standing before him. Clive thought back to the images he had seen of ‘Death’ to the medieval woodcuts, their finer details blurred with the bleeding of the ink. Or the finely etched engravings of Albrecht Duhrer and Goya, with Death, the hooded skeleton or rotting ancient cadaver.
    He wondered if all of those hours poring over medieval manuscripts had formed this image for him. Whether to others, Death appeared in a different shape or in no shape at all. The thought flashed by like a furtive glimpse one sometimes catches of a rat, so fast and elusive that you are left to doubt if it was the thing itself, or merely its shadow that you saw streak by. Now though, there was no time for contemplation. Now was the time for terror.