Brand X's most eclectic album to date, Product is perhaps most notable for its attempts at a pop crossover in the Phil Collins-sung "Don't Make Waves" and "Soho." The range of styles presented here – hard and soft fusion, pop, progressive rock – results from the now-interchangeable nature of the Brand X lineup, which, in addition to the returning Collins and Robin Lumley, is expanded to include bassist John Giblin and drummer Mike Clarke (Chuck Burgi having left after Masques)…

Singer and songwriter Monica Pereira has had a varied background: born in Guinea-Bissau with a childhood spent in Portugal and an adolescence in Paris, her diverse musical influences abound in her album "Mulher Do Sol", a 14 track effort featuring appearances from Debademba, Sidiki Diabaté, and Fatim Diabaté.

Part twee folk, part ratty punk, California duo Harmony Tividad and Cleo Tucker make music that’s nostalgic for 90s riot grrrl outfits like the Breeders, while also effusing millennial ennui; Magnifying Glass, from their 2015 debut LP, "Before the World Was Big", was 39 frantic seconds of string-plucking and lyrics about wanting to hold the world inside your head, while early single "Blah Blah Blah" was mostly built around those three words, delivered in a mocking tone. This new record builds on the latent disquiet that bubbles under the surface of Girlpool’s nonchalance. Despite the addition of a full band, it still manages to sound like a collection of lullabies. With only two songs passing the three-minute mark, this is blink-and-you’ll-miss-it angst, but deserving of your attention nonetheless.

Blow by Blow is the second solo album by British guitarist Jeff Beck, released on Epic Records in 1975, and recorded in October 1974. It was an instrumental album that peaked at No. 4 on the Billboard 200 and was certified platinum by the RIAA.

I certainly agree with the other reviews here with regard to the landmark status of this album. It's neat to see that a sort of micro-revival of Shorty Rogers seems to be occuring (at least judging from the number of CD listings and reviews here.)

Belgian jazz guitar legend Philip Catherine and German bassist Martin Wind come from different generations but share a common love for melodic jazz with swing roots. On this album, the two musicians complement each other perfectly: Catherine’s playing is technically unique and never seems to stop revealing new lyrical guitar sounds, but it is not merely his technique and dexterity that set him apart. What makes him unique is his acoustic guitar sound and an improvisational style based not on other guitarists, but on some of the great horn players in jazz. Wind’s bass is always strong yet elegant and lush on this collection of standards and originals.

Remo Drive is an American emo band from Bloomington, Minnesota. They are currently signed to Epitaph Records. The label has also reissued Remo Drive’s full-length debut. Originally self-released in 2017, the long-sold-out album is now available on CD and vinyl. Remo Drive is typically described as an emo band who incorporate elements of indie rock, pop punk, dance punk, post-hardcore, and punk rock. The group has also self described themselves as emo and associated themselves with the emo revival. The band has listed a number of acts as influences including Title Fight, The Police, PUP, Jeff Rosenstock, Vampire Weekend, and Weezer.

With grant support from the French-American Jazz Exchange Program, Cuban-American saxophonist Yosvany Terry and French pianist Baptiste Trotignon present a unique and exciting program inspired by the rich and diverse musical traditions that emerged from the African Diaspora in the United States and former French colonies in the Americas. Named "Ancestral Memories", the project captures the rhythms, melodies, and harmonies of the Caribbean, New Orleans and French Louisiana, re-imagined through 21st century aesthetics and a jazz sensibility.

Homecoming is the second studio album by America, released on November 15, 1972 through Warner Bros. Records. Acoustic guitar-based, with a more pronounced electric guitar and keyboard section than their first album, their second effort helped continue the band's success, and includes one of their best known hits, "Ventura Highway".

Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues guitarist, singer, and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. He is now recognized as a master of the blues, particularly the Delta blues style.

Clara Haskil (7 January 1895 – 7 December 1960) was a Romanian classical pianist, renowned as an interpreter of the classical and early romantic repertoire. She was particularly noted for her performances and recordings of Mozart. She was also a noted interpreter of Beethoven, Schumann, and Scarlatti.

Reggae star Skip Marley—a grandson of Reggae legend Bob Marley—has copped an RIAA Gold certification for his Grammy-nominated single Slow Down with American R&B singer H.E.R.

My Funny Valentine: Miles Davis in Concert is a 1965 live album by Miles Davis. It was recorded at a concert at the Philharmonic Hall of Lincoln Center, New York City, NY, on February 12, 1964. Miles also recorded a studio version of the title song, muted, with piano trio backing in 1956. Two albums were assembled from the concert recording. The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers.

Together with Gil Evans and Miles Davis, the 20 year old Gerry Mulligan conceived the revolutionary nonet music for Birth of the Cool. In Stuttgart, at age 50, he was already looking back on a career spanning almost thirty years and was much in demand. The fact that he wrote fascinating film scores and won Grammys for them in the ‘70s, not to mention his burgeoning interest in jazz-rock fusions, once again highlighted this extraordinary musician’s exceptional openness and creative potential. These recordings were previously released as "Liederhalle Stuttgart November 22, 1977".

Reb Fountain is a Singer-Songwriter from Auckland, New Zealand. Reb sailed into Lyttelton Harbour carrying generations of migrant stories imbued in her bones. She has spent forever travelling, performing, studying, recording & working as a musician & songwriter who’s not afraid to get her $20 ex-army boots muddy as hell walkin’ to the next town for a show. Bent on carving her own line, Reb is one minstrel you don’t want to miss.