"Out to Lunch", Dolphy’s sole recording for Blue Note represented a pinnacle moment in avant-garde jazz. Poised with intriguing improvisation, the compelling listen would become a staple in the jazz canon. The album made a bold statement with its stunning instrumentation, ranging from alto sax to bass clarinet. This essential recording included a breathtaking tribute to Thelonious Monk.

Il Tempio Armonico rediscovers the deepest essence of The Four Seasons with a performance based on the original manuscripts and carried out 'a parti reali', with arpa doppia and harpsichord as continuo. The outcome is a performance that succeeds in giving back the original freshness, charm and grace of Antonio Vivaldi's masterpiece.

Despite Azniv Korkejian’s increasing success as Bedouine, she still feels like a secret—and not the kind you’re impatiently waiting to spew out, but rather the kind you want to keep as your own, as close to your heart as possible. Then again, it is difficult not to gush about Bedouine’s modern folk fables and luscious voice.

Pondering the Baroque violin repertoire, one would be forgiven to think of Johann Sebastian Bach’s works and little else. Acclaimed English violinist Thomas Bowes courageously sets out to change this preconceived notion with TELEMANN FANTASIAS, a rare and remarkable full performance of all of Georg Philipp Telemann’s solo violin fantasias.

This splendid Dutton Epoch SACD, licensed from Sony, contains two organ concertos by Joseph Rheinberger. The concertos are among the finest ever composed for this instrument. Rheinberer included brass soloists and timpani as well as an orchestra. E. Power Biggs is featured along with the Columbia Symphony directed by Maurice Peress, recorded in St. George's Episcopal Church in New York November 28-29, 1973 on the grand Möller organ. For this reissue, the producers used great imagination taking full advantage of the four channels, separating the instruments most effectively.

Broken Hearts and Dirty Windows: Songs of John Prine, Vol. 2, the follow up to the original 2010 tribute record. With tracks from Sturgill Simpson & Brandi Carlile revealed so far, the release adds to an esteemed legacy for Oh Boy Records, which is celebrating its 40th anniversary this year.

Phantom Cabinet Vol. 1 is inspired by the golden age of records, and it features the most insane collection of instruments on any album - or anywhere - ever!

Ten years after its release, Wye Oak’s Civilian remains a raw, sinewy punch of a record bleak and intense and lonely and self-assured all at once. The album unravels with the sort of self questioning and uncertainty that come with youth, and its specific confidence in unflinchingly probing all of those emotions, feeling them to their deepest extent even when it’s tearing you apart at the seams.

The 12th full-length by Pacific Northwest artist Liz Harris aka Grouper is a collection of songs spanning 15 years. She characterizes Shade as an album about respite, and the coast, poetically and literally. How we frame ourselves in a landscape, how in turn it frames ourselves; memories and experiences carried forward mapping our connection to place.

The Replacements’ 1981 Twin/Tone Records debut, Sorry Ma, Forgot To Take Out The Trash, heralded the Minneapolis-based band’s competing tendencies toward indelible genius and reckless abandon. With now classic songs including 'Takin' A Ride,' 'Shiftless When Idle,' 'Customer' and 'Johnny's Gonna Die,' the 'Mats' legendary founding line-up of lead singer/songwriter and guitarist Paul Westerberg, Chris Mars (drums) and brothers Bob and Tommy Stinson (lead guitar and bass, respectively) unleashed a shambling, dynamic sound.

Colosseum captured live at the peak of their powers 1969-1971. Broadcast and in-concert recordings restored and mastered by Eroc. Includes three tracks from their 1969 concert at Messepalast, Vienna.

When Roberto Carlos Lange, the musician known as Helado Negro, began writing Far In immediately following the release of his acclaimed 2019 This is How You Smile, he could not have predicted that we would soon need to learn how to stay at home and be the stars of our domestic dance floors with intimates and online communities.

In March of 2010, XL Recordings released Titus Andronicus’ epic second album THE MONITOR, immediately elevating the upstart New Jersey rock band to legendary status.

The album features uniquely crafted versions of the main themes from Denis Villeneuve’s Dune curated by the film’s composer Hans Zimmer (The Dark Knight, Gladiator, Inception, The Lion King, Interstellar, Pirates of the Caribbean, Man of Steel) to accompany the reader on their journey through the book, which was written by the movie’s executive producer Tanya Lapointe.

Originally comprised of Gerry Beckley, Dewey Bunnell, and Dan Peek, America was one of the most successful groups of the 1970s. The band blended elements of folk and rock with distinctive three part harmonies. Their best known hits include "A Horse with No Name", "Sister Golden Hair", "Ventura Highway", "Tin Man", "Daisy Jane", and "Lonely People". The band won a 1972 Grammy for Best New Artist following the release of their second album, "Homecoming", and was inducted into the Vocal Group Hall of Fame. This definitive Hi-Res collection includes the following albums: "America", "Homecoming", "Hat Trick", "Holiday", "Hearts", "Hideaway", and "Harbor".