Heart over Mind is the third studio album by American singer Jennifer Rush. It was released in 1987. With her first two albums being recorded in Germany and Rush experiencing much success in Europe, she decided to relocate to the US for her next album. Working with writers and producers such as Harold Faltermeyer and Michael Bolton, this album would go on to be one of the most successful of Rush's career…

This Charles Mingus album, recorded in 1957 although not released until 1962, was inspired by the man’s visit to the titular Mexican town and the music is redolent of 'latin influence’ both in name and sound.

His Fifth Symphony is one of Tchaikovsky's most popular works today. A live recording of the rehearsals for this work with the Symphonieorchester des Bayerischen Rundfunks and Mariss Jansons from 2009 is now published in a special edition!

Saxophonist Chelsea Carmichael today announces her debut album, The River Doesn’t Like Strangers (out October 22nd)as the debut signing to Shabaka Hutchings’ (The Comet Is Coming, Sons of Kemet, Shabaka and the Ancestors)new label Native Rebel Recordings.

The brilliant saxophone quartet Project Fusion make their debut recording featuring two major works- Glazunov's richly contrapuntal Quartet, Op. 109, with its tips of the hat to Chopin and Schumann, and the late David Maslanka's Recitation Book (2006), a work based on music by J.S. Bach. Extraordinary chamber playing!

A collection of the classic Italian popular songs of Rossini, Tosti, Denza, Leoncavallo and Gastaldon can normally be relied upon to make ideal relaxed listening. They’re especially rewarding material for a lyrical tenor voice, and in Andrea Bocelli we have one of the most natural, relaxed and graceful tenors of today. In Leoncavallo’s Mattinata he soars gloriously to the high notes, and he seems naturally suited to Tosti’s elegantly shaped melodies. Ideale, especially, unfolds with fine expression and gradations of tone.

Andrea is the tenth studio album released by Andrea Bocelli, in 2004. This album, being Bocelli's fifth pop release, peaked at number 1 on the Dutch Albums Top 100, stayed on that chart for 33 weeks, and ended up being certified Gold.

In the golden age of the British R&B revival, few groups created as much excitement and controversy as the Pretty Things. They came up alongside the Rolling Stones in the early 1960s, but were deemed by critics and fans as wilder and bluesier than even Mick Jagger & co. When long-haired Phil May sang and shook his maracas with manic intensity, audiences and record buyers knew they were in for a wild ride.

Esoteric Recordings is proud to release of a new re-mastered deluxe expanded edition of SUNBURST FINISH the legendary 1976 album by BE BOP DELUXE. Recorded in the Autumn of 1975 at Abbey Road studios (with some sessions also taking place at AIR studios in London), SUNBURST FINISH was the third album by Be Bop Deluxe and the first to feature the line-up of BILL NELSON (vocals, guitars, keyboards), CHARLIE TUMAHAI (bass, vocals), ANDY CLARK (keyboards) and SIMON FOX (drums). It was also the first Be-Bop album to be co-produced by BILL NELSON and JOHN LECKIE. An album of immense musical inventiveness and creativity, SUNBURST FINISH was one of the finest albums of its era, a perfect cohesion of ten classic songs written by Bill Nelson and a stylised and striking artwork package.

Eric Serra's score to Luc Besson's visionary yet incomprehensible sci-fi thriller "The Fifth Element" is a roller coaster of emotions, ranging from triumphant anthems to haunting mood pieces. Serra's score is diverse and accomplished, and it is just as effective outside of the film as it is within it. This reissue is newly remastered edition with one bonus track.

"Red Clay" is a soul/funk-influenced hard bop album recorded in 1970 by jazz trumpeter Freddie Hubbard. It was his first album on Creed Taylor's CTI label and marked a shift toward the soul-jazz fusion sounds that would dominate his recordings in the later part of the decade. It was the album that established Taylor's vision for the music that was to appear on his labels in the decade ahead. It is Hubbard's seventeenth album.

Outside of the New York music scene, multi-instrumentalist Aaron Heick's name may not be as well known as some of his colleagues. But it doesn't matter; he's had a rich, varied career. This well-traveled, seasoned pro has played with some of the most prominent musicians in jazz, pop, reggae, funk, world, and classical music. Those who really know what's going on in music know him.

Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Hitomi Tohyama, Jadoes, Yumi Sato, Tetsuo Sakurai and more!

By the time he recorded GO! in 1962, Dexter Gordon had already lived several lifetimes in jazz. He was among the first to adapt the language of bebop to the tenor saxophone in the 1940s, but after a decade in which personal troubles limited his output, he signed with Blue Note in 1961 and began a run of essential albums that marked a rebirth for the tenor giant.

Jenna Mammina (long time Blue Coast Records' favorite) and Rolf Sturm visited our studio for a special one of a kind recording! A must hear is "Wicked Game" - a song originally written and performed by Chris Isaac. Jenna and Rolf put their unique spin on this classic song making a haunting version all their own. The album flows effortlessly as they perform classic pop and jazz songs of the 70's and 80's. Recorded without headphones or overdubs, you'll hear every breathe and strum of the vocals and guitar.