Songwriter, composer, director, and visual artist Devonté Hynes – best known under his moniker Blood Orange – will release the original motion picture score for the highly anticipated forthcoming film, Queen & Slim, this Friday, November 22 on Domino. Two of the songs from the score – "Hair" and "Kissed All Your Scars" – can be heard below now.
This is the second full-length feature film score composed by Hynes, following his work for director Gia Coppola's film, Palo Alto, in 2013.
The release of Quee

This book uses the Eurovision Song Contest (ESC), as an analytical entry point to understand and illuminate post-War Europe and the drive to create an identity that can legitimise the European project in its broadest sense. The ESC presents an idealised vision of Europe, and this has long existed in a strained relationship with reality. While the trajectory of post-war European integration is a high-profile topic, we believe that the ESC offers a unique and innovative way to think about the role of culture in the history of post-War European integration and tensions between the ideal and reality of European unity. Through the series of case studies that make up the chapters in this book, analysis brings these interlinked tensions to light, exploring the roles of culture and identity, alongside and a productive conversation with the political and economic projects of post-war European integration.

"Live at Henie Onstad Arts Centre 1971" was recorded between Third and Four studio albums and mostly based on material from them both. The release contains two live sets,each on separate CD, with rarely full concert sound (many similar recordings come from broadcasting archives or other small venues),with great hall acoustics. Band shows their rock energy in full, but at the same time you can hear their most continued sound experiments there. Both sets of compositions start with the modal tape looping experiments (influenced by Terry Riley),and it takes quite a big part of all concert's time…

Songs For Groovy Children assembles all four historic debut concerts by Jimi Hendrix’s newly assembled Band of Gypsys at New York’s Fillmore East on New Years Eve 1969 and New Years Day 1970. Presented in their original performance sequence and encompassing 43 tracks across 5 CDs or 8LPs, the set boasts over two dozen tracks that have either never before been released commercially or have been newly remixed plus the full extended versions of songs originally released on the 1970 Band of Gypsys album. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. Earlier in 1969, The Jimi Hendrix Experience had closed a musical chapter and the guitarist assembled a new trio dubbed Band of Gypsys, consisting of Hendrix, his longtime friend Billy Cox, on bass, whom he had befriended when both were serving with the 101st Airborne Division Cox and Electric Flag drummer Buddy Miles, who would also contribute occasional lead vocals.

Saadia Jefferson is a glorious act of vandalism on Yemeni traditions led by inventor, carpenter, musician and composer Eyal El Wahab. Dismantling lyrics, melodies and compositions from Yemeni folk songs, El Khat delve into uncharted sonic territory updating Yemen?s ancient culture. Using an orchestra of instruments old and new, many repurposed from junk objects and turned into instruments that sound similar to traditional Arabic and North African lutes and percussion, Tel Aviv based El Khat have imagined an indelible stamp of polyphonic, harmony soaked, pan-Arabic braindance.

Following ‘Slow Fade for Hard Sync’ (2009) and Location Momentum (2010), Living Space is Eleh’s third physical release for Touch. Seven years in the making, this new release consolidates the artist’s parallel narrative between a series of vinyl and CD releases for Important Records - where the emphasis is on a minimalist aesthetic - to a visual counterpoint that hints at the cinematic and painterly qualities of the music…

Gyedu-Blay Ambolley was born on the 11th Street in Sekondi, Ghana 72 years ago. On the cover photo you can see on the right side the house of his birth which was also his parental home. The Ghanian legend’s latest release shows off a pride of heritage, and his honed talent for mixing highlife with other genres like rap, Afro-funk and Disco Ghanaian highlife. Gyedu-Blay Ambolley returns with 11th Street, Sekondi, his 31st album since his debut in 1973.

Application Wizard provides fast access to applications, documents, folders, and disks. It lets you quickly open, quit, and make applications active, run AppleScripts, and reduce screen clutter by turning on single-application mode.

Ignaz’s is probably the least well-documented life of the Lachner brothers who numbered Franz and Vinzenz and who were born in Bavaria. Ignaz was a string player – violin and viola – and worked in Munich until Franz managed to secure him a job in Vienna in 1826. He composed and travelled widely, spending a period in Frankfurt between 1861 and 1875 where he conducted Wagner operas which he then cut to fit local taste. Though he achieved a degree of renown during his lifetime Lachner’s works have sunk almost without trace and I doubt whether many, if any, are now in print.

Two years since Joe Bonamassa released his last studio album, he returns with Redemption, his 13th solo studio album and third in a row of all original material. It features a collection of 12 exhilarating songs that reflect the re-birth that he is currently going through. “I’m going through some other stuff in my life I didn’t expect to be going through. It’s a rising, it’s contrition, it’s acceptance, it’s everything. It’s painful, but knowing that there’s a rising coming,” Joe explains. 'Redemption' was recorded with a remarkable collection of musicians, including two (!) extra guitar players (!!), and a guest appearance by country singer Jamey Johnson.

This book tells the story of the thousands of corpses that ended up in the hands of anatomists in the late nineteenth and early twentieth centuries. Composed as a travel story from the point of view of the cadaver, this study offers a full-blown cultural history of death and dissection, with insights that easily go beyond the history of anatomy and the specific case of Belgium.