A year after losing his friend in a tragic 4,000-foot fall, former ranger Gabe Walker and his partner, Hal, are called to return to the same peak to rescue a group of stranded climbers, only to learn the climbers are actually thieving hijackers who are looking for boxes full of money.

After bailing on her wedding, a former bride-to-be must fight off her ex-groom and seven angry killer groomsmen in order to survive the night.

On their newest recording for Glossa, Graindelavoix and Bjorn Schmelzer present a fascinating array of Renaissance motets based on the theological concept of creatio ex nihilo, creation out of nothing, as exemplifed in the mystery of the Incarnation, the idea of God becoming a man. Well- known pieces like Josquin Desprez's Praeter rerum seriem are combined with less famous works by the same composer, and very fne contributions by Obrecht, Ockeghem, Ribera and Wert. Bjorn Schmelzer bases his intriguing approach to the performance of these pieces on a 1561 quote by the Flemish Protestant pedagogue Johannes Molanus: "[Mensural polyphony] is a singing without sense or content, in which the voices are resounding emptily in so-called proses, motets, and artifcial songs in foreign languages, ornamented for the delectation of the ears, which have no meaning that could be understood even by the singers themselves."

One man's campaign for vengeance takes on national stakes after he is revealed to be a former operative of a powerful and clandestine organization known as Beekeepers.

On their newest recording for Glossa, Graindelavoix and Bjorn Schmelzer present a fascinating array of Renaissance motets based on the theological concept of creatio ex nihilo, creation out of nothing, as exemplifed in the mystery of the Incarnation, the idea of God becoming a man. Well- known pieces like Josquin Desprez's Praeter rerum seriem are combined with less famous works by the same composer, and very fne contributions by Obrecht, Ockeghem, Ribera and Wert. Bjorn Schmelzer bases his intriguing approach to the performance of these pieces on a 1561 quote by the Flemish Protestant pedagogue Johannes Molanus: "[Mensural polyphony] is a singing without sense or content, in which the voices are resounding emptily in so-called proses, motets, and artifcial songs in foreign languages, ornamented for the delectation of the ears, which have no meaning that could be understood even by the singers themselves."

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Not only do these players adopt some very deliberate tempos in movements such as “Sitio”, “Mulier, ecce filius tuus”, and “Consummatum est”, but they also include a quartet transcription of the wind-band introduction to Part 2 of the work’s oratorio version (my other preferred way to enjoy it). Strangely enough, though you might think that the last thing we need is yet another slow movement, it all works surprisingly well. Surely it helps that the group has taken care to compare the quartet arrangement with the orchestral original and to include some of the missing subsidiary musical lines otherwise assigned to the orchestra’s wind section, resulting in a slightly richer texture overall.

When some very creepy things start happening around school, the kids at Herrington High make the chilling discovery that confirms their worst suspicions: their teachers really are from another planet!

The two-volume set LNCS 12615 + 12616 constitutes the refereed proceedings of the 12th International Conference on Intelligent Human Computer Interaction, IHCI 2020, which took place in Daegu, South Korea, during November 24-26, 2020.

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These proceedings of the SAI Intelligent Systems Conference 2016 (IntelliSys 2016) offer a remarkable collection of papers on a wide range of topics in intelligent systems, and their applications to the real world. Authors hailing from 56 countries on 5 continents submitted 404 papers to the conference, attesting to the global importance of the conference’s themes.