Fat White Family are back with the most sophisticated, vital and flamboyant creation of their career.The cult south-London band’s resplendent fourth album, Forgiveness Is Yours, has, like everything they’ve done, pushed them to the limits not only of their creative talent, but of their health, their sanity, their very existence.

After getting into a near fatal car accident, Alma discovers she has a new relationship with time and uses this ability to find out the truth about her father’s death.

Bringing together Tony Malaby, Kresten Osgood, and Masa Kamaguchi on a stage was something I had been dreaming about for a while.

BML 105 - Reeds is the pinnacle of the British Modular Library project 3 x Clarinets, 3 x Oboes recorded both solo and ensemble (A2). In this volume everything you need to get up and running with something we have very much tired over, realism, and courtesy of these great players, an enchanting beauty.

Oscar-winning composer Jerry Goldsmith has written scores and themes for well over 250 films and TV shows. His work has been thrilling fans for nearly fifty years. Widely acknowledged by his colleagues as a master of his art, Goldsmith has received (in addition to the Oscar for his score to The Omen in 1976) five Emmy Awards, nine Golden Globe nominations, and seventeen additional Academy Award nominations.

Nightbirds is an album by the all-female singing group Labelle, released in 1974 on the Epic label. Notable for their biggest hit, the number-one song, "Lady Marmalade", it became the group's most successful album to date.

Devon Hoff, Yuka C. Honda, Michael Leonhart, João Nogueira, Mauro Refosco, Ches Smith, Johnny Mathar, Sean Ono Lennon. Tzadik is proud to present Asterisms, a beautiful and exploratory instrumental project by Sean Ono Lennon, one of the most creative and versatile musician/composer/producer/songwriters working today. Sean has written countless songs, composed film scores, produced, and performed on dozens of albums—and here he steps out as the leader of an all-star band of Downtown luminaries. Years in the making, the music is powerful, trippy, and intensely imaginative, blending rock, electronics, jazz, and more into an exciting new musical soundscape. With driving rhythms, a stunning lyricism, and a brilliant sense of orchestration, this album is sure to surprise and delight music fans the world ’round. Beautifully recorded, this is modern instrumental music at its very best—essential!

John Pizzarelli, one of the most celebrated performers bringing popular standards to a new generation, pays homage to Frank Sinatra with the release of Dear Mr. Sinatra. Early in his career, Pizzarelli opened for Sinatra on tour. His father, the jazz guitar legend Bucky Pizzarelli, played on many of Sinatra's seminal recordings. Focusing on songs that were specifically written for 'Ol' Blue Eyes' and also featuring The Clayton-Hamilton Jazz Orchestra, Dear Mr. Sinatra is in many ways the most personal of all the Sinatra tributes available.

The Butterfly Effect, Jah Wobble's follow up to his recent and acclaimed Dream World album, features a collection of eight tracks that lyrically tackle (sometimes with tongue in cheek) subjects such as the nature of mind, the post modern age and what it is to be human. The album was recorded at Inner Space Studios in London. All of the songs collected here originated from poems that were written by the legendary bass player around the time of the global financial crash of ten years ago. 'The Iron Lady Got Rust' in particular looks back to a time which saw Thatcher impose UK banking deregulation and the free market political and economic attitudes that led to the crash and subsequently to modern day austerity and Brexit.

Rodrigo: Concierto de Aranjuez, Op. 30; Castelnuovo-Tedesco: Concertino for Harp, Op. 93; Debussy: Danses sacrée et profane; Turina: Tema y variaciones, Op. 100.

In many ways, Badfinger is a continuation of Straight Up – an unabashed, concise pop album – but there's one important difference: Todd Rundgren was a taskmaster on Straight Up. He may have not jelled with the band, but he brought out their best. Chris Thomas didn't work the same way, although he's equally skilled in the studio, and he made a state-of-the-art pop record, which meant that they didn't necessarily play to the band's strengths. Instead, they tried a little bit of everything, with everybody throwing in a song or two, all in hopes that something would click on the radio. As a result, Badfinger is a bit of a mess.