Thomas Napper's Jawbone is a British independent film about a former youth boxing champ who returns home in an effort to rebuild himself after hitting a personal low. It's a quasi-autobiographical effort from its lead actor Johnny Harris – who also wrote the film and co-produced it – and he's the guy who brought Paul Weller into the project. Weller has done a lot in his career, but he's never composed a soundtrack, so Jawbone is noteworthy for that reason alone, but it's also interesting because it doesn't follow conventional paths for soundtracks.

It's hard to imagine an Australian Rock scene without the presence of Dead Letter Circus. The alternative rock band from Brisbane has shaped the face of modern rock in Australia and influenced bands' sounds the world over.

The Following 3CD Album Set, To Be Released On Friday May 26th 2017 Classic Dad 3CD Album Set Pop, Rock Genre, Artists ZZ Top, Mansun, The Cardigans, Duran Duran, and more!

Dreamscapes is a limited edition eight-CD set of rare Alphaville recordings, released in 1999. It features 124 tracks with a total playing time of around 9.5 hours. 43 of the songs had never been available before, and all of the remainder had been remixed…

Johnny Cash's populist fusion of folk, country, and gospel done up with an unhurried, plainspoken eloquence made him both a country icon and an American treasure. Whether singing his own songs or covering songs written by young alternative rockers in his autumn years, anything he touched became vintage Johnny Cash as soon as he stepped to the microphone. This collection includes the classics "I Walk the Line" and "Big River" as well as Cash's fine version of Bob Dylan's "Wanted Man," but it lacks essentials like "Ring of Fire" and "Folsom Prison Blues," and ends up being a little hit or miss, but – as they say – any Johnny Cash beats no Johnny Cash at all.

FooR are a four-piece collective of producers, musicians & DJs who are at the forefront of the new UK Garage revival. Their releases have been supported onRadio 1, 1Xtra and Kiss FM. The collective have also remixed for the likes of Wretch 32, Alesha Dixon, Tinchy Stryder, Ghetts and IV Roxx. In 2017 FooR can be seen performing in Big Top at Isle Of Wight festival, the main stage at Mutiny festival before 50 Cent and the main stage of Downtown festival before Rudimental proving that garage is bigger and more relevant than ever.

The Stevenson Ranch Davidians new LP, Amerikana, The band's first since 2009, represents a new direction for the band, with the dreamy, flowing sound of albums past infused with a fresh sense of inspiration, energy and purpose. An eclectic, yet cohesive, set of songs that glorify the human spirit while condemning those who seek to destroy it.

The tube reggaeton 'Despacito' of the star, puerto rican LUIS FONSI, it is the cardboard of Latin at the time. N°1 in 77 countries, it explodes all the counters…

Love Songs is a 2005 compilation CD by The Bee Gees. The theme of the CD is songs of romance, taken from throughout their career. Fall in love with the Gibb Brothers all over again or for the first time in your life tonight.

Working many late nights in the 2500 year old Swiss town of Basel, the two artists spun a creative tapestry of nautical sounds, electronic ambiences, and solid musicianship into a beautifully crafted album of journeys in the undersea world. Wanderer of the oceans, swimming peacefully for thousands of years. Between the continental shelf and sea level he changes color and pattern at will. Chameleon of the sea, this rare and beautiful fish leads a solitary life, wandering the depths of the world of Scubason…
Zeus Faber's 1993 debut, "Scubason", provides exactly what the album's name signifies: the sound of the deep. The duo's intertwining, often poignant keyboard lines combine with samples, environmental recordings and jazzy touches of bass, guitar, sax and flute for a mellow and otherworldly effect. An accomplished and creative debut…

This double-CD set more or less supplants – though in some ways it also enhances – the 1993 compilation Echoes: The Retrospective. With a slightly longer running time and a fair difference in song content; though the same number of tracks, the overlap between the two is surprisingly limited. Gone are "Unevensong," "Breathless," "Skylines," the studio versions of "Lunar Sea" and "West Berlin," and "City Life," among other tracks – in their place as "Stationary Traveler," "Long Goodbyes," "Slow Yourself Down," "Nimrodel," "The Great Marsh," and "Spirit of the Water," plus live renditions of "Lunar Sea" and "West Berlin"…

Babak Afshar is a perfect example of a new age composer whose albums can appeal to those who aren't big new age fans. That's because his new age/world music output not only soothes, it also stimulates. Consistently tranquil and peaceful, Color of Rain can appeal to those who simply want to unplug, unwind, and be soothed. But as calming as Afshar's music is, it isn't mindless or mind-numbing. Blending new age with elements of both Middle Eastern folk and European classical music, Afshar (who is listed is simply Babak on this CD) is substantial, interesting, and creative. Afshar helps you relax, but he doesn't force you to turn your brain off in order to appreciate him. On Color of Rain, Afshar gives us new age music with a difference.

Universal Music launch a brand new 5CD budget range this May. 101 Hits careful compiled across 5 discs presenting some of the finest repertoire ever available at this price point.101 90s Hits features the most memorable tracks by the biggest artists from the decade. Including the likes of Wet Wet Wet, M.C Hammer, Texas, UB40, Ocean Colour Scene and many more!

Time Life has put together the best-loved romantic, adult contemporary hits of the eighties. From sexy and sensual ballads to soft and sweet love songs and even some of the decade's greatest power ballads, the 'Easy '80s' collection is all about love.

It’s not quite right to say that the Go-Go’s' 1981 debut, Beauty and the Beat, is where new wave caught hold in the U.S., but it’s not quite wrong, either. Prior to this, there had certainly been new wave hits – Blondie had been reaching the Top Ten for two years running – but the Go-Go’s ushered in the era of big, bright stylish pop, spending six weeks at the top of the U.S. charts and generating two singles that defined the era: the cool groove of “Our Lips Are Sealed” and the exuberant “We Got the Beat.” So big were these two hits that they sometimes suggested that Beauty and the Beat was a hits-and-filler record, an impression escalated by the boost the Go-Go’s received from the just-launched MTV, yet that’s hardly the case. Beauty and the Beat is sharp, clever, and catchy, explicitly drawing from the well of pre-Beatles ‘60s pop – girl group harmonies, to be sure, but surf-rock echoes throughout – but filtering it through the nervy energy of punk.