The mighty PFM’s 2021 studio release is a Sci-Fi-themed conceptual opus. Powered primarily by Franz Di Cioccio (lead vocals, drums) and Patrick Djivas (bass, keyboards) - who started the recording process in their home studios. As a real treat PMF invited a couple of musicians they have been friends with for a long time: Ian Anderson (Jethro Tull) on flute and Steve Hackett (ex-Genesis) on electric guitar. "I Dreamed of Electric Sheep" is simultaneously released in both English and Italian versions, hence the Italian subtitle, "Ho Sognato Pecore Elettriche".

"True Faith" is a song by New Order, co-written and co-produced by the band and Stephen Hague. The single peaked at No. 4 in the United Kingdom on its original release in 1987. "True Faith" became New Order's first single to chart in the Hot 100 and would also go on to be a top 40 hit in the United States, peaking at No. 32.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.

This CD is wonderful. The writing, musicianship, vocals and production value are terrific. It never gets monotonous or boring. It is always soothing and enjoyable. Our kids love it! I would recommend this to all parents and it's also a great gift! ~ Ed Corsi

Elton John once claimed that he could remember The One among his latter-day albums because it was the first he recorded without drugs or alcohol. If true – and there's no reason to doubt him – that could be the reason why this has more character than most of his albums since the early '80s, holding together well in its deliberately measured, mature songcraft by Elton and Bernie Taupin…

The album features uniquely crafted versions of the main themes from Denis Villeneuve’s Dune curated by the film’s composer Hans Zimmer (The Dark Knight, Gladiator, Inception, The Lion King, Interstellar, Pirates of the Caribbean, Man of Steel) to accompany the reader on their journey through the book, which was written by the movie’s executive producer Tanya Lapointe.

John Mellencamp releases live album and documentary titled: The Good Samaritan Tour. The documentary, which will be narrated by Academy® Award winner Matthew McConaughey, chronicles Mellencamp’s historic free tour in 2000 when he performed on street corners and in public parks across the country. The new music is just one of many new projects Mellencamp has been working on including original plays, paintings and more.

The perfect case of a pianist who sounds completely relaxed in the studio and, because of that, manages to balance assertiveness and poetry in ideal proportions. Gerhard Oppitz is a penetrating Brahmsian, bracing in the youthful works, quietly confiding in the later ones.

Last spring, Devendra Banhart and Noah Georgeson started to make a record that was like nothing they had made before — an ambient album that would be both a haven from a suddenly terrified world and a heartfelt musical dialogue between two artists who have been friends and collaborators for over two decades. Refuge is an album of profound meditative beauty which offers the listener a much-needed sense of peace and renewal. But while it was recorded in 2020 its roots go back much further — all the way to the start of their friendship and, beyond that, to the shared sounds and ethics of their childhoods.

This album is a wonderful showcase of over forty years of activity of the Witold Lutoslawski Chamber Philharmonic. The albums programme shows the repertoire versatility of a chamber orchestra (from Baroque to contemporary music). Thus, we are dealing with a kaleidoscope of various compositional styles, which allows us to appreciate the ensembles multifaceted capabilities. The Witold Lutoslawski Chamber Philharmonic in Lomza was established in 1977 as the Lomza Chamber Orchestra. During its 40 years of existence, it has given almost two thousand concerts in Poland and abroad. It has received a number of awards for its activity and contribution to the development of musical culture, including the Podlasie Brand of the Year 2018 and Lomza Business Angel 2019.

This Atlanta concert wasn't issued in recorded form for two decades. Archival releases of this sort tend to be for collectors only, but this is a cut above the standard. The sound is very good, the band is pretty tight, and Freddie King solos with fire and sings with conviction, sticking mostly to covers of warhorses like "Dust My Broom," "Key to the Highway," and "Sweet Home Chicago." It's a better deal, in fact, than his studio albums for Shelter in the early '70s, boasting a no-frills small-combo approach that is far more suitable. As a neat bonus, it also contains two solo acoustic performances recorded at a Dallas radio station in the 1970s.

Faced with flagging sales on their first post-Fish release Season's End, progressive rockers Marillion paired themselves with pop producer Christopher Neil for 1991's Holidays in Eden. It wasn't exactly a move that paid either commercial or artistic dividends, as the results are so diluted and bland that one can only hope this was a desperate attempt to appease their label. There were several singles that charted in the U.K., but they could have been performed by anyone or, worse, in the case of the ringing guitars on "Cover My Eyes," it sounds as though they want to reinvent themselves as U2. It's a record that will surely disappoint fans of their more progressive work and, lacking a distinctive personality, hardly elicit excitement from newcomers.

This CD is a well-chosen sample of Biber’s finest ensemble music. One of the supreme violinists and virtuoso composers of the 17th century, much of Biber's work remains underplayed and relatively obscure. However, as Burnley wrote, over 100 years after many of the pieces on this disc were composed, ‘of all the violin players of the last century Biber seems to have been the best, and his solos are the most difficult and most fanciful of any music I have seen of the same period’.