Having been cleared earlier in the year in another lawsuit concerning the supposedly suicide-inducing subject matter of his music, Ozzy Osbourne reinvigorated his sound and expanded his following with his sixth studio album, No More Tears, in the fall of 1991…

Friday Soul 2019 displays a variety of stylistic content of the material, that is, will be, and perhaps will be, just a discovery. For more than four decades, WMG has been an industry-leading force in providing a world-class array of services designed to help artists and labels grow their careers and their businesses. Artist & Label Services is the umbrella for WEA the pioneering WEA distribution and marketing network and Alternative Distribution Alliance the groundbreaking global distribution company for independent artists and labels.

The CD by Gretchen Wilson slapshot is a very good CD she represents country music at its best. I would recommend this CD highly to anyone that is a Gretchen Wilson band they will love it.

Accardo's performances are nothing short of spectacular, and (the late) Kurt Masur and the Gewandhaus's performances never disappoint. Most classical audiophiles may be familiar only with Bruch's first violin concerto and the "Scottish Fantasy," but there are two more wonderful violin concertos, a Romance, a Konzertstuck, a Serenade, a piece entitled "Adagio Appassionato" and a piece that was new to me, "In Memoriam," a very beautiful and moving composition that is the last band on the last record.

Bob James H was released in 1980 on his Tappan Zee imprint during his great run that began with Touchdown in 1978. Its immediate predecessor is the One on One duet album with Earl Klugh. James recorded it in the same way he'd been making records since joining CTI in the early 1970s: with a large, all-star studio group paired with a couple of top-flight soloists. The former group included trumpeter Jon Faddis, Randy Brecker, and Eddie Daniels; the latter features Grover Washington, Jr., Hiram Bullock, Airto Moreira, and Buddy Williams. Of course, hovering over everything is James' trademark piano, full of lovely if rote grooves and fills. The music revolves around breezy, easy themes and colorations, where the new contemporary (later, "smooth") jazz met lithe cinematic-style orchestral themes with some neat and tidy funk overtones. "Brighton by the Sea," with a tough soprano solo by Washington is a great example. Airto's hand percussion plays counterpoint to Williams drums, Gary King's deep, fretless, funk bassline holds the groove and Grover moves right into it, and then soars above it.

In an almost overpowering gathering of jazz superstars, Sarah Vaughan, the greatest of jazz singers, is joined by the brass players Dizzy Gillespie, Maynard Ferguson, Don Cherry, Chuck Mangione, and Al Hirt - backed by the legendary Herbie Hancock on piano, Ron Carter on bass, and Billy Higgins on drums. The exciting concert that results is packed with unexpected moments, beautiful sounds, and of course the gorgeous singing of 'Sassy' herself. Variety abounds: Vaughan sings standards with her crack touring combo, including an amazing rendition of her signature 'Send in the Clowns.' The trumpeters pair off in various groupings that bring out their distinctive sounds. Vaughan joins the brass players for some jazz standards - including 'Take the 'A' Train' - adding beautiful vocal improvisations to the mix…

You Don't Know My Mind brings back the familiar, friendly growl of modern-day traditionalist Guy Davis, with a pipin' hot baker's dozen of his compositions. Again, on this disc Davis has some extremely able players to help augment his songs and support his vision of them, never overplaying or getting in the way, but providing that constant base of support from which the performer can extend his inspiration. His voice wraps around the lyric and infiltrates it, giving it that heartfelt feeling that makes it his song. This is a consummate performer who loves his music and knows its roots and origins.

British orchestras and their audiences have long held a special affinity for the orchestral works of Jean Sibelius, and the Hallé's venerable tradition of playing his music continues in this superb recording of the Symphony No. 5 in E flat major, the Symphony No. 7 in C major, and the symphonic poem En Saga. Mark Elder's straightforward interpretations are clear-headed and meticulous yet intensely passionate, and the orchestra responds to his direction by digging deep and playing with a commitment that is nearly perceptible. These symphonies and En Saga are representative of Sibelius' mature style, so their deliberate pacing and steady unfolding of motives into organic developments over long time spans require attentive listening, but the clarity of Elder's readings makes the progress of the music easy to follow. Add to this the exceptional reproduction, which brings out every detail with crispness, and presents the Hallé's warm and rich sonorities with credible presence, and the end result is a nearly ideal presentation of Sibelius' music.

Feel Good Favourites is the latest instalment in a successful series of smoothfm compilations based on the playlist from the top rating FM stations in Sydney and Melbourne.

The trio of Scandinavian rhythm section Paal Nilssen-Love (drums) and Johan Berthling (double bass) hooking up with Japanese free jazz legend Akira Sakata (saxophone/clarinet) started in 2013 at the Molde Jazz Festival in Norway. The trio took their name from the legendary 1977 collaborative album by Yosuke Yamashita Trio and dance group Dairakudakan – an album that Sakata was a central part of, that even 40 years later stand solid as a radical and bold musical statement. And this piece of history gives us a clue to where the trio of Nilssen-Love, Berthling and Sakata is aiming for, not by looking back and rethreading what has been done before, but adopting its attitude of kicking the often stale sax/drums/bass-format forward with such force that it feels completely fresh.

Disco With Soul! displays a variety of stylistic content of the material, that is, will be, and perhaps will be, just a discovery. As well as an addition to your collection and archives. And undoubtedly the acquisition of a definitely sustainable mood! Led by an independent spirit and a devotion to great music, our renowned collection of distinctive record labels is home to the world’s most popular and influential artists.

Reissue on CD of the self titled double LP by Icelandic band from the 70's, recorded in Copenhagen, which ranks along with Junipher Green's 'Friendship' or Burning Red Ivanho's 'M144' . Music is cross between Cream & Beatles circa 1968.

Zëss had long been plagued by its incompleteness and its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. For Zëss is above all the visionary reflection of an immemorial dream haunting the most obscure part of our souls. Zëss treads a line between a vital overflowing and the edges of the unlivable. It is an incandescent and heady oratorio where consciousness questions its other side in a measureless journey. Zëss indicates the ultimate reversal out of which bursts a beyond of music that only music can reach. Magma’s whole story condensed…

The sunflower is a very special part of creation. It is graceful and proud. Despite all its beauty it is not just a treat for the eye but it also offers a lot of other values. "Fleur Solaire" - in English: sunflower - is called the 6th album of Roland Voss - founder of Lemongrass - a title that obligates. When you put “Fleur Solaire” in the CD player you will feel like a field of sunflowers that follow the sun like the mirrors of a solar power plant to absorb as much power as they can. Roland Voss manages as usual to pull the listener into his spell. With Drum n Bass, TripHop, Downbeat and the best of Lounge sound, Roland Voss takes you on a journey into a dream world of music. Chill-out for your body and wellness for your soul. "Fleur solaire", that also contains a few House elements, is good for active listening as well as relaxing background music and will soon be an integral part of your life.

HandPicked is a smooth jazz studio album by jazz guitarist Earl Klugh released on July 30, 2013. This is Klugh's first album of new material since he released The Spice Of Life in 2008 and it is also his first for the Heads Up label. This album showcases Klugh playing solo guitar on 13 of the 16 songs included here. Bill Frisell, Jake Shimabukuro, and Vince Gill all co-produced and played on one song each.