“One can share in a more carefree expression of joy here. Many fine conductors have presided over these traditional Strauss tributes, but none with such élan as the late Carlos Kleiber. The music swings and sways in terpsichorean ecstasy. Kleiber appears blissful as he inscribes elegant arcs with his baton, and the players beam.” (Gramophone)

Love makes the world go around. “two”, the second album by The Soul Session, is full of love. Ralph Kiefer, multi-instrumentalist, composer, arranger and producer from South Germany embarks on a stylistically diverse journey into Soul, Jazz, Funk and World Music.

“I felt transported to an alternative reality where you are travelling along the lines of this original music and keep asking yourself, “what is real?” It miraculously puts you into an altered state where you float along with their musical tide. Their sound really does pull you in and you feel yourself letting go and allowing it to fill you up. They take mighty risks to bring you their genius improv jazz – “cinematic, downtempo pop,” or whatever category you wish to use that equates to transcendental, fiery, consciousness-raising, life-shaking loveliness. An audience member at the packed show remarked, “Mira’s voice is angelic and fierce at once. In combination with the sound of Kompost 3, it was hypnotizing, genuinely touching, and inspiring.”

Shuichi "Ponta" Murakami is a Japanese jazz drummer and session musician. Murakami first learned to play French horn, but switched to classical percussion as a teenager before settling on the drum kit. He worked extensively as a sideman on jazz sessions in the 1970s and 1980s, with, among others, Sadao Watanabe, Yosuke Yamashita, Kazumi Watanabe, Akira Sakata, and Takashi Kako. He founded the group Ponta Box (featuring sidemen Masahiro Sayama and Masatoshi Mizuno) which recorded three albums for JVC Victor and appeared at the 1995 Montreux Jazz Festival, and has recorded several albums under his own name. He also worked as a session musician for J-pop stars for several decades.

In Hearing of is the third album by British rock band Atomic Rooster. Although not included on the album, "The Devil's Answer" single was released just prior to it, becoming the band's highest chart success at number 4 in the UK. This helped push the album to a number 18 UK chart placing, despite the fact that the four musicians pictured on the inside cover never played together. The backing tracks (and some vocals) were recorded by Vincent Crane, John Cann and Paul Hammond, but Cann and Hammond left the group soon after vocalist Pete French was drafted in. The finished album's sound was dominated by Crane and Hammond, with many of Cann's guitar parts either not used or placed lower in the mix.

The 32 Piano Sonatas by Ludwig van Beethoven are often referred to as the ‘New Testament’ of the keyboard literature, following on the ‘Old Testament’ of J.S. Bach's 48 preludes and fugues in the Well-Tempered Clavier. Composed over a period of almost three decades, from 1795 to 1822, the sonatas constitute a fascinating panorama of an artistic career which underwent numerous changes – not to say upheavals – but nevertheless remained remarkably consistent.

One of China's biggest pop stars of the late 20th century, Sandy Lam rose to fame in the 1980s as a Cantopop singer before expanding her fan base significantly in the 1990s with stylistically diverse albums in Mandarin, Japanese, and English.

Amanda Lee / Lee Wai Man is a Hong Kong pop singer and actress. Amanda is primarily known for her singing. She began singing professionally in 1989 as part of a duo called The Echo, but went solo in 1992.

Entering the Canto-pop scene through the 1995 New Talent Singing Awards at which she won bronze medal, Miriam Yeung has enjoyed great popularity throughout her career.

This set of CD is EMI's ultra-low-cost boxed series, although the ultra-low prices, but this series there are still many excellent recordings, such as Ke Luotan's Beethoven Symphony Complete Works, Chiclini's Saty Piano works and so on. In this set of Mahler songs, it is worth noting that Teng Shi Te Te Te's "song of the earth", in its symphony is not included. In addition, the Baker Jazz singing "Luke Te song" and Fisher - Di Si test and Barenboim cooperation piano version of "Junior Magic" is also a very good version. But unfortunately did not include Canta "lament the song", but rather repeated the collection of the symphony of Teng Tate's total in the first 2,3,4 contains vocal movement, so it can not be called A song collection.

Harry Allen (born October 12, 1966) is an American jazz tenor saxophonist born in Washington, D.C. Early on he was recognized in high school as an exceptional talent able to play tunes such as Body and Soul in the style of tenor players Coleman Hawkins, Ben Webster, Flip Phillips, and Sam Donahue. He is a traditionalist in the manner of Scott Hamilton. He is best known for his work with John Colianni, Keith Ingham, John Pizzarelli, and Bucky Pizzarelli.

Jazz. Groove. Soul. Funk. Sus componentes musicales se acomodan suavemente de manera instrumental. Lámpara Rey busca plasmar una visión: otra manera de concebir el lenguaje del jazz y el funk. Sonido potente y armonías dulces como las características principales del proyecto. Dos bajos, una batería, guitarra, saxo, y percusión imprimen la enorme influencia del jazz desde Charlie Parker a Chris Potter o John Scofield. Experimentar nuevos sonidos es el sentido; la filosofía de no ponerse barreras a la hora de encontrarlos, es el sello. Una inyección de groove que genera adicción.

Si les voyages forment la jeunesse, ils peuvent aussi être une formidable source d’inspiration, comme en témoigne Vallée d’argent, le troisième album de Sarah Bourdon, dont elle signe tous les titres. Créées à la suite d’un séjour marquant au Costa Rica, les pièces réunies sur ce nouvel opus ratissent large, empruntant la plupart du temps des chemins moins fréquentés. Oscillant entre douceur et puissance, l’artiste nous livre ici son disque le plus personnel, lequel succède à La longue trail (2013) et à Mouvement (2015).

The soundtrack was created by Massive Attack. It was released under the name Danny the Dog, in 2004 from EMI. In 2005, Virgin Records re-released the soundtrack under the title Unleashed, with two bonus tracks. Neither version features the song "Aftersun", featuring vocals by Dot Allison, that appears in the end credits of the film. The classical piano solo played in several scenes of the film is Mozart's Piano Sonata No.11 "Andante grazioso".

Dynamique. Tendre. Ephémère. Une expérience de l’instant, celle de la Joie ! La joie, victoire sur l’obscurantisme, les dogmes et la peur. Elle nous fait danser, rire et pleurer. Les Fouteurs de joie sont « joyeux » de vous présenter leur nouveau spectacle : Des Etoiles et des Idiots. Des étoiles, comme un guide. Sous les étoiles, on chante, on cogite, on dort paisiblement. On est libre. Filante, la route est tracée, celle de l’amitié. Depuis 16 ans qu’ils se connaissent, encore émerveillés, les Fouteurs de Joie sont debout, vivants, lucides. Des idiots. Idiots comme Nicolas Ducron, Laurent Madiot, Alexandre Léauthaud, Christophe Dorémus et Tom Poisson, qui gesticulent frénétiquement sous une boule à facette, chantent en allemand et pratiquent le karaoké au restaurant chinois. Oui, les «Fouteurs» sont définitivement (imbéciles)-heureux d’être réunis tous les cinq, après plus de 700 concerts, heureux de se retrouver pour être idiots ensemble. En route pour les étoiles ! Il sera toujours temps de redevenir idiots!