Subcategories
Tags
Language
Tags
r/WallStreetBet
Sign up for Wish, download the app using the link
and you will receive €5 credit for your purchases!


Get the LINK!

The New Colony Six - Treat Her Groovy (1968-1969) (2005)

Posted By: gribovar
The New Colony Six - Treat Her Groovy (1968-1969) (2005)

The New Colony Six - Treat Her Groovy (1968-1969) (2005)
XLD Rip | FLAC (tracks+.cue+log) - 320 MB | MP3 CBR 320 kbps (LAME 3.93) - 123 MB | Covers - 9 MB
Genre: Psychedelic/Garage Rock, Pop Rock | RAR 3% Rec. | Label: Cherry Red Records (ACMEM51CD)

Though it's not obvious from the cover, this 22-track CD compilation is basically a reissue of the New Colony Six's third and fourth LPs (1968's Revelations and 1969's Attacking a Straw Man), presenting the albums one after the other with their original track sequences. This was the era in which the Chicago band, which started off with a rawer garage pop sound, softened its approach considerably and found some modest national commercial success. Those who swear by the group's earlier work (particularly the excellent 1966 debut, Breakthrough) are likely to be disappointed by the far more mainstream harmony pop/rock of these records, though on the other hand, fans of groups like the Association might favor this era more than the previous one…

Syd Barrett - The Madcap Laughs (1970) {1998, Japanese Reissue}

Posted By: popsakov
Syd Barrett - The Madcap Laughs (1970) {1998, Japanese Reissue}

Syd Barrett - The Madcap Laughs (1970) {1998, Japanese Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 347 Mb | MP3 CBR320 ~ 159 Mb
Full Scans | 00:57:12 | RAR 5% Recovery
Psychedelic Rock, Folk Rock | Toshiba-EMI Ltd. #TOCP-3430

The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a chequered recording history, with work beginning in mid-1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner (1968 sessions), Malcolm Jones (early-to-mid-1969 sessions), and fellow Pink Floyd members David Gilmour and Roger Waters (mid-1969 sessions). Among the guest musicians are Willie Wilson from (Gilmour's old band) Jokers Wild and Robert Wyatt of the band Soft Machine.

Bryan Ferry + Roxy Music - More Than This: The Best Of Bryan Ferry + Roxy Music (1995) {1999, Reissue}

Posted By: popsakov
Bryan Ferry + Roxy Music - More Than This: The Best Of Bryan Ferry + Roxy Music (1995) {1999, Reissue}

Bryan Ferry + Roxy Music - More Than This: The Best Of Bryan Ferry + Roxy Music (1995) {1999, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 508 Mb | MP3 CBR320 ~ 181 Mb
Full Scans ~ 88 Mb | 01:14:52 | RAR 5% Recovery
Art Rock, Pop Rock, Glam Rock | Virgin Records #7243 8 48173 2 9

1995 anthology, originally released to coincide with the release of the four disc box set Thrill Of It All. Roxy Music began life as a British Art Rock band in the early '70s but by the time they split a decade later, they had matured into a smooth Rock outfit capable of creating some of the most lush, romantic and beautiful music on the Pop charts. Lead vocalist Bryan Ferry carried on the Roxy tradition on his solo albums recorded during and after the band's original 10 year career.

The Bill Charlap Trio - Live at the Village Vanguard (2007)

Posted By: gribovar
The Bill Charlap Trio - Live at the Village Vanguard (2007)

The Bill Charlap Trio - Live at the Village Vanguard (2007)
EAC Rip | FLAC (tracks+.cue+log) - 305 MB | MP3 CBR 320 kbps (LAME 3.93) - 128 MB | Covers - 16 MB
Genre: Jazz, Post-Bop | RAR 3% Rec. | Label: Blue Note (7243 5 97044 2 5)

Some 13 years into his recording career, jazz pianist extraordinaire Bill Charlap's first live album is, perhaps, his most exquisite release to date. While virtually all of his studio albums more than adequately showcase Charlap's virtuosity, good taste, and ceaseless imagination at the keys, it took the spontaneity of the live performance - at New York's fabled Village Vanguard - to give the first true indication of just what Charlap is capable of creating on the fly. The pinpoint accuracy and sophistication of his solos, whether at breakneck speed or in a ballad setting, are a marvel. Charlap's concentration never strays, and although he feels no compunction to strut, he lets it be known with each passage that he's among the most gifted pianists in jazz today…

Dennis DeYoung - 26 East, Vol. 2 (2021) *PROPER*

Posted By: popsakov
Dennis DeYoung - 26 East, Vol. 2 (2021) *PROPER*

Dennis DeYoung - 26 East, Vol. 2 (2021)
EAC Rip | FLAC (Img) + Cue + Log ~ 386 Mb | Full Scans ~ 165 Mb | 00:52:21 | RAR 5% Recovery
Classic Rock, Soft Rock | Frontiers Records #FR CD 1123

Former Styx frontman Dennis DeYoung is back with the second volume of his fond farewell to recorded music, "26 East, Vol. 2.” As with the preceding volume, "26 East, Vol. 2" once again hints strongly at DeYoung's rock roots with Styx. The production and musicianship are EPIC, and those timeless vocal arrangements get delivered in spades. A fitting goodbye and a final signature on an outstanding body of work which will stand the test of time! DeYoung has previously stated that "26 East” will mark his retirement from the world of recorded music. It was thanks to Frontiers CEO, Serafino Perugino, that given the abundance of material, Dennis agreed to split the album in two parts. This second half starts where the previous one left off and sees DeYoung collaborate again with the awesome Jim Peterik, a fellow Chicagoan and nearby neighbor, for the songwriting on select tracks.

Grand Stand - Tricks Of Time (2002)

Posted By: gribovar
Grand Stand - Tricks Of Time (2002)

Grand Stand - Tricks Of Time (2002)
EAC Rip | FLAC (image+.cue+log) - 346 MB | MP3 CBR 320 kbps (LAME 3.93) - 119 MB | Covers - 25 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: Progress Records (PRCD009)

Grand Stand from Sweden made two albums and then gone into oblivion. Sad, because, those two albums are really excellent, special the second offer from 2002 named "Tricks of Time". Complicated symphonic prog, with nods towards Genesis, Camel, The Flower Kings and alike.
The album opens with "Jurassic Spark" a song about paranoia. Things get off on the right foot with a 1 minute intro of soaring guitar before the drums and keys come in. Next are the vocals that are well done in this uptempo tune. Some scorching guitar after 4 minutes, and the full sound is beautiful…

Robert Rich - Inner Landscapes (1999)

Posted By: gribovar
Robert Rich - Inner Landscapes (1999)

Robert Rich - Inner Landscapes (1999)
EAC Rip | FLAC (image+.cue+log) - 414 MB | MP3 CBR 320 kbps (LAME 3.93) - 179 MB | Covers (5 MB) included
Genre: Ambient | RAR 3% Rec. | Label: Hypnos (hyp1915)

The work that became Inner Landscapes was taken from a live and wholly improvised set performed in 1985. With Inner Landscapes being released in 1999, there was a bit of a nostalgic feeling that allowed listeners to look back to where Rich came from and put in perspective his 14 years of work since this 1985 concert. This recording is full and diverse with its synth drones, flute sounds, and Rich's lap steel. It is a fine recording of recycled music, and one that is both complimentary and insightful. This is a must-have recording for fans of Robert Rich and any fan of early new age/space music circa the mid-'80s.

Michael Chance, David Cordier, Tragicomedia - A Musicall Dreame: Music by Robert Jones, Tobias Hume, Giles Farnaby (1990)

Posted By: ArlegZ
Michael Chance, David Cordier, Tragicomedia - A Musicall Dreame: Music by Robert Jones, Tobias Hume, Giles Farnaby (1990)

Michael Chance, David Cordier, Stephen Stubbs, Tragicomedia - A Musicall Dreame: Music by Robert Jones, Tobias Hume, Giles Farnaby (1990)
EAC | FLAC | Image (Cue & Log) ~ 230 Mb | Total time: 64:00 | Scans included
Classical | Label: Hyperion | # CDA66335 | Recorded: 1988

Sublime musical expression does not necessarily proceed from serene spirits whose philosophical loftiness leaves them unmoved by the push and shove of the marketplace. Prefaces to printed editions of music in the sixteenth and seventeenth centuries seldom reveal much of the personality behind the writer's effusive urge to prostrate himself before the dedicatee and his invocations to the muses to make worthy his humble efforts. Robert Jones, Tobias Hume and John Dowland were exceptions in this regard and often used their printed prefaces as a platform for polemics, self-defence and bile. In so doing they illumine the contemporary pressures of public opinion and changing fashions, as well as highly individual — not to say curmudgeonly — natures.

Devo - Freedom Of Choice (1980)

Posted By: Designol
Devo - Freedom Of Choice (1980)

Devo - Freedom Of Choice (1980)
EAC | FLAC | Image (Cue&Log) ~ 201 Mb | Mp3 (CBR320) ~ 92 Mb
Label: Warner Bros. | # 3435-2 | Time: 00:32:31 | Scans included
New Wave, Post-Punk, Synthpop, American Punk

Freedom of Choice is the third studio album by the American new wave band Devo. It was originally released in May 1980 on the Warner Bros. label. The album contained their biggest hit, "Whip It", which hit No. 8 and No. 14 on the Billboard Club Play Singles and Pop Singles charts, respectively. Freedom of Choice peaked at No. 22 on the Billboard Pop Albums chart.

The Rolling Stones ‎- Sweet Home Chicago (2005)

Posted By: v3122
The Rolling Stones ‎- Sweet Home Chicago (2005)

The Rolling Stones ‎- Sweet Home Chicago (2005)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | Empress Valley, EVSD 381/382 | ~ 864 or 313 Mb | Artwork(jpg) -> 1.89 Mb
Blues Rock / Rock & Roll / Classic Rock

~ Live at Rosemont Horizon, Chicago, Illinois, USA 24th November 1981. ~

Guy Davis - You Don't Know My Mind (1998)

Posted By: Designol
Guy Davis - You Don't Know My Mind (1998)

Guy Davis - You Don't Know My Mind (1998)
EAC | FLAC | Image (Cue&Log) ~ 282 Mb | Mp3 (CBR320) ~ 112 Mb | Scans ~ 61 Mb
Label: Red House Records | # RHRCD 113 | Time: 00:48:41
Genre: Modern Acoustic Blues, Contemporary Blues

You Don't Know My Mind brings back the familiar, friendly growl of modern-day traditionalist Guy Davis, with a pipin' hot baker's dozen of his compositions. Again, on this disc Davis has some extremely able players to help augment his songs and support his vision of them, never overplaying or getting in the way, but providing that constant base of support from which the performer can extend his inspiration. His voice wraps around the lyric and infiltrates it, giving it that heartfelt feeling that makes it his song. This is a consummate performer who loves his music and knows its roots and origins.

Bootsy Collins - Back in the Day: The Best of Bootsy (1994)

Posted By: Designol
Bootsy Collins - Back in the Day: The Best of Bootsy (1994)

Bootsy Collins - Back in the Day: The Best of Bootsy (1994)
EAC | FLAC | Tracks (Cue&Log) ~ 478 Mb | Mp3 (CBR320) ~ 175 Mb | Scans ~ 62 Mb
Funk, P-Funk, Psychedelic Soul, Disco | Label: Warner Bros. | # 7599-26581-2 | 01:16:38

Can it get any better? If aliens came down needing to know what funk was all about, in all its talented, embrace-anything-and-everything, screw with your head and get your butt down glory, then this is a prime candidate for what to give them. The man, his voice, his bass, the backing of a prime core band including his guitarist brother Catfish, Fred Wesley, and Maceo Parker leading the brass – beautiful, hilarious, and just plain great. This one-disc collection could easily be a two-disc or more if one wanted to include every last highlight from Collins' up-down-all-around career – his work with James Brown alone is beyond the bomb – but when it comes to solo work, this is as perfect a place to start as any. Drawing mostly on the albums done with the active help of George Clinton in the late '70s, Back in the Day is a model for what a good compilation should be. Sound is excellent throughout, while full details on who plays what and where, along with where everything came from in the first place, all appear in exhaustive detail. The liner notes, meanwhile, come from longtime funk road manager (Brown, Prince, plenty of others) Alan Leeds, explaining every step of Collins' wonderful story.

Emma Kirkby, The Romantic Chamber Group of London - Amy Beach: Chanson d'amour (2002)

Posted By: Designol
Emma Kirkby, The Romantic Chamber Group of London - Amy Beach: Chanson d'amour (2002)

Amy Beach - Chanson d'amour (2002)
Emma Kirkby, soprano; The Romantic Chamber Group of London

EAC | FLAC | Image (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 157 Mb | Artwork included
Genre: Classical, Vocal | Label: BIS | # BIS-CD-1245 | Time: 01:05:45

Emma Kirkby, doyenne of the Early Music scene, here shows that she's just as comfortable in music of a more recent vintage. Amy Beach was a woman ahead of her time, performing as solo pianist with the Boston Symphony Orchestra by the age of 18. The same year (1885), she married Henry Beach and, no longer able to perform publicly (it would have gone against her social status), she instead settled down to composing. And delightful stuff it is, too, as Kirkby and friends demonstrate in this charming recital. A number of the songs add violin, cello, or both to the piano and voice combination. "Ecstasy," for instance, has a most effective violin part that is an ideal foil to the purity of Kirkby's voice. Other highlights include the Schumannesque Browning Songs and the amiable Shakespeare Songs (the last of which, "Fairy Lullaby," is irresistible). The final item here, "Elle et moi," is an upbeat little number that suits Kirkby's lithe soprano to perfection. Occasionally, in some of the more lushly textured songs, such as "A Mirage" and "Stella Viatoris," perhaps a fuller voice would have been preferable, but then sample "Chanson d'amour" (written when Beach was only 21 and with a wonderful cello part in addition to the piano) and try to imagine it being better sung. The purely instrumental items are played with unfailing sensitivity and elegance. The Romance is straight out of the salon, while the much later Piano Trio (though actually based on early material) packs plenty of emotion and variety into its 14 minutes. The recording is exemplary, as are the concise notes and texts and translations.

Low Cut Connie - Tough Cookies : Best of the Quarantine Broadcasts (2021)

Posted By: ciklon5
Low Cut Connie - Tough Cookies : Best of the Quarantine Broadcasts (2021)

Low Cut Connie - Tough Cookies : Best of the Quarantine Broadcasts (2021)
FLAC tracks / MP3 320 kbps | 55:57 | 284 / 128 Mb
Genre: Blues Rock, Rock'n'Roll / Label: Contender Records

Low Cut Connie’s follow up to his critically-acclaimed 6th studio album Private Lives, Tough Cookies: The Best of The Quarantine Broadcasts, pulls recordings from the band’s twice-weekly livestream “Tough Cookies” which celebrates its one-year anniversary this month. The 23-track album consists of a small percentage of the 500+ covers Weiner has performed so far during the broadcasts.“Two weeks into quarantine, we ‘went live’ in my spare bedroom in South Philly to cheer up our fans. There was no script, no plan, just a couple schmucks trying every form of entertainment to try to lift people’s spirits,” explains Weiner. “Now a year later, we’re still going strong and have covered over 500 songs for viewers in over 40 countries. It’s been amazing watching the project grow and I wanted to put the record out as a document of this insane time we all shared. It was all done on cell phones but the spirit of the matter cuts through.”

The Beatles - Abbey Road (1969) {2019, The 50th Anniversary Super Deluxe Edition}

Posted By: popsakov
The Beatles - Abbey Road (1969) {2019, The 50th Anniversary Super Deluxe Edition}

The Beatles - Abbey Road (1969) {2019, The 50th Anniversary Super Deluxe Edition}
3CD | EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 799 Mb | MP3 CBR320 ~ 321 Mb
Scans ~ 135 Mb | 02:12:55 | RAR 5% Recovery
Rock | Apple Records #0602577921124

Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.