Japanese fusion bassist Tetsuo Sakurai, carved a niche in the industry as a fleet fingered player that could hit the groove with authority, his slap technique was as good as it gets. He has dozens of recordings to his credit as a member of the long time fusion band Casiopea, Jimsaku, and more recently as a solo artist. The music on this cd will remind of a heavier version of Casiopea, with more progressive tendancies, that remind of the band Fragile also some looping and dubs are added for a fresh contemporary sound. Lot's of heavy bass accentuations are present throughout, and the music relies on an aggresive approach. Sakurai proves to be a versatile bassist on every song, he is not one to stay in the funk realm, as he shows he has a melodic edge to him as well.

Caught in the Crossfire is the debut solo album by the English rock musician John Wetton, released in 1980 by E.G. Records. Featuring guitarist Martin Barre of Jethro Tull, drummer Simon Kirke of Bad Company as well as saxophonist Malcolm Duncan, the album's release took place in a transitional spell after Wetton had left U.K. but before he had formed Asia. Caught in the Crossfire has been reissued numerous times with various album covers. The artwork of the original UK vinyl edition was designed by Hipgnosis art studio.

"Standards" is the 10th studio album by British soul and R&B singer-songwriter Seal. The album was released on 10 November 2017 by Decca Records and Virgin EMI Records. With the release of 7, Seal ended his recording contract with Warner Bros. Records. In an interview with Billboard in August 2017, Seal said he doesn't plan on releasing albums in the future. In September 2017, Universal Music announced the release of Standards. Seal said of the album: "This is the album I have always wanted to make. I grew up listening to music from the Rat Pack era, so recording these timeless tunes was a lifelong dream. It was a true honour to collaborate with the same musicians who performed with Frank Sinatra and so many of my favourite artists, in the very same studios where the magic was first made – it was one of the greatest days of my recording career."

François Ier, prince mécène, avait compris combien la musique pouvait servir sa politique de prestige : - musique officielle pour les grands événements diplomatiques comme l'incroyable match musical entre la Chapelle du roi de France et celle d Henri VIII d'Angleterre, lors de la messe du Camp du Drap d'Or restituée dans cet enregistrement ; - mais aussi musique de l'intime avec le répertoire le plus subtil, raffiné et savant entendu dans les châteaux du souverain Chambord, Fontainebleau… interprété par les meilleurs chanteurs et instrumentistes du royaume réunis au sein de la Chambre du Roy. Un festin de musiques inédites pour un roi François Ier, symbole d une Renaissance heureuse.

The argument will forever rage, but Memphis, Tennessee, is as much the fountainhead of rock ’n’ roll as is Cleveland, Ohio. Whilst the north had Alan Freed as its turntable champion, the south was blessed with the madcap deejay, Dewey Phillips. Chances are, ole Dewey would have played most of the 75 titles that go to make up Raunchy Sugar on his Red Hot and Blue show that aired over WHBQ in Memphis. During the 1950s the city was alive with labels, record hops, musicians and the general chaos that goes hand in hand with the big beat. The geographical lie of the land helped a great deal, because the city was central to so many rural areas that harboured musical talent and style. Carl Perkins and Carl Mann gravitated to the area from Jackson, Tennessee, Billy Riley and Conway Twitty did the same from Arkansas, and Elvis Presley hit the trail from Mississippi in order to soak up some of that unique Shelby County action. Outside of Sam Phillips’ legendary Sun Records, the labels included such names as Hi, Cover, Fernwood, Meteor, Vaden Moon and Satellite.

Carly Simon’s exceptional debut remains one for the books. Immediately recognizing her potential, Elektra Records founder Jac Holzman signed and paired her with legendary producer Eddie Kramer. The pair’s chemistry resulted in a remarkable record that birthed an instant Top Ten hit, “That’s the Way I’ve Always Heard It Should Be,” a potent statement about marriage that, in the era, doubled as a feminist statement. Simon’s star-making self-titled album went on to garner critical acclaim and two Grammy nominations, including an award for Best New Artist. Now, more than four decades later, the album receives the sonic treatment it’s long deserved. For the first time, Kramer’s production gets the opportunity to truly shine. Boasting stellar sonics and gorgeous subtleties, this SACD is tailor-made for relaxing listening sessions with a glass of wine at arm’s reach.

Best of the 20th Century Boy, it's another retrospective hits compilation. Against all odds, this 20-track disc really is an "ultimate collection," or at least as close as it can possibly get, given the labyrinthine nature of Bolan's catalog.

After spending several years as the lead vocalist and rhythm guitarist for the mid-'70s hard rock band Montrose, Sammy Hagar began a solo career that produced several hits and made him an album rock favorite. Hagar became a true star once he joined Van Halen in 1985, but he'd been a popular hard rocker ever since his first album with Montrose. After giving up a boxing career, Hagar began singing in the late '60s, performing with various California bands including Skinny, the Fabulous Catillas, Justice Brothers, and Dust Cloud. During this time, he built up a solid reputation in the California hard rock scene. Former Edgar Winter guitarist Ronnie Montrose asked Hagar to join his band, Montrose, in 1973.

A pianist and composer, Neil Sedaka and his friend Howard Greenfield wrote multiple choruses for Connie Francis, Jimmy Clanton, LaVern Baker and Clyde McPhatter. In 1958, he started acting by chance and achieved great success. His first tracks "The Diary", " Oh! Carol " and "Breaking up is Hard to Do" launched a six-decade crooner career that included many gold records and other awards. Fallen into disuse in the heart of the Sixties, Neil Sedaka resurfaces thanks to Elton John who signs him on his label Rocket Records.

"Songs of Innocence" is the 13th studio album by Irish rock band U2. Released on 9 September 2014, it was produced by Danger Mouse, with additional production from Paul Epworth, Ryan Tedder, Declan Gaffney and Flood. The album was announced at an Apple Inc. product launch event and released the same day to all iTunes Store customers at no cost. It was exclusive to iTunes, iTunes Radio, and Beats Music until 13 October 2014, when it received a physical release on Island and Interscope Records. The digital release made the record available to over 500 million iTunes customers, for what Apple CEO Tim Cook marketed as "the largest album release of all time".

Two highly dramatic short works by Monteverdi, Combattimento di Tancredi e Clorinda and Ballo delle ingrate are performed by distinguished French soloists with Jean-Claude Malgoire directing La Grande Ecurie et La Chambre du Roy.

This instalment follows on from our acclaimed ‘Volume One’ – Lauren Laverne’s ‘Compilation Of The Week’, supported by the likes of Disclosure, Horsemeat Disco, Hunee and Laurent Garnier. ‘Volume Two’ picks up where the last one left off — with a touch more soul and disco — records we’ve been spinning in our DJ sets and on the radio show of the same name, that inspired this series.

This recording is the first in a new series with Thomas Søndergård and the Royal Scottish National Orchestra.

The setting by Alphonse D’Eve (1666-1727)‚ born in Brussels and Kapellmeister at the church of Our Lady in Antwerp‚ of the motet for the dead‚ O acerbi‚ is not without its moments. The plangent opening is striking‚ as is the use of high voices at the beginning of the final chorus‚ presumably to represent the heavenly hosts referred to in the text. If the music‚ thoroughly Italianate in style and often reminiscent of Vivaldi‚ is somewhat predictable – the cadences are rather formulaic and the sequential patterns overused – it is certainly worth dusting down: it represents the kind of work that must have been heard in so many of the larger musical institutions all over Europe in the early part of the 18th century.

Bach's monumental Goldberg Variations stand alone in the piano literature as a work of unique artistry and brilliance. Lang Lang first began exploring this masterpiece more than 20 years ago and presents this record as the outcome of a long personal and emotional journey. Marking a new stage in Lang Lang's artistic development, it is the project of a lifetime. Alongside a studio recording is a contrasting performance, a single take from a recital in Leipzig's iconic St Thomas Church, where Bach worked and is now buried. The heart of this project is the deluxe edition - a unique, word-first offering with simultaneous studio & live recording.