One of the pioneers of the progressive rock genre. The first official rehearsal of the band was on January 13, 1969. The first line-up comprised guitarist Robert Fripp, lyricist and lighting man Peter Sinfield (who “invented” the name of the band), composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles…

Emerging from the depths of Covid are some of the freshest ideas we have seen in years. Here, a newly formed string quartet takes a 2012 score by the British composer Thomas Adès and intersects it with works of their own making, very old and very new. The Adès piece describes the earth’s 24-hour rotation on its own axis — neat, but not stunningly original in either concept or content.

Having all of these works collected together is a real treasure. It is one of the most beautiful collections I've heard. 5 cd's of all of Bach's chamber music, exquisitely performed by the outstanding soloists of Musica Antiqua Koln. Reinhard Goebel's performance of the violin works is simply perfect. As I've said before, Bach's sonatas for violin and harpsichord have been in the shadows for too long, they deserve to be heard and this performance proves it. They are a delightful partnership between violin and harpsichord. The tempos are fairly brisk but the performance is so clearly articulated that the result is energetic and very rewarding.

Digitally re-mastered and expanded two CD edition of this 1983 album from the Manchester quartet, one of the most successful and consistent bands of the '80s and beyond. After the suicide of vocalist, Ian Curtis, the three surviving members of Joy Division regrouped under the band name New Order, adding Gillian Gilbert on keyboards. The rest, as they say, is history. Disc One in this package contains the original album in it's digitally re-mastered glory. Disc Two is filled with eight non-album singles, B-sides and remixes. This is as great as it gets! The album was as included in the top 100 albums of the 1980s lists in both Rolling Stone and Pitchfork Media.

Thomas Dolby, the iconic '80s star whose smash hits 'She Blinded Me With Science' and 'Hyperactive' helped define the MTV generation/revolution, will break his 20-year silence with A Map of the Floating City. The album, featuring appearances by special guest artists Mark Knopfler, Regina Spektor, Natalie MacMaster, Bruce Woolley, Imogen Heap and Eddi Reader, will be will be released on Lost Toy People Records as a physical CD, and in a special Deluxe Edition featuring a second disc of instrumentals and bonus tracks. Of the album, which is divided into three parts, Dolby says, "The new songs are organic and very personal. A Map of the Floating City is a travelogue across three imaginary continents: In Amerikana I'm reflecting with affection on the years I spent living in the U.S.A., and my fascination with its roots music. Urbanoia is a dark place, a little unsettling… I'm not a city person. And in Oceanea I return to my natural home on the windswept coastline."

Greatest Hits is an excellent, thorough collection containing all of Journey's big hits, from 1978's "Wheel in the Sky" to 1986's "I'll Be Alright Without You." Although the songs aren't presented in chronological order and a handful of minor hits ("Suzanne," "Walks Like a Lady") aren't included, it doesn't matter, since every essential Journey single – "Only the Young," "Don't Stop Believin'," "Any Way You Want It," "Separate Ways," "Lovin', Touchin', Squeezin'," "Open Arms," "Send Her My Love" – is here, which means that it's all most casual fans will ever need.

Pilgrimage of the Soul is the 11th studio album in the 22-year career of Japanese experimental rock legends, MONO. Recorded and mixed – cautiously, anxiously, yet optimistically – during the height of the COVID-19 pandemic in the summer of 2020, Pilgrimage of the Soul is aptly named as it not only represents the peaks and valleys where MONO are now as they enter their third decade, but also charts their long, steady journey to this time and place. Continuing the subtle but profound creative progression in the MONO canon that began with Nowhere Now Here (2019), Pilgrimage of the Soul is the most dynamic MONO album to date (and that’s saying a lot). But where MONO’s foundation was built on the well-established interplay of whisper quiet and devastatingly loud, Pilgrimage of the Soul crafts its magic with mesmerizing new electronic instrumentation and textures, and – perhaps most notably – faster tempos that are clearly influenced by disco and techno. It all galvanizes as the most unexpected MONO album to date – replete with surprises and as awash in splendor as anything this band has ever done.

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

Recorded live at the Newcastle Opera House, December 4th, 2002, with the God of Hellfire himself, Arthur Brown on vocals! Features all your favourites: From the breathtaking pace of the late Robert Calvert's 'Aero Space Age Inferno' and Lemmy's 'The Watcher' to the Brock/Calvert mega-opus, 'Silver Machine'. their Top Three hit from 1972.

All Aboard The Skylark is the band’s 32nd studio album and a storming return to their space rock roots. 2019 marks the beginning of the band’s 50th Anniversary year and All Aboard The Skylark picks up effortlessly from their conceptual Top 40 charting albums The Machine Stops (2016) and Into The Woods (2017).

Mobius is an album by pianist Cedar Walton recorded in 1975 and released on the RCA label in 1975.

Jesus Christ Superstar is a rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. It is loosely based on the Gospels' accounts of the last week of Jesus's life, beginning with the preparation for the arrival of Jesus and his disciples in Jerusalem and ending with the crucifixion.
The work interprets the psychology of Jesus and other characters. Much of the plot centers on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms.
Initially unable to get backing for a stage production, the composers released it as a rock opera album musical. The success of the album led to the show's Broadway on-stage debut in 1971. By 1980, the musical had grossed more than $237 million worldwide. Running for over eight years in London between 1972 and 1980 it held the record for longest-running West End musical before it was overtaken by Cats in 1989.

"I wanted you to get the humidity of it, the heat, the ways we reach to the pits of hell and the heights of heaven," South Carolina native Adia Victoria has said of her third album. "I wanted this record to encapsulate the extremes of the South." Mission accomplished; listening to A Southern Gothic, there is no escaping that uneasy—truly, haunted—feeling of so much beauty and so much menace all in one place. The singer-songwriter gets right to it with "Magnolia Blues": "I'm going back South/ Down to Carolina/ I'm gonna plant myself/ Under a magnolia/ I'm gonna let that dirt/ Do its work." The magnolia tree is both a symbol of deep-South femininity and strength as well as horror, given its association with lynchings.

The one unreleased item among Apple/EMI's exhaustive 2010 John Lennon reissue campaign was Double Fantasy Stripped Down, a revision of the original 1980 album supervised by Yoko Ono and producer Jack Douglas. The intent of this new mix is to give the recording a greater sense of intimacy, but Double Fantasy isn’t Let It Be: it doesn’t have a heavily bootlegged original early incarnation, it only exists in its final form; it’s not an album that was designed as a raw back-to-basics record, it was constructed as a slick studio affair…

Nick Lowe's 2001 album The Convincer established him as an elder statesman of rock and roll, far removed from the ironic power popper he was in the 1970s. The album arrived in a different world than the day before, releasing on September 11, 2001. These were songs for troubled times ("I'm a Mess," "Lately I've Let Things Slide") and Nick's songwriting was never sharper, with Mojo Magazine saying "Nick Lowe has made the album of his career." For the album’s 20th anniversary, three bonus tracks are added to the album: a long-lost Lowe-original called “Different Kind of Blue,” an acoustic cover of The Shirelles’ “Mama Said,” and a stripped-back rendition of The Chi-lites’ “There Will Never Be Any Peace (Until God Is Seated at the Conference Table).”