Pentangle were always great at creating musical fusions, and on this album, they once again came through. The opening song, "Wedding Dress," is a fabulous meeting of Celtic, country, and, believe it or not, funk. It's one of the few songs of theirs that actually rocks. The rest of the record is classic Pentangle, with Bert Jansch's and John Renbourn's acoustic guitars intermingling so well that it would make even Neil Young and Stephen Stills a little envious. Jacqui McShee, as usual, has some exquisite vocal moments, namely the previously mentioned "Wedding Dress" and an excellent reading of "Will the Circle Be Unbroken." This track shows how the group was further exploring new musical ground, this time with traditional American folk/gospel. The group's rhythm section of Danny Thompson (upright bass/cello) and Terry Cox (percussion) – easily one of the most inventive on the planet – shines on every cut, creating solid ground for Renbourn, McShee, and Jansch to do their high-wire act on vocals and guitar. One of their finest all-around albums.

Originally released in October 1985, and coming hot on the heels of the global smash single ‘(Don’t You) Forget About Me’ , ‘Once Upon A Time’ was to prove the album that propelled Simple Minds to stratospheric heights of artistic and commercial success. Containing the classic hit singles ‘Alive And Kicking’, ‘All The Things She Said’, ‘Sanctify Yourself’, and ‘Ghostdancing’ the original era-defining Number 1 album now comes as part of this incredible 5CD / 1DVD box set…

A collection of Rare Unreleased Tracks by Blindside Blues Band featuring Mike Onesko on Guitar and Vocals. Includes 11 tracks (65 Minutes) of killer, blues-based, heavy guitar rock riffage/mojo that lands old-school, retrofied, six string kool. Featuring excellent original songs + bad-ass cover songs by Mountain, Montrose, Black Sabbath, Cream & Bodine. Recorded through the years and documented “From The Vaults” of Grooveyard Records. Prepare to dig deep and Rock the Blues hard & heavy with B.B.B.

Narrated by Robert Powell this work was released by Virgin Records in 1975. Great album sleeve with a noteworthy credit being Mike Oldfield assisting on guitars. The album itself comprises of two parts, Rime Of The Ancient Mariner 1 & 2. Oldfield's association with David Bedford went back to The Kevin Ayers and the Whole World band. While Oldfield was flexing his creative muscle and getting frustrated within the confines of that band he confided more and more with David Bedford and struck up a strong rapport with the keyboard player that lasted long after 1975.

Rotting Christ have stood the test of time. 'Rituals' is an album that has obviously been written by veterans. The Greek legends inject a 27-year career, 12 albums, and more than 1.200 shows into their songwriting. With confidence and skills derived from experience, each song represents its own sonic universe. Guitarist / vocalist Sakis Tolis and brother Themis on drums achieve a perfect balance of amalgamating their classic and unique style of riffing and rhythm with exciting new elements sprinkled in to keep their material exciting and fresh. Carefully chosen guests are being added for better effect, not name dropping such as the spoken words of Nick Holmes (Paradise Lost) on "A Voice Like Thunder" or Samael's Vorph mesmerizingly quoting from Charles Baudelaire's "Les Fleurs Du Mal" throughout the song "Les Litanies De Satan"…

Johnny Gioeli and Deen Castronovo first played together on the debut Hardline album, Double Eclipse, which was released in 1992. 25 years later, the two were reunited in Italy to commence work on the debut Gioeli-Castronovo album, Set The World On Fire . Both men have continued on their musical paths since they last saw one another, with Gioeli continuing to lead Hardline, while Castronovo spent time with Ozzy Osbourne and had an extended tour of duty with the legendary Journey. Castronovo is currently active with The Dead Daisies and Revolution Saints in addition to Gioeli-Castronovo. Gioeli s vocal talents combined with Deen s superb drumming abilities (and whom is also a fine vocalist in his own right) has made for a stunning album that is driving a driving hard rock record, while also chock full of uplifting melodies and poignant lyrical messages. For fans of: Hardline, Revolution Saints, Journey, Bad English.

"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, COIL's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance.

This programme is truly a reflection of my three years as artist-in-residence at Royaumont and my artistic personality of the last years. Working with young composers is a passion for me – to study a completely new score, to discover the intentions of the composer through discussions, experimentation and sometimes just through being in their company, is something that is very important to me as the foundation of my work as a performer. The pieces that Annie Hui-Hsin Hsieh and Matthew Chamberlain wrote for me are great examples of this work, and although very different, they both speak to different parts of being a pianist.

This special line up of Acid Mothers Temple & The Cosmic Inferno was happened just for "MIMI Festival" in Marseille 2015. We've played 3 shows, The Doom in London, "MMI Festival" in Marseille and Club Goodman in Tokyo then. Though Acid Mothers Temple & The Cosmic Inferno has gone on a hiatus, The present Acid Mothers Temple & The Melting Paraiso U.F.O. took many songs over from this group. It's the only one release of this special one up, also this digital album was released only for Bandcamp.

Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions; only on Soul to Soul's exquisite soul-blues "Life Without You" did he attempt to stretch the boundaries of the form. As it turns out, that was the keynote for In Step, an album where Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty. Yes, there are a few covers, all well chosen, but the heart of the album rests in the songs he co-wrote with Doyle Bramhall, the man who penned the Soul to Soul highlight "Change It."