We often think of Haydn as a composer of symphonies, string quartets and piano sonatas – that is, of instrumental music in various forms. But in fact, he probably wrote as much vocal music, in a variety of genres. The late, great oratorios are still justly famous – The Creation and The Seasons – but he also composed twelve large-scale Masses, a number of cantatas and other sacred works, as well as songs, concert arias and as many as 21 operas and Singspiele. Some of these have been lost, but the majority still exist in more or less complete form. The earliest of these is Acide, the fragment of an opera composed for the celebrations of the wedding of Count Anton Esterházy and Countess Maria Theresia Erdödy, and performed at the Esterházy residence at Eisenstadt on 11th January 1763.

Rocker Keith Emerson composed and performed a number of soundtracks for European and Asian films in the early '80s, yet few of those films ever reached American audiences, and most of the soundtracks made brief appearances in the import sections of record stores. The music Emerson composed for this suspense/horror film features him almost exclusively on piano, backed by an orchestra conducted by Godfrey Salmon, building upon his main title theme…

Cow Fingers and Mosquito Pie is a magically weird 19-song collection of the bizarre shouter's mid-'50s OKeh/Epic output, when he was at the height of his strange and terrifying vocal powers. In addition to the prerequisite "I Put a Spell on You," and the surreal rockers "Yellow Coat," "Hong Kong," "Alligator Wine," and "Little Demon"; there's the amusing "There's Something Wrong With You"; a previously unissued "You Ain't Foolin' Me"; and a deranged takeoff on the cowboy ditty "Take Me Back to My Boots and Saddle." And what Screamin' Jay Hawkins does to the formerly stately "I Love Paris," and "Orange Colored Sky" is truly indescribable!.

Hailed by many as the heir to Opeth's melodeath throne, In Mourning was formed in the Swedish woods in the year 2000. Since then the band has evolved over the years, striving to refine its sound to what it is today. Musically, the group blends a broad spectrum of influences into a foundation of melodic death metal. Thrusting from doomy metal-riffs, blasting drumbeats and deep growling vocals to calm breezes of clean flowing melodies and harmonies.
"Monolith" (2010) is their second studio album.

The Quatuor Voce presents Poétiques de l’instant, a long-term project and a diptych of recordings that aim to combine two of the key works in the repertory of any string quartet – the masterpieces of Debussy and Ravel – with other pieces of music and new compositions. This first instalment focuses on Debussy’s Quartet and the Quatuor Voce has enlisted a young composer, Yves Balmer, for the works that revolve around it: he has arranged the Proses lyriques song cycle and has also composed a new piece, Fragments soulevés par le vent. To record this programme, the quartet has chosen to perform alongside three exceptional artists, the soprano Jodie Devos, the flautist Juliette Hurel and the harpist Emmanuel Ceysson.

In 2022 we celebrate the 150th anniversary of the birth of Vaughan Williams, and there is no better way to do so than with this album of brass band music. The album includes the composer's three pieces for brass band - Henry the Fifth Overture, Prelude on Three Welsh Hymns and Variations for Brass Band. In addition we hear the brass band version of the Tuba Concerto and many new arrangements of popular pieces by Paul Hindmarsh (who curated and produced the album) and Phillip Littlemore.

This album includes a large portion of the orchestral works written by Ludvig Norman (1831–1885), ‘The Swedish Brahms’, including his masterpiece work, Symphony No. 3, performed by the Oulu Symphony Orchestra under Johannes Gustavsson. Ludvig Norman was a highly fascinating artist who inspired a generation of Swedish composers and was widely respected, although his 3rd Symphony was premièred only after the composer’s death.

Franz Schubert's Piano Sonata in A-flat major D 557 was composed in May 1817. The work is relatively short and a performance takes somewhat between 10 and 15 minutes. The sonata is cheerful and uncomplicated, and carries remembrances of Mozart and the Baroque era. The fact that the last movement is in the key of E-flat major rather than the tonic key of A-flat major is evidence in favor of Schubert possibly intending to add a fourth movement, although the extant third movement has much of the character of a finale.

Demon Thor was one of the most sensational continental rock groups in the '70s, despite only a short existence: first German band on the legendary Musikladen TV show, first ever appearance at Circus Kronebau in Munich, music awards from France and England, worldwide release of the two LPs by United Artists. The group was a fusion of the Swiss rock scene between Tommy Fortmann and Krokodil, and the singers Geff Harrison, Peter Bischof, and Oliver Freytag. The CD contains tracks from the albums Anno 1972 and Written In The Sky, originally released in 1972 and 1973 respectively. The tracks were produced at Dierks Studios by Dieter Dierks.

Performance art, art rock, experimental rock, heavy metal - all are styles of music that have been used to explain one of the more hard to explain bands in all of rock, Sleepytime Gorilla Museum. Some critics have compared the band - which hails from Oakland, California - to one of the quirkiest bands of all time, Mr. Bungle, and they may have a point (after all, like Bungle, SGM are not opposed to any musical style, and one of their albums was originally released by a label run by an ex-Bungle member, Trey Spruance). Strange costumes, makeup, and instruments that are both traditional and homemade turn out to be some of the key ingredients to Sleepytime Gorilla Museum, who have built a sizable cult following along the way…