Thomas Wimmer, Accentus Austria, María Luz Álvarez - Cantadas de pasión (2005)
EAC | FLAC | Image (Cue & Log) ~ 347 Mb | Total time: 64:50 | Scans included
Classical | Label: Arcana | A 333 | Recorded: 2004
EAC | FLAC | Image (Cue & Log) ~ 347 Mb | Total time: 64:50 | Scans included
Classical | Label: Arcana | A 333 | Recorded: 2004
The delicious voice of soprano María Luz Álvarez may in itself be enough reason to purchase this album for those who have encountered it before. It's a stunning instrument in small-group Baroque chamber music, with impressive control over both pitch and dynamics, all combined with a good deal of Spanish smoke. If that were not enough, Álvarez here takes up a repertoire that remains almost unknown outside of Iberia: the so-called tonada humana, which was the first generation of Spanish Baroque song to show Italian influence, departing from the strophic and semi-popular songs associated with the venerable zarzuela genre. The music here, by Sebastián Durón and a variety of still more obscure composers, is a gorgeous fusion of Spanish and Italian (although all of it is in the Spanish language). The songs, some of which may have been associated with stage presentations, are mostly divided into recitative and aria, but they are still strongly rhythmic and broken down into stanza-like repeated patterns that emphasize the frequently over-the-top quality of the texts. In short, they're a lot of fun, and the performances offer color and drive. The ensemble accompaniments furnished by Accentus Austria and its conductor Thomas Wimmer are modest in size but really contribute to the efforts of the vocalist. Several instrumental pieces are added for contrast; notable among these are the percussion-accompanied Canarios of Gaspar Sanz and the various pieces featuring the three-register Baroque double harp of Margret Knöll, a lovely, almost caressing sound. This is a top-notch Baroque release, beautifully illustrated. All texts are given in Spanish, English, German, French, and Italian, but the translations of the song texts follow one another rather than appearing in parallel columns.–James Manheim
Performer:
María Luz Álvarez, soprano
Accentus Austria
Thomas Wimmer, direction
Tracklist:
Sebastián Durón (1660 - 1716)
01. Ay, qué me abraso de amor en la llama
02. Ay de mí, que el llanto y la tristeza
Juan de Lima Serqueira (circa 1655 - circa 1726)
03. Quéría Cupido
Gaspar Sanz (1640 - 1710)
04. Preludio y Pascalle
Juan de Lima Serqueira
05. Ay, Leonida
Sebastián Durón
06. El pícaro de Cupido
Juan Hidalgo (1614 - 1685)
07. Ay, amor
Juan Cabanilles (1644 - 1712)
08. Tiento de falsas XII
Juan de Lima Serqueira
09. Todo es amor
Anonymous, Guerra Manuscript
10. Niña, si encontrares a Cupido
Gaspar Sanz
11. Canarios
Juan de Navas
12. Ay, divino amor
Anonymous
13. Todo eres contradicciones
Lucas Ruiz de Ribayaz (1626 - 1667)
14. Paradetas
Matias Veana (1654 - 1705)
15. Ay, amor
Sebastián Durón
16. Pues me pierdo
17. Corazón, causa tenéis
José Marín (c. 1619 - 1699)
18. No sé yo cómo es
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 4. October 2020, 12:34
María Luz Álvarez, Accentus Austria & Thomas Wimmer / Cantadas de Pasión . María Luz Álvarez & Thomas Wimmer
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==== Log checksum 45D78783EA889236600D3F9C40F6F9582F7E79F2C979AD95D5206A88EE29CA1A ====
Thanks to the original releaser