Klaus Huber – Musique de Chambre (1991)

Posted By: d'Avignon

Klaus Huber – Musique de Chambre (1991)
Classical/Contemporary | FLAC lossless | cuesheets+log | covers+booklet | 1h12m59s | 231mb
Label: Accord | cat. no. 201652


While training as a teacher (1940–44), Swiss composer Klaus Huber studied the violin with Theodor Klajnmann. He later attended the Zürich Conservatory, where his teachers included Stefi Geyer (violin, 1947–9) and Willy Burkhard (composition, 1947–55); he continued his composition studies with Boris Blacher in Berlin (1955–6). He taught the violin at the Zürich Conservatory (1950–60), music history at the Lucerne Conservatory (1960–63) and composition at the Basle Music Academy (1964–73) and the Freiburg Musikhochschule (1973–90). He also directed composition seminars at the international competition of the Gaudeamus Foundation (1966, 1968, 1972) and founded the international composition seminar in Boswil (1969). He has served as chair of the Swiss Composers' Association(1979–82), as a member of many ISCM festival juries and as a guest professor at institutions throughout the world.
(…) A common denominator in Huber’s diverse creative work is the power of integration. His compositional influences have included Franco-Flemish vocal polyphony, Bach, Mozart, serialism, and the music of Latin American, Arab and Asian cultures. The cultural situation of the war years and the postwar period in which he grew up, however, convinced him to maintain a critical stance with respect to tradition. Critical selectivity and careful analysis of material, sometimes extending over many years, became the methodical basis of his appropriation. He initially observed the development of the avant garde in such centres as Darmstadt and Donaueschingen from a distance; later, when he adopted its innovations himself, he did so without dogmatism. Unimpressed by the taboo of orthodox serialism towards octaves and consonances, he explored the unification of serial structure and consonant intervals in such works as Des Engels Anredung an die Seele (1957) and Auf die ruhige Nacht-Zeit (1958); in Oratio Mechtildis (1956–7) and Cuius legibus rotantur poli (1959–60) he experimented with monumentalized octaves. In these works, structural thinking goes hand in hand with heightened sensitivity to timbre.

Tracks:

01. Auf die ruhige Nachtzeit - 1. Tranquillo [0:01:43.70]
02. Auf die ruhige Nachtzeit - 2. Sostenuto [0:01:31.93]
03. Auf die ruhige Nachtzeit - 3. Poco agitato [0:01:46.06]
04. Auf die ruhige Nachtzeit - 4. Molto tranquillo [0:02:45.09]
05. Auf die ruhige Nachtzeit - 5. Poco tranquillo [0:01:39.77]
06. Auf die ruhige Nachtzeit - 6. Sostenuto [0:00:48.42]
07. Auf die ruhige Nachtzeit - 7. Tranquillo [0:02:09.70]
08. Ascensus I [0:08:36.20]
09. Ascensus II [0:06:28.66]
10. transpositio ad infinitum [0:12:50.13]
11. Schattenblätter [0:12:19.96]
12. Fragmente aus Frühling [0:07:05.06]
13. Des Dichters Pflug [0:13:20.46]

Performers:

Wiltrud Bockheler - Flute
Ensemble Recherche Orchestra
Lucas Fels - Cello
Sven Thomas Kiebler - Piano
Barbara Maurer - Viola
Melise Mellinger - Violin
Uwe Möckel - Bass Clarinet
Magali Schwartz - Mezzo-Soprano (Vocal)

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 6. July 2013, 4:16

Magali Schwartz, Ensemble Recherche / Klaus Huber - Fragmente aus Frühling

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TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 1:43.53 | 32 | 7809
2 | 1:44.10 | 1:31.70 | 7810 | 14704
3 | 3:16.05 | 1:46.05 | 14705 | 22659
4 | 5:02.10 | 2:45.07 | 22660 | 35041
5 | 7:47.17 | 1:39.58 | 35042 | 42524
6 | 9:27.00 | 0:48.32 | 42525 | 46156
7 | 10:15.32 | 2:09.53 | 46157 | 55884
8 | 12:25.10 | 8:36.15 | 55885 | 94599
9 | 21:01.25 | 6:28.50 | 94600 | 123749
10 | 27:30.00 | 12:50.10 | 123750 | 181509
11 | 40:20.10 | 12:19.72 | 181510 | 237006
12 | 52:40.07 | 7:05.05 | 237007 | 268886
13 | 59:45.12 | 13:20.35 | 268887 | 328921


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End of status report

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