Nihon shunka-kô / Sing a Song of Sex - by Nagisa Ôshima (1967)

Four sexually hungry high school students preparing for their university entrance exams meet up with an inebriated teacher singing bawdy drinking songs. This encounter sets them on a less than academic path.

(Nihon shunka-ko, a.k.a. Sing a Song of Sex). Oshima hits his favorite topics—politics, sexuality, and transgression—in this embittered portrait of a youth culture whose visions of sex and rebellion are nothing more than dreams. Four provincial students (including singer Ichiro Araki, whose blank-slate calm earned him praise from Oshima as “the first New Wave actor”) are in Tokyo for final exams, but they learn more from a drunken professor who quotes “Love is the only form of resistance” to doe-eyed coeds (“I’d like to read Henry Miller,” sighs one). Dreaming of sexual exploits, they wander disillusioned across a politicized, sexually commodified landscape of Founder’s Day marches, lurid red-light-district posters, and, in one hilariously odd sequence, mass rallies of folk singers and Christian revivalists. Constantly questioning, unable to fit in or channel their pent-up energies, it’s no wonder their songs of protest and sex and their fantasies of rape and revolution lead nowhere. Shot in a CinemaScope pop palette similar to that of Three Resurrected Drunkards, this darkly ambiguous film has been compared to Godard’s La Chinoise.

IMDB info
Stars: Ichirô Araki, Jûzô Itami and Koji Iwabuchi
Production land: Japan
Run time: ~103 min