Paradise Theatre is the tenth studio album by American rock band Styx, released on January 16, 1981, by A&M Records. It was the band's most commercially successful album, peaking at #1 for three weeks on the Billboard 200 in April and May 1981. It was also the band's fourth consecutive album to be certified triple-platinum. Four singles from the album charted on various charts, with two songs reaching the top 10 pop singles chart. The lead single "The Best of Times", written by Dennis DeYoung, went to #3 on the Billboard Hot 100. "Too Much Time on My Hands", written by Tommy Shaw, went to #9 on the Billboard Hot 100, Shaw's only top 10 hit for Styx. "Nothing Ever Goes as Planned", written by DeYoung, went to #54 on the US Pop Chart. "Rockin' the Paradise"—written by DeYoung, Shaw and James Young—went to #8 on the Top Rock Track Chart.

Another cinematic episode in the continuing Pirates of the Caribbean franchise means another Hans Zimmer soundtrack…right? Well, yes and no. It's true that Zimmer, with his trademarked European sense of flair, has scored Pirates of the Caribbean 4: On Stranger Tides with his usual orchestra and choir, but there are a couple of twists to make things a tad more interesting. Zimmer, a longtime fan of virtuoso acoustic guitar duo Rodrigo y Gabriela from Mexico, decided to incorporate them into his score, which is rich in Latin and flamenco themes. They are prominently featured on no less than five cues here. In fact, it's more like the selections that include Rodrigo y Gabriela - "Angelica," "The Pirate That Should Not Be," "South of Heaven's Chanting Mermaids," "Palm Tree Escape," and "Angry and Dead Again" - feature their flashy, soulful guitar work in the foreground adorned by Zimmer's strings, voices, brass, and woodwind sections…

Quando Aurora arriva a Ghenf, tutti restano senza fiato: il suo volto è identico a quello della Baronessa Von Wierd, ritratta in un antico dipinto. Coincidenza o inganno? Poco cambia: a Diabolik interessa solo la preziosa collana di famiglia.

Four egocentric friends run a neighborhood Irish pub in Philadelphia and try to find their way through the adult world of work and relationships. Unfortunately, their warped views and precarious judgments often lead them to trouble, creating a myriad of uncomfortable situations that usually only get worse before they get better.