Anna-Victoria Baltrusch - Liszt: The Organ Composer (2022)
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Classical | Label: audite Musikproduktion
WEB FLAC (tracks) - 314 Mb | MP3 CBR 320 kbps - 201 Mb | Digital booklet | 01:26:53
Classical | Label: audite Musikproduktion
Franz Liszt was not an organist. On the organ he never acquired anything like the level of virtuosity that distinguished his pianism; his pedal playing in particular remained limited. Nevertheless, Liszt regularly appeared at the organ, even during his years as a travelling piano virtuoso. His earliest performance probably took place in the Swiss city of Fribourg in 1835. In 1839 he played in the church of San Luigi dei Francesi in Rome, in 1843 in St Peter and Paul in Moscow and in 1845 in Mulhouse in Alsace. From his Wei mar period (1848-1860) onwards, the organ became increasingly important for him, partly because in Weimar he had the opportunity to meet and work with a number of Thuringian organ masters such as Johann Gottlob Töpfer, Carl Müller-Hartung and Alexander Wilhelm Gottschalg, and partly because he now returned to and developed his plans, dating back to 1834, to advance a reform of Catholic church music inspired by the Cecilian Movement. Liszt’s own religious disposition awakened in him early on the desire to receive ordination to the priesthood, which is why he was known as “Abbé Liszt” in his old age. In addition, it was here, whilst revisiting and increasingly devoting himself to symphonic orchestral works, that he became convinced that the organ, with its richness of colours and polyphonic possibilities, was the link between the piano and the orchestra.Tracklist:
Liszt’s own organ works can be divided into three groups. Firstly, we have the main works, which are almost revolutionary in formal, harmonic and virtuoso terms: the Fantasia and Fugue on the chorale “Ad nos, ad salutarem undam”, Liszt’s first independent organ composition from 1850; the Prelude and Fugue on the name B-A-C-H, which Liszt wrote in two versions between 1855 and 1870; and finally his Variations on the basso continuo of the first movement of the cantata “Weinen, Klagen, Sorgen, Zagen” and the Crucifixus from Johann Sebastian Bach’s Mass in B minor of 1862/63. The second group of his organ works includes arrangements for the organ of his own or other composers’ works, such as the Agnus Dei from Verdi’s Missa da requiem, the Pilgrims’ Chorus from Wagner’s Tannhäuser, Mozart’s late motet Ave verum corpus, as well as movements from his own Symphony to Dante’s “Divina Commedia”. Liszt’s late organ oeuvre includes smaller individual works written for the liturgy, in which he ascetically renounces all outward virtuosity and where he, at times, restricts himself to the simplest spirituality.
Disc 1 (46:46)
1. Prelude and Fugue on the name B-A-C-H, S. 260: I. Prelude (04:36)
2. Prelude and Fugue on the name B-A-C-H, S. 260: II. Fugue. Andante (03:01)
3. Prelude and Fugue on the name B-A-C-H, S. 260: III. Fugue. Allegro (03:50)
4. Prelude and Fugue on the name B-A-C-H, S. 260: IV. Fugue. Maestoso (02:33)
5. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: I. Moderato (04:26)
6. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: II. Animando poco a poco (a capriccio) (01:58)
7. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: III. Vivace (03:56)
8. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IV. Recitativo (00:50)
9. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: V. Adagio (06:48)
10. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VI. Un poco più di moto (02:32)
11. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VII. Adagio (01:00)
12. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VIII. Allegro deciso (01:12)
13. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IX. Fuga. Allegretto con moto (02:34)
14. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: X. Allegro con brio (01:08)
15. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XI. Vivace molto (02:33)
16. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XII. Più mosso (01:39)
17. Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XIII. Choral. Adagio (02:10)
Disc 2 (39:50)
1. Totentanz. Paraphrase on the 'Dies Irae', S. 126: I. Andante - Presto (01:02)
2. Totentanz. Paraphrase on the 'Dies Irae', S. 126: II. Allegro (00:32)
3. Totentanz. Paraphrase on the 'Dies Irae', S. 126: III. Allegro moderato (00:30)
4. Totentanz. Paraphrase on the 'Dies Irae', S. 126: IV. Variation 1 (01:01)
5. Totentanz. Paraphrase on the 'Dies Irae', S. 126: V. Variation 2 (00:45)
6. Totentanz. Paraphrase on the 'Dies Irae', S. 126: VI. Variation 3 (00:40)
7. Totentanz. Paraphrase on the 'Dies Irae', S. 126: VII. Variation 4 (03:47)
8. Totentanz. Paraphrase on the 'Dies Irae', S. 126: VIII. Variation 5 (03:19)
9. Totentanz. Paraphrase on the 'Dies Irae', S. 126: IX. Cadenza (01:34)
10. Totentanz. Paraphrase on the 'Dies Irae', S. 126: X. Sempre allegro, ma non troppo (00:32)
11. Totentanz. Paraphrase on the 'Dies Irae', S. 126: XI. Allegretto scherzando (03:29)
12. Totentanz. Paraphrase on the 'Dies Irae', S. 126: XII. Allegro animato (00:57)
13. Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: I. Lento (05:03)
14. Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: II. Poco a poco accelerando e crescendo (02:02)
15. Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: III. Quasi allegro (02:47)
16. Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: IV. Recitativo. Lento (01:34)
17. Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: V. Quasi andante (04:30)
18. Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: VI. Choral. Lento (03:29)
19. Preludes, Op. 28: No. 4 in E Minor. Largo (Arr. for Organ by Franz Liszt) (02:17)
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FILE: 25 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- VIII. Variation 5.flac
Size: 15561431 Hash: D3752EAAA2934F74B9BBF453D336ECC8 Accuracy: -m8
Conclusion: CDDA 87%
Signature: E17DCC2C3553938DEC4D73D65DDCE3834BD37CFE
FILE: 24 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- VII. Variation 4.flac
Size: 9826157 Hash: CC0E728863C1F79DBDB496D23CD03B87 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 7381719D75EB32C5895C6E83804ACDD493EEB475
FILE: 23 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- VI. Variation 3.flac
Size: 3118662 Hash: 9B9943399BADD91ED49C77C73E6912D9 Accuracy: -m8
Conclusion: CDDA 100%
Signature: A9D196930C04250DFCEF8AC414963BE354E44E80
FILE: 22 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- V. Variation 2.flac
Size: 3486868 Hash: 6F70027587BFFB88B0DE4997FBF60FAD Accuracy: -m8
Conclusion: CDDA 100%
Signature: 0291041A554AE37CBE0E0E8CF45875F9A93256D5
FILE: 21 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- IV. Variation 1.flac
Size: 3600639 Hash: 7168C6003A48BB79D0927280FE37B05C Accuracy: -m8
Conclusion: CDDA 100%
Signature: 98515D1768AD61D9CA4B68F87690A20261F1A4E0
FILE: 20 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- III. Allegro Moderato.flac
Size: 1580254 Hash: D663C5C8EC105E02C9A346D9C5FB6A56 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 64BF1C8275EE22C6B5888464DC391F45131524CB
FILE: 19 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- II. Allegro.flac
Size: 2414951 Hash: 5C84AE1E3948145B1CF1B2B03767B886 Accuracy: -m8
Conclusion: CDDA 100%
Signature: E943E7B2E07A5B9CA193BD57788CB7770DB86108
FILE: 18 - Anna-Victoria Baltrusch - Liszt- Totentanz. Paraphrase on the 'Dies Irae', S. 126- I. Andante - Presto.flac
Size: 4690161 Hash: E9E668806BCE57A7D4F7CF32D6EABAC5 Accuracy: -m8
Conclusion: CDDA 100%
Signature: C37BC67BC52D05C533DD1B8481AD05037EA6B986
FILE: 17 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- XIII. Choral (Adagio).flac
Size: 11537178 Hash: F96D97151923C006370A30C3DC791E21 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 667AE0D2B36A7F9EE44E37443D32631636892BFA
FILE: 16 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- XII. Più Mosso.flac
Size: 7672545 Hash: A326EEE5BBC023706D0B394AEFC1DF7B Accuracy: -m8
Conclusion: CDDA 100%
Signature: 876D49EE9C10B61EC3142B5ABC5153090607F055
FILE: 15 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- XI. Vivace Molto.flac
Size: 11031068 Hash: 9DAB808950A5AA1288BCE753F72D1550 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 17C637EAAEB866F1B3D645336A16BCE764EDB977
FILE: 14 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- X. Allegro con Brio.flac
Size: 6023408 Hash: 2C277A8E36F7B2AC2B28D1FAAB5AF5F0 Accuracy: -m8
Conclusion: CDDA 100%
Signature: C889989B0C3A722A411FCF0557577D2F20C810F1
FILE: 13 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- IX. Fuga. Allegretto con Moto.flac
Size: 10971356 Hash: 1C8910D837E482FC1012A818187EFD15 Accuracy: -m8
Conclusion: CDDA 99%
Signature: 732172EBD7CF2D0EE1E153F6B92EDE9BBBFBBCB9
FILE: 12 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- VIII. Allegro Deciso.flac
Size: 6152614 Hash: F235F3319D832999AF70B3555EA26743 Accuracy: -m8
Conclusion: CDDA 100%
Signature: F2D9B0B3CFD349619A48B8DA55BA2BAC77485487
FILE: 11 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- VII. Adagio.flac
Size: 2383219 Hash: 5F0DDD009D1B571678B5950E95A03A3D Accuracy: -m8
Conclusion: CDDA 100%
Signature: F8B607575FF38EE7F4DAFC5F17C5900538E92270
FILE: 10 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- VI. Un poco più di Moto.flac
Size: 6546829 Hash: 2C1FEA0288BEADFF4BE18CAF7B97448F Accuracy: -m8
Conclusion: CDDA 100%
Signature: 554579C4210DF0729D3A4C412788521338918415
FILE: 09 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- V. Adagio.flac
Size: 17296763 Hash: ECCF4FB7827C8243AEEA9E1DDF8972B6 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 0770A45B3469914A748F4F6BF93FC87AD61E2A8B
FILE: 08 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- IV. Recitativo.flac
Size: 2316498 Hash: A7AF8DF297D639E86919025F2BC5BC28 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 16C2C555956EDBD1057438BAA5190A56EBDF58A9
FILE: 07 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- III. Vivace.flac
Size: 17545165 Hash: 4E2F3F74AE45DE9138EC15B0CA9EB933 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 3D24C35E388DBC1FCB49ADCD5F5CA6A3CC56F134
FILE: 06 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- II. Animando poco a poco (A Capriccio).flac
Size: 9881606 Hash: 52E6AB908E90A58E1BC6ACA5C9DF4944 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 601CFB836672D1EAA77A1605F3E0639E8725259E
FILE: 05 - Anna-Victoria Baltrusch - Liszt- Fantasia and Fugue on the choral ''Ad nos, ad salutarem undam'', S. 259- I. Moderato.flac
Size: 17151241 Hash: 28639D2EBCA6B8567685BBE144A5E25E Accuracy: -m8
Conclusion: CDDA 100%
Signature: E272D5400F5E4D0D7BBB0AC28573F06A06292E3B
FILE: 04 - Anna-Victoria Baltrusch - Liszt- Prelude and Fugue on the name B-A-C-H, S. 260- IV. Fugue (Maestoso).flac
Size: 11354086 Hash: 497811760744F7AAA655F0D97B3AACAE Accuracy: -m8
Conclusion: CDDA 100%
Signature: 6696ED40D5ACCA185DD7FEBFB2E72A906A4961C8
FILE: 03 - Anna-Victoria Baltrusch - Liszt- Prelude and Fugue on the name B-A-C-H, S. 260- III. Fugue (Allegro).flac
Size: 18205540 Hash: DBCFCAB0605CCDFA3630CCD136C85D9C Accuracy: -m8
Conclusion: CDDA 100%
Signature: B67F1AE94C9D292F993F5CEE0DEDDAC79588107A
FILE: 02 - Anna-Victoria Baltrusch - Liszt- Prelude and Fugue on the name B-A-C-H, S. 260- II. Fugue (Andante).flac
Size: 8740446 Hash: 2EFA7F8FC3300A70446CE31665353F8E Accuracy: -m8
Conclusion: CDDA 100%
Signature: EFAFA447686DAEC8CAEB925BBF8DD9AB8F9DA3CF
FILE: 01 - Anna-Victoria Baltrusch - Liszt- Prelude and Fugue on the name B-A-C-H, S. 260- I. Prelude.flac
Size: 18051964 Hash: 3EDEBBB73C9F9B8B19F9F23283ACACF4 Accuracy: -m8
Conclusion: CDDA 100%
Signature: A91EA419D25DD8C9D60FBBAAA5BA47C1F2308948