1968 was the year when rock music went back to its roots. Many cite Dylan and the Band and their search for a mythical America, but for others it was a return to the jazz, soul and R&B they had grown up with and had first got them into music. “Horn Rock & Funky Guitar Grooves” explores these escapes from psychedelia in a 17-track compilation that stretches geographically from New Jersey to San Francisco, and on down to Memphis and New Orleans as rock once again became danceable.

Off White Vol. 2 is a 1993 unofficial Beatles release issued by the Red Phantom label. The album belongs to the extensive world of Beatles archival and underground releases, collecting material outside the group’s regular official catalogue. Released as part of the Off White series, it is aimed primarily at collectors and enthusiasts interested in alternate, rare, and previously unavailable Beatles recordings.

The Name of This Band Member is Tina is a compilation album by the American rock band Talking Heads, released on October 7, 2026, via Warner Records LLC. The compilation consists of 10 songs and has a total runtime of 43 minutes. The release heavily references the band's famous 1982 live album, The Name of This Band Is Talking Heads, while putting the spotlight on their iconic bassist, Tina Weymouth.

1972 Soul-Jazz Opus Reissued on Vinyl LP! All-Analog Pressing Sourced from the Original Analog Tape! Cut by Kevin Gray & Pressed at RTI! A Landmark Fusion of Soul, Jazz, Folk, Gospel & Psychedelia!

Play It All Night Long: Warren Zevon Explores Contrasts and Classical Flourishes on Bad Luck Streak in Dancing School, Which Includes Collaborations with Members of the Eagles, Linda Ronstadt, and Other Luminaries.

Christoph Croise turns to the rich Romantic works of his 19th-century Swiss compatriot Joachim Raff, breathing new life into the composer's complete works for cello and piano.

DEVOWEEN is here. Five DEVO tracks for your Halloween soundtrack, all in one place. Spuds, press play and have a suitably de-evolved Halloween.

The Special Edition of Paul McCartney’s internationally acclaimed album The Boys of Dungeon Lane features four additional recordings including a new version of 'Home To Us', his celebrated duet with Ringo Starr, alongside three brand new songs 'City Fox', 'One Night Stand' and 'Chelsea Boots', offering fans the opportunity to discover more of the music created during the sessions.

The Special Edition of Paul McCartney’s internationally acclaimed album The Boys of Dungeon Lane features four additional recordings including a new version of 'Home To Us', his celebrated duet with Ringo Starr, alongside three brand new songs 'City Fox', 'One Night Stand' and 'Chelsea Boots', offering fans the opportunity to discover more of the music created during the sessions.

A musical journey through the hills, voices, and sounds of Abruzzo, transforming them into new forms of jazz expression. In this project, Lorenzo Tucci, one of the most iconic drummers in Italian jazz—Abruzzese by birth, culture, and identity, and Roman by adoption—leads his jazz trio with Claudio Filippini and Jacopo Ferrazza in a rediscovery of Abruzzo's folk melodies, reinterpreting them with the sensitivity, improvisation, and freedom typical of contemporary jazz.

TRIPTYCH – New Works for Low Flutes offers three contemporary perspectives on the expressive depth and versatility of the alto and bass flute. From Amanda Harberg’s luminous nocturnal landscapes and Alyssa Mercedes Mena’s introspective, multi-movement narrative of identity and resilience to Daniel Dorff’s evocative, jazz-inflected and atmospheric trio of works, the album reveals a rich spectrum of sound worlds. Each composition explores the low flute’s capacity for lyricism, color, and rhythmic vitality, shaped through close collaboration with performers. Together, these works trace journeys of imagination, memory, and transformation, positioning the low flute as a powerful voice in today’s chamber music landscape.

"Regards de l'Est" brings together two key works from the Central European chamber music repertoire, composed half a century apart, illustrating the correspondence between the intensity of romantic passions and the dramas specific to each artist. On the one hand, the Trio op. 15 by Bedřich Smetana (1855) is a heartbreaking cry of pain: composed by Smetana following the death of his four-year-old daughter, the work is dominated by a dark passion and a funeral march character, while being representative of the beginnings of the Czech National School. On the other hand, the Trio op. 29 by Dora Pejačević (1910) transports us to the dawn of the twentieth century, revealing the powerful voice of the first recognized Croatian composer. Through lyricism and virtuosity, the work claims to be the most elegant late romanticism, while showing a rich and personal harmonic writing. Together, these two works offer a fascinating dialogue around the expression of suffering and romantic ardour, bridging Prague and the heart of ancient Austria-Hungary.

Four decades of B.B. King’s remarkable relationship with the Montreux Jazz Festival are celebrated on B.B. King: The Montreux Years. Due November 20 via BMG, the collection features newly restored live recordings selected from performances between 1982 and 2000, with all but one receiving their first official release.

The album "War Sonatas" offers a visit to one of the most troubled and fruitful periods in the musical history of the 20th century: Sergei Prokofiev's Soviet years, marked by war, censorship, and a constant tension between creative freedom and ideological constraints. Through the sixth and seventh Sonatas, as well as the Sonata for cello and piano op. 119, the present recording proposes a sound journey into Prokofiev's late language, where the violence of history meets a subtle irony and an inventiveness that is still intact.

Marking 40 years of The Jesus And Mary Chain, Glasgow Eyes was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s Damage and Joy, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.