The Orb - Buddhist Hipsters (2025)

In a changing, unpredictable and turbulent world, something we can always rely on is a new Orb album, with the next holiday-for-the-head never far away. On what is quite possibly the millionth longplayer helmed by electronic lifer Alex Paterson; partnered with the now firmly-entrenched boy wonder Michael Rendall; the inspirationally productive outfit yet again deliver the goods, with one of their best yet.

“I was having a dream, and in this dream was an escalator descending out of the clouds, upon which were Buddhists and hipsters travelling downwards, and beckoning me down from the top, was Roger Eno. When I woke up, I had a text from him, asking if we fancied more collabs, so he’s on the record, amongst other friends.

Recording the album and playing recent gigs have been comfortable, happy and therapeutic experiences, largely due to Michael Rendall, who’s a genius that picks up anything he turns his hand to. We have a wonderful, simpatico relationship on record and on stage. Overall, the length, arc and energy of Buddhist Hipsters energy mirrors one our fans’ faves, U.F. Orb.” Alex Paterson

‘Spontaneously Combust’ kicks off in fine style, with Steve Hillage’s unmistakeable guitar, Miquette Giraudy on vintage EMS synth, plus blue roomy bass, backwards vocals and gentle dream house grooves. It features a top-secret sample, suggested to Alex by shopkeeper-par-excellence Michael King, taken from his mythical basement vaults at West Norwood’s Book and Record Bar.

A recent live set starter, ‘P~1’ slowly builds into firing cosmic D&B cyclones, whilst the bleeped-up late 70s synth of ‘Baraka’ is an ode to a famous Kenyan blind rhino, who, tellingly is known as a symbol of resilience. Already a firm live favourite, ‘A Sacred Choice’ is prime leaping reggae skank, with Youth on bass, Paul Ferguson on drums, Andy Falconer on atmospherics, and vocals by Eric Von Skywalker.

The title of the eastern influenced, orchestral drama of hip hop banger ‘Arabebonics’ is a word invented by rapper Rrome Alone, who resides on Death Row in a North Carolina prison. His vocal was recoded via payphone, which due to its poor audio quality was then recreated by Rendall using AI, with added BVs and strings from Violeta Vicci.

Andy Cain’s dulcet tones grace the plaintive-arpeggiated-prog-throbber ‘It’s Coming Soon’, on which Alex managed to smuggle a nod to his aunties Rose and June into the lyrics. Coining a genre that might just catch on, the dusty nostalgic vibes of ‘Doll’s House’ glows and pulsates in all the right ways, scattering sound beams like a planet sized disco ball.

With Alex having met lovers rock legend Trevor Waters and discovering his classic ‘Love Me Tonight’, Rendall isolated the vocal using Logic, transforming the original into the pinnacle of the LP’s house music passage. Newly titled ‘The Oort Cloud (Too Night)’ and aided by cult Manchester disc jockey Dr D, they embark on a classic NYC deepside journey, for a moment of dancefloor ecstasy.

Joined by cohort Andy Falconer whom Alex calls “an ambient god”, the pair go so many fathoms deep that they aren’t merely out of their pit, but ‘Under The Bed’, which displays of the awe of the cosmos like a planetarium from heaven. Named after the sister planet of Pluto, the delightful ‘Khàron’ conjures a universe alive with light and celestial beings, largely aided by Rober Eno’s stunningly sparing piano. Finishing on a high, it bids us a warm goodnight.