Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius on Matador Records. It sees artist and musician Mike Hadreas re-teaming with Grammy-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels.

In 1954, Capitol Records released the 10" LP collection Eight Top Pops, compiling eight songs that had appeared on singles by Nat King Cole during 1952. The first two, "Somewhere Along the Way" and "Walkin' My Baby Back Home," were the biggest hits, both reaching number eight in Billboard. "Because You're Mine," Cole's cover of the Mario Lanza movie song (done in a far more relaxed style than Lanza's, of course), was also a major hit, reaching number 16. "Faith Can Move Mountains" and "The Ruby and the Pearl" were somewhat less successful, but still lodged in the Top 30, as did the B-sides "Funny (Not Much)" and "I'm Never Satisfied." The only one of the eight songs not to earn a chart placing was "A Weaver of Dreams," the B-side of the single "Wine, Women and Song." In 1963, Capitol expanded Eight Top Pops into the 12" LP Top Pops by adding two tracks at the end of either side of the original release. These four songs all came from an EP recorded by Cole in 1954, on which he covered hits by other performers, including Doris Day's "If I Give My Heart to You," the De Castro Singers' "Teach Me Tonight," and Perry Como's "Papa Loves Mambo".

Heaven & Hell is the upcoming debut studio album by American singer Ava Max. It is set to be released on September 18, 2020, through Atlantic Records.

It's difficult to complain about the contents of this double-disc set, including 38 songs drawn from Sonny & Cher's second era of success (1971-1974 on Kapp Records), nicely remastered and assembled in impeccably logical fashion. The duo's (and Cher's solo) studio cuts make up the first disc, while the second is comprised of songs from the duo's two live recordings done two years apart in Las Vegas.

No matter how long they’ve been out of the spotlight, nobody should ever have underestimated the hitmaking machine known as the Black Eyed Peas. Putting aside 2018’s MASTERS OF THE SUN VOL. 1—a low-key project that revisited the group’s hip-hop roots without facing the commercial pressure of following up 2010’s presumed farewell The Beginning—this multilingual comeback effort revives their maximalist dance-floor appeal with some help from a fresh set of contemporary stars. With Fergie out of the picture, the majority of the vocal guests here come from Latin America, dutifully representing the reggaetón and Spanish-language pop boom of the moment. The massively successful throwback single “RITMO (Bad Boys for Life)” aligns them with global superstar J Balvin, while Dominican dembow sensation El Alfa brings his signature energy to the throbbing “NO MAÑANA”.

Alicia (stylized in all caps) is the upcoming seventh studio album by American singer and songwriter Alicia Keys. It is scheduled to be released through RCA Records on September 18, 2020. It serves as the follow-up to 2016's Here. The album generated four singles: "Show Me Love", "Underdog", "So Done" and "Love Looks Better", as well as three promotional singles: "Time Machine", "Good Job" and "Perfect Way to Die". The album was originally scheduled to release on March 20, 2020, then May 15, before being delayed due to the COVID-19 pandemic. The album was also originally scheduled to be supported by Keys' Alicia: The World Tour which was set to commence in June 2020, but was also postponed.

Emerging as a great pop vocal stylist in 1954, Nat King Cole enjoyed a string of hit singles and albums thereon, but Unforgettable is perhaps the singer at his early peak. With romance as the watchword, Cole slides through some of his most familiar ballads, include the title selection, "Portrait of Jennie," "Mona Lisa," and "I Love You (For Sentimental Reasons)." There are quite a few lesser known, but attractive songs, plus a small handful of standards ("What'll I Do?" is a keeper) that round out this interesting collection. The very artistic, near surreal three-dimensional white, charcoal black, and royal blue-hued front cover may be the best part of this reissue, as it reflects a time period defined by its simplicity and yet its increasingly technological, superimposed modernity.

The Piano Guys are back with their new album, The Piano Guys 2, continuing their unique take on music from Pachelbel to The Turtles to Bruno Mars, featuring songs never before available on CD. The Piano Guys 2 features more of their imaginative mash-ups and arrangements including "Begin Again" (Taylor Swift's song combined with Bach's "Sheep May Safely Graze"), Mission Impossible with fellow YouTube sensation, violinist Lindsey Stirling, The Lord of the Rings theme and more.

Astrud Gilberto's entry in the nicely appointed Verve Jazz Masters compilation series shows exactly why the Brazilian singer is deserving of such an accolade. In her '60s heyday, Gilberto was often derided by jazz purists for her vibrato-less "desafinado" (deliberately slightly off-pitch) singing style and deadpan, childlike voice. But the diminutive bossa nova star has since been a huge influence on dozens of jazz and pop singers. VERVE JAZZ MASTERS is less of a greatest hits package than it is a smartly balanced retrospective of many of Gilberto's best performances. Her biggest hits, "Call Me" and "Summer Samba," are not included, and her signature tune, "The Girl From Ipanema," is only represented by a live take from a 1964 Carnegie Hall concert. The collection places equal emphasis on Gilberto's bossa nova-style interpretations of jazz standards and on her signature Portuguese-language sambas.

On the topical studio album "25 Years Later" eager The Kelly Family with an absorbing mixture of original tracks well-functioning anew of the "Over The Hump" landmark, to date to unpublished pieces from the same era as well as brand-new songs – a harmonious building of a bridge between the past and the present which found his continuation also in the next "25 Years Over The Hump" tour.