Not a greatest-hits album (like he was shooting for hits) nor a thoroughgoing anthology of Paquito D'Rivera's Columbia period (only the first five of his seven albums are covered), the word "taste" is an intriguing choice, though at 74 minutes the CD is a bit more than just a taste. But then, since Sony has done a real number on his catalog by not reissuing those first five albums, A Taste is all that CD buyers can sample from Paquito's first American recordings.

Max Roach's post-Clifford Brown ensembles became more experimental down the road, but this 1960 band, with the brothers Tommy and Stanley Turrentine, and Julian Priester, was short-lived, very satisfying, and one of the most memorable combos the drummer led. Continuing to concentrate on hard bop themes, the band is hardly quiet as the title would suggest. It perhaps could be said that this band was a sleeper in not being as recognized as the superior collective talent would indicate. Perhaps the obscure bassist Bob Boswell has something to do with it, or that the front line would find their niches in jazz well past their membership in this fine combo…

Drab Zeen represents one of the finest examples of this important emerging new sub-genre, Arab-jazz. The genius of this disc is how Farroukh has effortlessly melded such disparate elements as jazz trombone and saxophone, chill-beats, French vocals, acoustic piano, oud, ney, and accordion into a singly tapestry of unique sounds, all the while retaining the essential elements of each instrumental voice even as he transforms the whole into something entirely new and heretofore unheard. Farroukh has grown in every facet of his music-making: tighter and more evocative compositions, a richer and more varied sound palette, cleaner production, superior sax blowing, and a deeper groove.

The music on From Now On is modern jazz marinated in the seductive flavors of Spain and South America. Guitarist Oscar Peñas' path lead him from Barcelona to Brooklyn, NY, and this geographic duality is ever-present in the intriguing blend of music that's presented on this, his debut for BJU records.

Robert Glasper's love for the music of his upbringing is deep. The sounds of hip hop, R&B, and urban soul music are intrinsically linked to a brilliant young jazz pianist who has gigged with jazz icons, headlined his own bands, and released a number of noteworthy recordings, including 2007's In My Element (Bluenote) and 2009's Double Booked (EMI). His music has borne the fruits of this passion; he's as comfortable with "J Dilla" as he is with John Coltrane. Some have questioned whether Glasper is abandoning his jazz roots and selling out to popular music.

Saxophonist and composer Steve Lehman is one of those new breeds of contemporary musicians. As a jazzman he's played with everyone from Vijay Iyer to Dave Burell. He's studied with both Jackie McLean and Anthony Braxton, and recorded a handful of records as a leader or co-leader; he is a Fulbright scholar and has taught in Paris. His album titles – like this one – sound like the titles of doctoral dissertations.

The circumstances surrounding the recording of this album are as important as the music you will hear and enjoy. Inspired by the songbook of Count Basie, tenor saxophonist Stanley Turrentine and his wife of four years, organist Shirley Scott, planned on recording with a septet, and went into the studio with that band on October 12, 1963, but those sessions were scrapped. On October 14, two tracks were finished and included here, but October 21 saw the band pared down to a quintet, and the results were acceptable. Trumpeter Blue Mitchell's contributions were quite desirable, he was the second lead voice in the ensemble, and success was attained. Turrentine and Mitchell played together in the 1954 edition of the Earl Bostic ensemble, and happily renew their musical friendship…

Diego Figueiredo, 29 year old only, is considetated one of the most guitar talents of the world. He is winner of several importants competitions like Montreux Jazz Competition, VISA Prize and some others. Diego has an unique interpretation, with a lot of technique, much emotion, and his show has been a great sucsses about to the audience.

This Classics CD reissues drummer Cozy Cole's sessions for Continental, Keynote, and Guild, most of which have been out of print for years. The two Continental dates feature overlapping all-star groups (with trumpeter Charlie Shavers, clarinetist Hank D'Amico, Coleman Hawkins, Walter "Foots" Thomas, and/or Don Byas on tenors, Clyde Hart or Johnny Guarnieri on piano, guitarist Tiny Grimes, bassist Slam Stewart, and the drummer/leader), but are sometimes a bit frustrating. Since every player is a potential soloist and the performances are limited to around three minutes apiece, the solos are almost cameos, generally eight or 16 bars apiece. The most memorable spot, Hawkins' exploration of "When Day Is Done," finds the great tenor doing what he can with his half chorus…

"More Morricone" is a tribute album recorded in September 2019. To measure oneself against the work of Morricone is a sacred experience, even more so when the main artists who sign this tribute, Ferruccio Spinetti and Giovanni Ceccarelli, are both Italian. The selection of the works on this album is therefore the fruit of a joint work of the Artists, the production but also of Massimo Cardinaletti, a great expert in film music and a close friend of Ennio Morricone.

“Sinatra-Basie”; “Count Basie and the Kansas City 7”; “The Atomic Mr. Basie”; “Basie Plays Hefti” plus five previously unissued mono tracks from Newport 1956.
“Sinatra-Basie” continues our new series revealing the hidden qualities of stereo sound and here we again quote from the original liner notes to give you a flavour of what to expect within the grooves. “I’ve waited twenty years for this moment” said Frank Sinatra as the recording session for this historic meeting of two genuine musical giants of the 20th Century began on the 2nd October 1962. A few more quotes… With arrangements by Neal Hefti… ”it is the balance of power (between Sinatra and Basie) “that is so successful”…