Following their debut album, Belle Epoque, the Orsino Ensemble turns its attention to music from Bohemia. There is a strong tradition of Czech wind playing, and hence a wealth of great repertoire on which to draw. Antoine Reicha was a contemporary (and friend) of Beethoven. His E flat Quintet, published in 1817, demonstrates his harmonic ingenuity and talent for idiomatic instrumental writing.

This final instalment of the organ compositions of Axel Ruoff (born in Stuttgart in 1957) presents two starkly contrasted sides of his musical personality: three of them, for voice and organ, are concerned with the spiritual – two even addressing head-on the issue of death itself – and are thus solemn and hieratic, whereas the concluding work is a whimsical, tongue-in-cheek set of variations on ‘Happy Birthday’, written as a present for Ruoff’s publisher on his 80th birthday.

Tractus emphasizes Arvo Pärt compositions that blend the timbres of choir and string orchestra. New versions predominate, with focused performances from the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s direction that invite alert and concentrated listening. From the opening composition Littlemore Tractus, which takes as its starting point consoling reflections from a sermon by John Henry Newman, the idea of change, transfiguration and renewal resonates, setting a tone for a recording whose character is one of summing up, looking inward, and reconciling with the past.