b. Eddy Conrad, 1959, Gary, Indiana, USA. Conrad grew up in Indiana obsessed by the sound of Isaac Hayes’ ‘Theme From Shaft’. The first record he ever purchased, Conrad would spend his pocket money continually attending reruns of the film at local cinemas. ‘As a kid you always have heroes but with John Shaft [the film’s protagonist] it was serious. He had that certain macho feeling that every kid wishes he had too.’ In 1985 he fulfilled a long-held ambition by re-recording the track, which became a number 13 UK chart hit. It might well have charted higher had another version of ‘Theme From Shaft’ by Van Twist not been released at the same time. Afterwards, however, Conrad and his band disappeared from view completely.

In January of 1973 Little Richard went to Muscle Shoals to record an album’s worth of material on the heels of his successful releases for Reprise Records. Unfortunately, the material was only ever released in the US in 1973 on United Records and then again in France in 1975 on Musidisc. The album hasn’t been reissued properly on its own since, making this special pressing, available first on Record Store Day, the first appearance of this material since the ‘70s! Included among the tracks are Little Richard’s covers of “Chain Of Fools” and “(Sittin’ On) The Dock Of The Bay,” plus fresh takes on songs he cut during his tenure at Reprise, “Greenwood, Mississippi” (from 1970’s The Rill Thing) and “In The Name” (from 1971’s King Of Rock And Roll and 2020’s Southern Child).

#1 Record is the debut album by the American rock band Big Star. It was released on April 24, 1972, by Memphis-based Ardent Records.Many critics praised the album's vocal harmonies and songcraft but #1 Record suffered from poor distribution and sold fewer than 10,000 copies upon its initial release. However, #1 Record gained wider attention in the late 1970s in the UK when EMI reissued it with Radio City as a double LP package due to increasing demand. The same combination was used when the album was released on CD in 1992. It is now widely-regarded as a seminal work in pop rock and power pop. In 2020 it was ranked number 474 on Rolling Stone magazine's list of the 500 greatest albums of all time. Rolling Stone also ranked the song "Thirteen" as number 406 on its 500 Greatest Songs of All Time. It was voted number 188 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000)

Radio City is the second studio album by the American rock group Big Star. Released February 20, 1974, Radio City was recorded during 1973 at Memphis' Ardent Studios. Though not a commercial success at the time, it is now recognized as a milestone album in the history of power pop music. Critically acclaimed upon its release, the record sold poorly, partly due to a lack of promotion and the distribution problems of the band's struggling record label, Ardent Records. The album included "September Gurls" and "Back of a Car", which remain among the most famous Big Star songs; both the Searchers and the Bangles have covered "September Gurls".

5 CD set. Includes his albums, Nilsson Schmilsson, a Little Touch of Schmilsson, in the Night, Aerial and Ballet Harry Son of Schmilsson.

Groovy was the third album to be released by acclaimed jazz pianist Red Garland. Originally released on Prestige Records in 1957 this energetic jazz album was performed by a trio made up of Garland alongside Paul Chambers (bass) and Art Taylor (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.

The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied); with this record, the jazz public began to follow their lead. Aided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called "Peace Piece."

Blue Note Records has announced an April 26 release of Sonny Rollins A Night at the Village Vanguard: The Complete Masters, a special Tone Poet Vinyl Edition of the legendary saxophonist’s tour-de-force live trio album. The expanded 3-LP set, which can be ordered now on the Blue Note Store, marks the first time Rollins’ complete recorded performances at the Village Vanguard on November 3, 1957 will be made available in a single vinyl package. The collection is also available as a 2-CD set and on all digital formats.

No American rock group ever started with as much daring or musical promise as Blood, Sweat & Tears, or realized their potential more fully – and then blew it all as quickly. From their origins as a jazz-rock experiment that wowed critics and listeners, they went on – in a somewhat more pop vein – to sell almost six million records in three years, but ended up being dropped by their record label four years after that. Blood, Sweat & Tears started as an idea conceived by Al Kooper in July of 1967. An ex-member of the Blues Project, Kooper had been toying with the notion, growing out of his admiration for jazz bandleader Maynard Ferguson, of forming an electric rock band that would include horns and use jazz as the basis for their work. He planned to pursue this in London, but a series of New York shows involving some big-name friends didn't raise enough money to get him there. He did, however, find three players who wanted to work with him: bassist Jim Fielder, Blues Project guitarist Steve Katz, and drummer Bobby Colomby. Kooper agreed, as long as he was in charge musically. The horn section featured Fred Lipsius (saxophone), with Randy Brecker and Jerry Weiss on trumpets and flügelhorns, and Dick Halligan playing trombone. The new group was signed to Columbia Records, and the name "Blood, Sweat & Tears" came to Kooper after a jam at the Cafe au Go Go, where a cut on his hand left his organ keyboard covered in blood.

Blood, Sweat & Tears is a jazz-rock American music group. They are noted for their combination of brass and rock band instrumentation. The group recorded songs by rock/folk songwriters such as Laura Nyro, James Taylor, The Band and the Rolling Stones as well as Billie Holiday and Erik Satie. They also incorporated music from Thelonious Monk and Sergei Prokofiev into their arrangements.

The Beatles So much has been said and written about the Beatles – and their story is so mythic in its sweep – that it's difficult to summarize their career without restating clichés that have already been digested by tens of millions of rock fans. To start with the obvious, they were the greatest and most influential act of the rock era, and they introduced more innovations into popular music than any other group of their time. Moreover, they were among the few artists of any discipline who were simultaneously the best at what they did and the most popular at what they did. Relentlessly imaginative and experimental, the Beatles grabbed hold of the international mass consciousness in 1964 and didn't let go for the next six years, always staying ahead of the pack in terms of creativity and never losing the ability to communicate their increasingly sophisticated ideas to a mass audience.

CD1 kicks off with Queen's outstanding ‘Don't Stop Me Now’, followed by Def Leppard's anthemic ‘Pour Some Sugar On Me’ and Meat Loaf's classic ‘Bat Out of Hell’. CD2 opens with a stellar run of defining classics of the genre, beginning with the iconic ‘Born To Run’ from Bruce Springsteen and followed by Paul McCartney & Wings' explosive ‘Live And Let Die’, The Who's timeless Baba O’Riley. Electric Light Orchestra's peerless ‘Mr. Blue Sky’ kicks things off on CD3, followed by one of Rock’s most enduring hits ‘Don't Stop Believin'’ from Journey. Boston's ‘More Than A Feeling’, leads the way to more classic Rock from Kansas, Blue Öyster Cult, Don McLean, Sweet. CD4 delivers the ultimate collection of Rock Ballads and Power Anthems – the epic Rock-opera of Meat Loaf's ‘I'd Do Anything For Love` opens the disc!

Deluxe 9-CD box set all re-mastered from the original ¼” master tapes, plus seven inch single of their 1974 flexi-disc ‘Monty Python’s Tiny Black Round Thing’. Although the seven inch single has "33 1/3 RPM" shown on both sides, this is actual a 45 RPM single.

2022 remastered edition. In 1975, the second album of the Berlin based electronic group Mythos was released. Mastermind Stephan Kaske and his band present the typical sound cascades and sequences of the Berlin school. Similar to the works of several other fellow artists on the same label, the album develops a science fiction concept around the story of an extraterrestrial visitor on a journey to Earth. Dreamlab is predominantly made up of peaceful and relaxed music. The meter is often determined by echoes from flutes and guitar riffs backed by expansive Mellotron arrangements. This remastered reissue comes in a digisleeve on the original Kosmische Kuriere label.

David Bowie is the self-titled debut album by British musician David Bowie, released in 1967 via Deram Records. Its content has little to do with the type of music that later made Bowie famous, such as folk rock from Space Oddity or glam rock from The Rise and Fall of Ziggy Stardust and the Spiders from Mars. New Musical Express editors Roy Carr and Charles Shaar Murray said: “Listeners accustomed to Bowie's image in the seventies will probably find this debut album shocking or just plain weird.” guises would probably find this debut album either shocking or else simply quaint "), and musical biographer David Buckley described it as" a record equal to the mad woman in the attic".