Club Des Belugas is one of the leading Nujazz projects in Europe, probably in the world combining contemporary European Lounge & Nujazz Styles with Brazilian Beats, Swing and American Black Soul of the fifties, sixties and seventies. Featuring guest appearances from Swedish vocalist Anna Luca and multi award winning Californian jazz impresario Brenda Boykin. Recorded at the Rex Theatre, Wuppertal 2010 and the Grillo Theatre Essen, Germany, June 19, 2009.

Present is the ninth studio album by British progressive rock band Van der Graaf Generator, released in 2005. It was the band's first studio album since The Quiet Zone/The Pleasure Dome in 1977, and the first with the 'classic' line-up since World Record in 1976. The Charisma Records label was reactivated for its release, as well as a reissue series of Van der Graaf Generator's back catalog and Peter Hammill's solo releases from 1972-80. For many years the band's lead singer and principal songwriter Peter Hammill had rejected the idea of a VdGG reunion, but in 2004 (following two one-off, unannounced reunions at Hammill concerts), work began on an official reunion album. Present was the result.

Do Not Disturb is the thirteenth studio album by British progressive rock band Van der Graaf Generator. It was released, on Esoteric Recordings, on 30 September 2016. Reviewing the album for TeamRock, Kris Needs reported that vocalist Peter Hammill had sent organist Hugh Banton and drummer Guy Evans a CD of the new songs, which they spent a week rehearsing, another week recording backing tracks, then six months overdubbing and tweaking at their home studios. Of the album, Needs said: If, as Peter Hammill has indicated, this is the last Van der Graaf album, these winners of Prog’s Lifetime Achievement award this year are going out with the kind of mind-joltingly gorgeous roller coaster that made them one of the greatest genuinely progressive bands of all time. But there’s also a noticeably reflective aura and sense of closure around their 13th album…

A Grounding in Numbers is the eleventh studio album by the British rock group Van der Graaf Generator. It was released on 14 March 2011. This date, if written as 3,14, comprises the first three digits of the number π. The second track, "Mathematics", refers to Euler's identity, sometimes known as the mathematical poem. The album's release signals a continuation in the direction set by the current trio lineup, but it is released on a new label, Esoteric Recordings, a departure from previous releases on Virgin/Charisma. Hugh Padgham is the mixer of the album.

Rhino released a new David Lee Roth box-set, The Warner Recordings 1985-1994, which features newly remastered versions of the former Van Halen lead singer’s first five solo releases. Roth released his debut EP, Crazy From The Heat while still a member of Van Halen. Consisting of cover versions, it was a hit, reaching number 15 on the Billboard 200. Following on from this success, David Lee Roth departed Van Halen in the summer of 1985 and his first solo album, Eat ‘Em and Smile, would follow in the July of 1986. More straightforwardly ‘rock’ than his EP, it still retained some of the wide-ranging tastes explored previously, including a cover of Frank Sinatra’s ‘That’s Life’.

Producer Anthony Monn parades every effect known to Euro-dream imagery in support of Lear as disco vamp: whispers from inside a tunnel, rhythms that filter in subliminally, themes that scale up to soprano range, choirs of angels singing, guitar rhythm rock-ons, and, of course, Lear's voice. Lear's singing is perhaps Monn's greatest effect: androgynous, sultry, out of reach and horny at the same time, Lear works hard to pretend at playing the merciless siren. She can't properly sing even one note, but what's that got to do with anything?

Mylène Farmer, 86/97 - 26 iconic tracks from France's biggest female star. And for the first time on CD, the studio version of "La poupée qui fait non" as a duet with Khaled.

Iolanda Cristina Gigliotti, professionally known as Dalida, was a French singer and actress, born in Egypt to Italian parents. She won the Miss Egypt beauty contest in 1954 and began a 31-year singing career in 1956, selling 170 million albums and singles worldwide. Dalida earned 45 gold record awards and a pair of platinum records for her sales in Europe, the Middle East, and Japan, and was the first singer to receive a diamond disc.. A superstar in France and much of the rest of Europe, Dalida enjoyed hit records in three different decades.

The best parties are never planned. When friends spontaneously drop by with other people in tow, that you don ́t even know, but will have learned to love by the end of the evening. And everyone contributes to the buffet: a popular classic dish, an unfamiliar delicacy, or a surprising specialty that makes you gasp: `What on earth is that?` with delight. The mood of De-Phazz ́s 17th studio album, with which the band is celebrating it ́s 25th anniversary, is similarly relaxed and joyful. Host and sample scientist Pit Baumgartnern shares Quincy Jones ́ attitude: “When you bring together what does not go together, you can only win.” He combines gritty rock vocals with a church choir, an alphorn (traditional alpine horn) with Ethno-Jazz, enhances new tunes with fragments of retro-sound- elements, thus enabling the exceptional voices to shine even brighter. “Pure moments of joy” are those when the various musical elements intertwine, and Baumgartner realizes: This works!

Following a self-financed EP named »The Sign« (2021) and the promising debut platter »Paralyzing Chains« for High Roller Records in 2023, Germany’s Sintage are ready to unleash their eagerly awaited new album. It is called »Unbound Triumph« and features second guitarist Chili as a new, additional member of the band. It's predecessor »Paralyzing Chains« received good reviews in all important magazines, so expectations for the new album are quite high. After two years since its original release have passed, how satisfied are Sintage with how their full-length debut turned out? “Pretty satisfied for the most part,” says guitarist Julez. “The record stands for itself and has lost nothing of its power and appeal, the music was full-on all the way through. Looking back, we probably should have paid more attention to details. The album was recorded in a single week. It would have been better, I think now, if we had taken a breather, giving the album more time to mature.”

The Concerts in China is a live album by Jean Michel Jarre, recorded in 1981 and released in 1982 on Disques Dreyfus. It was recorded during Jarre's Concerts in China tour of Autumn 1981, which consisted of five Beijing and Shanghai concerts in China; this was the first time a Western pop artist performed in China after the Cultural Revolution. The album is a balance of previously released tracks by Jarre, new compositions inspired by Chinese culture, and one rearranged traditional Chinese track ("Fishing Junks at Sunset"). The album consists mainly of live material, plus ambient sound recordings and one new studio track "Souvenir of China". Other new compositions recorded live include "Night in Shanghai", "Laser Harp", "Arpegiator" and "Orient Express". "Fishing Junks at Sunset" is a new arrangement of a very old traditional Chinese song known as the "Fisherman's Chant at Dusk", which was performed and recorded with The Peking Conservatoire Symphony Orchestra and is often wrongly attributed as being composed by Jean Michel Jarre, misled by the album inlay. The album was originally released as a double-disc LP, then as a double-disc CD.

The Grass Is Greener is an album by Colosseum, released in January 1970. In contrast to other albums by Colosseum, The Grass Is Greener was released only in the United States, on the Dunhill label, distributed by ABC. It was conceived as a U.S. alternative to November 1969's Valentyne Suite, complete with a muted, blue-green variation of the aforementioned album's cover. It features four tracks recorded with then-new guitarist/vocalist Dave "Clem" Clempson in the winter of 1969 ("Jumping Off The Sun," "Lost Angeles," "Rope Ladder To The Moon," "Bolero"); three tracks from the 1969 Vertigo LP Valentyne Suite but with vocal and guitar parts provided by Clempson ("Butty's Blues," "The Machine Demands A Sacrifice," "The Grass Is Greener") instead of James Litherland; and one track, "Elegy," that appears to be the same as the original from Valentyne Suite, including Litherland's vocal.

Released to coincide with what would have been Freddie Mercury's 70th birthday, the excellent 2016 double-disc anthology Messenger of the Gods: The Singles brings together all of the legendary Queen vocalist's solo A-side and B-side singles. Originating from a variety of projects, including Mercury's one and only proper solo album, 1985's Mr. Bad, these are all the songs released under Mercury's name and not as Queen singles. Nonetheless, there was some cross-pollination and several of these songs were later reworked as Queen tracks. While Queen were primarily known for their muscular, guitar-oriented rock, they were also innovators who experimented with funk and dance grooves.

With the appearance of Lighthouse, singer/songwriter David Crosby, age 75, continues a late career renaissance that began with 2014's Croz – his proper studio follow-up to 1971's classic If I Could Only Remember My Name. This set was produced by Snarky Puppy boss Michael League, who co-wrote five of these nine tunes with Crosby. The producer, a lifelong fan of the 1971 album, approached Crosby about recording something quick and dirty over a couple of weeks. He was met with incredulousness. The artist was used to working on albums for months, even years. After three days, they completed three new songs, and Crosby was all in.

Launching a new thematic era after closing his five-part Mathematics series, English singer/songwriter Ed Sheeran presses the titular button on his vibrant eighth set, Play. A blend of his heartfelt busker material and his big pop anthems, the set adds more of the same to his hit-packed catalog, which is just fine for his fans. Kicking things off with the aptly titled "Opening," the noted rap fan spits verse after verse of impressive, head-spinning bars, admitting, "I'm still looking for shit to say/Deluding myself that they'll still relate."