The 18th set of Bach's cantatas contains exclusively works of the third yearly cycle from Leipzig. Unlike the first two Leipzig yearly cycles, this one extends over a longer period: from June 1725 until 1727. The works in this set belong essentially to the years 1725-26 and are in some cases chronologically contiguous (BWV 187 and 45; BWV 98, 55, 52), with the result that the original sequence can be easily grasped.

Elysian Encounter is Baker Gurvitz Army's second studio album. Formed By Former Gun And Three Man Army Members Adrian Gurvitz (Guitar, Vocals), Paul Gurvitz (Bass, Vocals) And Virtuoso Drummer Ginger Baker (former CREAM), The Baker Gurvitz Army Recorded Three Of The Finest British Rock Music Of The Mid-1970s. The Recording Of "Elysian Encounter" Saw The Band Expanded With The Addition Of Vocalist Mr. Snips (Steve Parsons) And Keyboard Player Peter Lemer. Arguably The Band'S Finest Work, The Album Featured Such Classic Material As "People", "Time", "The Artist" And "The Key".

Hearts on Fire is Baker Gurvitz Army's third and last studio album, released in 1976. Baker Gurvitz Army were an English rock group. Their self-titled debut album featured a blend of hard rock laced with Ginger Baker's jazz- and Afrobeat-influenced drumming. The lengthy "Mad Jack" was that album's outstanding track, and the album hit the US Billboard 200 chart, and peaked at number 22 in the UK Albums Chart. The two following albums contained similar material, although neither charted in the UK nor the US.

Four examples of Bohemian Expressionism: Romantic with the tombeau ‘to the memory of an angel’ that Smetana erected to his daughter Bedřiska, and the two pieces that Suk wrote under the influence of Schumann and Dvořák, his father-in-law; and modern with the premiere of the Trio 1978 by the late Luboš Fišer, tormented composer, too soon forgotten, of the 15 Prints on Dürer’s Apocalypse (1965).

Hyperion’s Record of the Month for August by Polyphony and the Britten Sinfonia conducted by Stephen Layton portrays the ultimate dramatic event in history—the Crucifixion of Jesus Christ, expressed through the raw emotional power of one of Scotland’s most distinguished and vital composers, James MacMillan.

Only six months after the third volume of Verve Remixed was released, Verve issued this, a box combining the three volumes of the series with an additional disc of extra remixes.
Though variously rooted in hip-hop, rave and dance clubs sensibilities, the art of mixology has evolved into a potent staple of contemporary pop music. That mainstreaming reached a new zenith with the release of the first installment of Verve Remixed in 2002 and continued to expand via two subsequent collections of eclectic Jazz/R&B-rooted remixes that found a growing, enthusiasitc audience at public radio and other adult-oriented radio outlets. This set compiles those three savory, largely Downtempo anthologies of Jazz-DJ Fusion, from the reworked takes on classic vocalists like Ella Fitzgerald, Sarah Vaughan and Billie Holiday that dominated the first set to the follow-up editions' more expansive palette…

The Brecker Brothers join forces for a set of mostly high-powered originals at a concert in 2003. Their post-bop music is generally funky (although "Freefall" is an uptempo cooker) and sometimes a bit bombastic yet is never predictable. Trumpeter Randy Brecker and tenor saxophonist Michael Brecker take many fiery solos while also sounding warm on ballads. They are supported by a particularly strong rhythm section. In addition, the WDR Big Band contributes 14 horns and a guitar to accompany the core group. The individual songs may not be overly memorable (although "Some Skunk Funk" has been getting covered by other musicians) but the Breckers' solos are full of exciting moments.

The title "Moonlake" refers to Schulze's love of the Austrian Moonlake and the monumental fascination radiated by this lake and its surrounding landscape. All of this is perfectly reflected in the intensity and power of this album. "Moonlake" is nevertheless a typical Klaus Schulze album, one that in the words of Schulze "unites tradition and vision". There is a noticeable focus on percussion on "Moonlake", which hasn't been found on Schulze's albums for some time. While rhythm was often used as an element to supplement the music on his earlier albums, it takes on a more dominant role on "Moonlake".

Mozarts beliebte Oper "Die Zauberflöte" unter der Leitung von Wolfgang Sawallisch - jetzt erstmals auf DVD erhältlich! 1983 live aufgenommen, zeigt diese Produktion aus der Bayerischen Staatsoper eine der bekanntesten Opern überhaupt - Wolfgang Amadeus Mozarts "Die Zauberflöte" in der Inszenierung von August Everding. Edita Gruberova als begehrteste Königin der Nacht der Welt, Francisco Ariza als einer der berühmtesten Taminos unserer Zeit, machen neben anderen Weltstars der Oper (Kurt Moll, Lucia Popp, Wolfgang Brendel, u.a.) diese Produktion zu einem Fest für Augen und Ohren. Eingerahmt und kongenial geleitet wird dieses Ensemble von Wolfgang Sawallisch. "Zeigt das Ernsthafte - vergesst aber den Humor nicht" - mit dieser Einstellung beweist Everding in dieser einzigartigen Inszenierung sein Genie auf dem Gebiet der Opernregie. Diese Zauberflöte ist ein absolutes Muss für alle Opernfans.