The concept album is themed around space physics. The title is based on a planet’s albedo; the proportion of the light it receives that is reflected back into space. Albedo 0.39 features tracks “Pulstar” and “Alpha” and became his first album that reached #18 of the UK Album Charts. Vangelis played every instrument on the record, which resulted in effective and versatile synthesizer passages. Critics describe the tracks as mesmerizing trips of assorted rhythms that include elements of jazz and mild rock. The multiple-award winning composer of electronic, progressive, orchestral and jazz music Vangelis started his career working on numerous successful projects, such as Aphrodite’s Child, a collaboration with Yes lead singer Jon Anderson and award winning soundtracks for Missing (1982), Chariots of Fire (1981), Blade Runner (1982) and 1492: Conquest of Paradise (1992).

Another chapter in the history of Polish chilled electronic act Sundial Aeon. An ambient-trance collection of tracks filled with the emotions of the creators. Sometimes nostalgic, full of contemplation or reflection. Mostly euphoric, sublime and atmospheric compositions that transport the listener to a blissful state. The album includes new compositions and a specially extended remix created for the album by friend YAGE / The Future Sound OF London.

Brian Eno is a legendary musician, producer, visual artist, and activist who first came to international prominence in the early ‘70s as a founding member of the British band Roxy Music, followed by a series of solo albums, collaborations, and production work with artists such as David Bowie, Talking Heads, Devo, U2, Coldplay, his brother Roger Eno, and most recently, fred again.

Organ Harvest was launched at the band's most prestigious performance to date, the Klemdag festival in Holland, confir.m,i.ng R.M.I.'s rise to prominence in the field of modern electronic music. The album is a 62 minute epic consisting of six segued pieces all chosen to create a satisfying whole. For the first time there are thematic structures, on both the title track and the Floydian finale 'A Minute of Silence'. Elsewhere the spirit of improvisation still dominates; 'Geiger' and 'Rainy Day Song' are sequencer led explorations that demonstrate growing confidence in the principle "less is more". The surrounding textural sections show that R.M.I. are unique in their ability to create blissful soundworlds of depth and beauty which melt into your environment.

In May 1996 Radio Massacre International were the first group to play an electronic concert at Jodrell Bank space research centre in Cheshire, in the shadow of the biggest satellite dish in the world. It was a location buzzing with inspiration and ideal for creating improvised music. Knutsford In May is a complete direct to DAT recording of the music played that evening. The pristine digital sound quality is matched by some inspirational musical twists and turns. From the first notes of 'Under the Dish' the atmosphere is one of unashamed glorification of the surroundings and its relationship with space and time. R.M.I. are always a group to thrive in a special environment. The album's centrepiece is a long dynamic improvisation named 'Skeletope' which includes samples of Jodrell Bank scientists bouncing the first signals off the surface of the moon…

In another successful "recycling" project, Vidna Obmana reconstructs original compositions which willem tanke previously had rendered on classical European organs. These variations for organ, keyboard and processors respectfully merge two musical worlds from across time, simultaneously exploring mystical/physical revelations by way of thoughtful sonic alterations. The opening five tracks encompass six canons which form The Tao of Physics; having composed the original pieces as reflections upon Fritjof Capra's East/West metaphysical writing, Willem Tanke performed them on an historic Netherlandic church organ. After careful studying, avid recycler Vidna Obmana proceeded to dismantle and reprocess the oringal acoustic recordings, reassembling them in accordance with the Canon-method, and of course, his own fine-tuned sense of sonic art…

This release contains parts from the original pre-show soundtrack from the legendary Schiller Live events. All tracks by Schiller under various names.
Almost an album and almost a compilation. Sleepingroom consists of material specially written for Schiller’s gigs, which were grandiose, with sophisticated lights and singers from the albums. While all the equipment was being tuned, a beautiful instrumental piece of music with crickets was played for about nine minutes in the venue. Other people explain why: in order to make the wait less boring and more pleasant for the audience. Sleepingroom comes from the name of the label, which was formed after the success of the first single by Christopher von Deylen and Mirko von Schlieffen, who were a duo back then…

The MOJO Bowie companion CD explores his influences and impact, plus work by his key collaborators. Mick Ronson, Jacques Brel, Brian Eno, Ian Hunter, Donnie McCaslin, Holy Holy, Robert Fripp, Maria Schneider and Śląsk all feature!

Radio Massacre International is a trio of British musicians, Steve Dinsdale (Keyboards and Drums), Duncan Goddard (Keyboards and Bass), and Gary Houghton (Guitar, Synth). They specialize in improvisational experimental electronic music, utilising vintage synthesizers and sampled sounds alongside electric guitar. They are also leading exponents of the mellotron keyboard. More recently they have begun to incorporate Bass Guitar and Drums by varying degrees in an attempt to stretch musical boundaries within the confines of a three piece. Their music has been described alternatively as ambient music, space rock, Krautrock, New Age, Berlin School, and various other terms, although the band itself prefers the label "organic music". Points of reference include bands ranging from Tangerine Dream to "Rabbit"-era Chas and Dave. Borrowed Atoms, a double CD from 1998, was a return to extended improvisation…

Internationally acclaimed harpist Alina Bzhezhinska and Ibiza-based producer Tulshi announce their collaborative album ‘Whispers of Rain’.

Spore is the second disc in Vidna Obmana's (Dirk Serries) trilogy based on Dante's Inferno. This is also quite a departure for Serries. He uses quite an array of eclectic devices to create this experimental - almost avant-garde - album. The most interesting sounds are from the overtone flutes and fujaras. Serries has commented that this is not an ambient CD. That is correct. This CD is interesting enough to be the focus of deep listening. It is not innocuous enough to be ignored as background music. It demands attention. The rhythms and atmospheres complement each other smoothly. The experimental sounds are neither dominant nor dominated. This disc is certainly electronic, definitely experimental, and decidedly Vidna Obmana. It will appeal to fans of Steve Roach, Robert Rich, Jorge Reyes, and Ma Ja Le.

The fictitious tour of far-away lands continues, as anonymous artist Glåsbird follows the scratchy, folk-ambience of Norskfjǫrðr with a return to lonely arctic-island sounds. Novaya Zemlya is a Russian-owned island, stretching from just off the mainland between the Kara and Barents seas, with two islands split by the Matochkin Strait.