Cristiano Holtz - Johann Mattheson: Suites (2006)
Cristiano Holtz - Johann Mattheson: Suites (2006)
EAC | FLAC | Image (Cue&Log) ~ 481 Mb | Mp3 (CBR320) ~ 171 Mb | Scans included
Genre: Classical | Label: Ramée | # RAM 0605 | Time: 01:14:35
EAC | FLAC | Image (Cue&Log) ~ 481 Mb | Mp3 (CBR320) ~ 171 Mb | Scans included
Genre: Classical | Label: Ramée | # RAM 0605 | Time: 01:14:35
The discovery of music manuscripts from the estate of composer and music journalist Johann Mattheson in Armenia has been the cause of great excitement for fanciers of the German Baroque – here, finally, is the opportunity to get to know this friend of Handel and Bach whose written words are so eloquent and informative, yet whose music has proven so elusive. Nevertheless, first things first – Brazilian-born harpsichordist Cristano Holtz makes the first comprehensive recording of a Mattheson set that has been available all along in Ramée's Johann Mattheson: Suites, namely the set of 12 harpsichord suites Mattheson published in England in 1714 and in Germany a little later. "Comprehensive" should not be taken to mean "complete"; this 75-minute disc contains a little less than half the set, with four suites presented in excerpted form. Purists may cry foul, but the full set of 12 suites would probably last about three hours in performance, and one is thankful to Ramée for restricting the release to a single disc and highlighting the good parts. After all, we have never heard this music, and three hours is a long time to listen to the harpsichord.
It is not entirely true that "we have never heard this music" – the Air from the Suite No. 5 in C minor has been around a long time in a violin and piano version designed for use in the salon and recorded by violinists in the 78 era; one of Leopold Stokowski's patented orchestral transcriptions is based on it. Outside of that, there is a greater familiarity to the sound of Mattheson's suites in a general sense in that they relate very strongly to the French Suites of Johann Sebastian Bach, composed nearly a decade later. Holtz's interpretations are splendid and well suit Mattheson's intentions through a sparing and tasteful use of ornaments and a steady yet flexible approach to tempi. The instrument employed is in fabulous condition; it is clear, full-throated, and well intoned. Holtz acknowledges "Menno van Delft for lending his instrument," but we are not told what the instrument is; from the sound of it, it seems likely a harpsichord of modern make. Ramée's recording is close, transparent, and up front without being unrealistically loud.
Another aspect of this recording that will mortify the purists is that these Mattheson suites possess such excellent musical qualities this recording makes one want to hear them played on the piano as well. This should be taken as a compliment; with the obvious exceptions of Bach and Handel, not too much harpsichord music of the early eighteenth century transfers well to the piano, and Mattheson's music seems as though it might. Friends of Baroque keyboard music should definitely keep an eye out for Ramée's Johann Mattheson: Suites.Review by Uncle Dave Lewis, Allmusic.com
Cristiano Holtz - Johann Mattheson: Suites (2006)
Cristiano Holtz - Johann Mattheson: Suites (2006)
Tracklist:
Suite Premiere in D minor
01. Prelude (01:00)
02. Allemande (03:24)
03. Double (03:07)
04. Courante (01:27)
05. Double (01:32)
06. Sarabande (03:58)
07. Gigue (02:15)
Suite Douzieme in F minor (extract)
08. Allemande (02:59)
09. Courante (01:36)
10. Sarabande (01:48)
11. Gigue (01:42)
Suite Onzieme in C major (extract)
12. Sarabande (02:23)
Suite Sinquieme in C minor (extract)
13. Air (02:12)
14. Double (01:52)
15. Second Double (02:09)
Suite Quattrieme in G minor (extract)
16. Allemande (04:03)
17. Courante (02:28)
18. Courante а la Franзoise (02:15)
19. Sarabande (02:55)
20. Gigue (01:39)
Suite Sixieme in E flat major
21. Prelude (01:39)
22. Allemande (03:08)
23. Courante (02:03)
24. Air (01:40)
25. Double (01:23)
26. Gigue (01:01)
27. Menuet (01:38)
Suite Neufvieme in G minor
28. Boutade (00:40)
29. Allemande (03:31)
30. Courante Premiиre (01:26)
31. Courante Deuxiиme (02:45)
32. Air - Lentement (02:32)
33. Loure (03:17)
34. Gigue (00:55)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 25. October 2015, 17:07
Cristiano Holtz / Mattheson - Suites
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Range status and errors
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Filename C:\temp\Ram 0605 Mattheson - Suites\Mattheson - Suites.wav
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Copy CRC 18BD1D07
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==== Log checksum 39CE6BE186EE46A140D3E8A5CCF3CC74ECB531AAF9A9BE85E891631F97F62F47 ====
EAC extraction logfile from 25. October 2015, 17:07
Cristiano Holtz / Mattheson - Suites
Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:00.70 | 0 | 4569
2 | 1:00.70 | 3:24.15 | 4570 | 19884
3 | 4:25.10 | 3:07.44 | 19885 | 33953
4 | 7:32.54 | 1:27.66 | 33954 | 40544
5 | 9:00.45 | 1:32.13 | 40545 | 47457
6 | 10:32.58 | 3:58.01 | 47458 | 65308
7 | 14:30.59 | 2:15.00 | 65309 | 75433
8 | 16:45.59 | 2:59.17 | 75434 | 88875
9 | 19:45.01 | 1:36.41 | 88876 | 96116
10 | 21:21.42 | 1:48.37 | 96117 | 104253
11 | 23:10.04 | 1:42.24 | 104254 | 111927
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13 | 27:15.41 | 2:12.27 | 122666 | 132592
14 | 29:27.68 | 1:52.52 | 132593 | 141044
15 | 31:20.45 | 2:09.41 | 141045 | 150760
16 | 33:30.11 | 4:03.17 | 150761 | 169002
17 | 37:33.28 | 2:28.37 | 169003 | 180139
18 | 40:01.65 | 2:15.30 | 180140 | 190294
19 | 42:17.20 | 2:55.52 | 190295 | 203471
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31 | 65:04.46 | 2:45.02 | 292846 | 305222
32 | 67:49.48 | 2:32.45 | 305223 | 316667
33 | 70:22.18 | 3:17.10 | 316668 | 331452
34 | 73:39.28 | 0:55.24 | 331453 | 335601
Range status and errors
Selected range
Filename C:\temp\Ram 0605 Mattheson - Suites\Mattheson - Suites.wav
Peak level 96.0 %
Extraction speed 2.3 X
Range quality 99.9 %
Test CRC 18BD1D07
Copy CRC 18BD1D07
Copy OK
No errors occurred
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==== Log checksum 39CE6BE186EE46A140D3E8A5CCF3CC74ECB531AAF9A9BE85E891631F97F62F47 ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-10-31 15:15:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Cristiano Holtz / Mattheson - Suites
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.88 dB -16.57 dB 1:01 01-Suite Premiere in D minor - Prelude
DR13 -5.29 dB -21.42 dB 3:24 02-Suite Premiere in D minor - Allemande
DR12 -6.47 dB -20.24 dB 3:08 03-Suite Premiere in D minor - Double
DR13 -1.77 dB -16.21 dB 1:28 04-Suite Premiere in D minor - Courante
DR12 -4.20 dB -18.14 dB 1:32 05-Suite Premiere in D minor - Double
DR13 -5.70 dB -22.04 dB 3:58 06-Suite Premiere in D minor - Sarabande
DR12 -0.89 dB -16.12 dB 2:15 07-Suite Premiere in D minor - Gigue
DR12 -7.25 dB -21.91 dB 2:59 08-Suite Douzieme in F minor (extract) - Allemande
DR13 -3.11 dB -19.62 dB 1:37 09-Suite Douzieme in F minor (extract) - Courante
DR13 -7.06 dB -23.54 dB 1:48 10-Suite Douzieme in F minor (extract) - Sarabande
DR13 -4.39 dB -19.65 dB 1:42 11-Suite Douzieme in F minor (extract) - Gigue
DR11 -8.43 dB -22.05 dB 2:23 12-Suite Onzieme in C major (extract) - Sarabande
DR14 -8.45 dB -24.29 dB 2:12 13-Suite Sinquieme in C minor (extract) - Air
DR12 -9.55 dB -23.58 dB 1:53 14-Suite Sinquieme in C minor (extract) - Double
DR13 -8.18 dB -23.42 dB 2:10 15-Suite Sinquieme in C minor (extract) - Second Double
DR13 -3.45 dB -19.53 dB 4:03 16-Suite Quattrieme in G minor (extract) - Allemande
DR12 -3.29 dB -17.44 dB 2:28 17-Suite Quattrieme in G minor (extract) - Courante
DR13 -5.91 dB -22.21 dB 2:15 18-Suite Quattrieme in G minor (extract) - Courante а la Franзoise
DR12 -8.17 dB -22.77 dB 2:56 19-Suite Quattrieme in G minor (extract) - Sarabande
DR12 -2.43 dB -16.99 dB 1:39 20-Suite Quattrieme in G minor (extract) - Gigue
DR13 -4.41 dB -20.83 dB 1:39 21-Suite Sixieme in E flat major - Prelude
DR12 -8.01 dB -21.79 dB 3:08 22-Suite Sixieme in E flat major - Allemande
DR12 -4.11 dB -19.34 dB 2:04 23-Suite Sixieme in E flat major - Courante
DR15 -3.87 dB -20.30 dB 1:40 24-Suite Sixieme in E flat major - Air
DR12 -6.61 dB -20.67 dB 1:23 25-Suite Sixieme in E flat major - Double
DR12 -3.56 dB -17.95 dB 1:01 26-Suite Sixieme in E flat major - Gigue
DR12 -12.75 dB -27.47 dB 1:39 27-Suite Sixieme in E flat major - Menuet
DR12 -2.85 dB -16.84 dB 0:40 28-Suite Neufvieme in G minor - Boutade
DR13 -6.44 dB -21.90 dB 3:31 29-Suite Neufvieme in G minor - Allemande
DR12 -2.09 dB -17.17 dB 1:27 30-Suite Neufvieme in G minor - Courante Premiиre
DR12 -0.35 dB -16.19 dB 2:45 31-Suite Neufvieme in G minor - Courante Deuxiиme
DR12 -5.99 dB -20.92 dB 2:33 32-Suite Neufvieme in G minor - Air - Lentement
DR13 -2.03 dB -19.92 dB 3:17 33-Suite Neufvieme in G minor - Loure
DR12 -1.28 dB -16.64 dB 0:55 34-Suite Neufvieme in G minor - Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 34
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 902 kbps
Codec: FLAC
================================================================================
log date: 2015-10-31 15:15:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Cristiano Holtz / Mattheson - Suites
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.88 dB -16.57 dB 1:01 01-Suite Premiere in D minor - Prelude
DR13 -5.29 dB -21.42 dB 3:24 02-Suite Premiere in D minor - Allemande
DR12 -6.47 dB -20.24 dB 3:08 03-Suite Premiere in D minor - Double
DR13 -1.77 dB -16.21 dB 1:28 04-Suite Premiere in D minor - Courante
DR12 -4.20 dB -18.14 dB 1:32 05-Suite Premiere in D minor - Double
DR13 -5.70 dB -22.04 dB 3:58 06-Suite Premiere in D minor - Sarabande
DR12 -0.89 dB -16.12 dB 2:15 07-Suite Premiere in D minor - Gigue
DR12 -7.25 dB -21.91 dB 2:59 08-Suite Douzieme in F minor (extract) - Allemande
DR13 -3.11 dB -19.62 dB 1:37 09-Suite Douzieme in F minor (extract) - Courante
DR13 -7.06 dB -23.54 dB 1:48 10-Suite Douzieme in F minor (extract) - Sarabande
DR13 -4.39 dB -19.65 dB 1:42 11-Suite Douzieme in F minor (extract) - Gigue
DR11 -8.43 dB -22.05 dB 2:23 12-Suite Onzieme in C major (extract) - Sarabande
DR14 -8.45 dB -24.29 dB 2:12 13-Suite Sinquieme in C minor (extract) - Air
DR12 -9.55 dB -23.58 dB 1:53 14-Suite Sinquieme in C minor (extract) - Double
DR13 -8.18 dB -23.42 dB 2:10 15-Suite Sinquieme in C minor (extract) - Second Double
DR13 -3.45 dB -19.53 dB 4:03 16-Suite Quattrieme in G minor (extract) - Allemande
DR12 -3.29 dB -17.44 dB 2:28 17-Suite Quattrieme in G minor (extract) - Courante
DR13 -5.91 dB -22.21 dB 2:15 18-Suite Quattrieme in G minor (extract) - Courante а la Franзoise
DR12 -8.17 dB -22.77 dB 2:56 19-Suite Quattrieme in G minor (extract) - Sarabande
DR12 -2.43 dB -16.99 dB 1:39 20-Suite Quattrieme in G minor (extract) - Gigue
DR13 -4.41 dB -20.83 dB 1:39 21-Suite Sixieme in E flat major - Prelude
DR12 -8.01 dB -21.79 dB 3:08 22-Suite Sixieme in E flat major - Allemande
DR12 -4.11 dB -19.34 dB 2:04 23-Suite Sixieme in E flat major - Courante
DR15 -3.87 dB -20.30 dB 1:40 24-Suite Sixieme in E flat major - Air
DR12 -6.61 dB -20.67 dB 1:23 25-Suite Sixieme in E flat major - Double
DR12 -3.56 dB -17.95 dB 1:01 26-Suite Sixieme in E flat major - Gigue
DR12 -12.75 dB -27.47 dB 1:39 27-Suite Sixieme in E flat major - Menuet
DR12 -2.85 dB -16.84 dB 0:40 28-Suite Neufvieme in G minor - Boutade
DR13 -6.44 dB -21.90 dB 3:31 29-Suite Neufvieme in G minor - Allemande
DR12 -2.09 dB -17.17 dB 1:27 30-Suite Neufvieme in G minor - Courante Premiиre
DR12 -0.35 dB -16.19 dB 2:45 31-Suite Neufvieme in G minor - Courante Deuxiиme
DR12 -5.99 dB -20.92 dB 2:33 32-Suite Neufvieme in G minor - Air - Lentement
DR13 -2.03 dB -19.92 dB 3:17 33-Suite Neufvieme in G minor - Loure
DR12 -1.28 dB -16.64 dB 0:55 34-Suite Neufvieme in G minor - Gigue
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 34
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 902 kbps
Codec: FLAC
================================================================================
Cristiano Holtz - Johann Mattheson: Suites (2006)
