The Olympus Sound is the fifth studio album by Irish power pop band Pugwash. It features contributions from Ben Folds, Neil Hannon of The Divine Comedy, and Dave Gregory and Andy Partridge of XTC. The album was released in Ireland by 1969 Records and EMI on 19 August 2011. The iTunes version featured two bonus tracks not included on the CD. On its release, The Irish Times hailed it as "the best Irish album of the year to date" while Hot Press said it was "the best thing [Pugwash] has ever done". The Irish Daily Star named it among its top 10 Irish albums of 2011. It was nominated for the Choice Music Prize 2011, an award given to the best Irish album of the year, in January 2012. After signing a three-year deal with British indie label Lojinx, The Olympus Sound was released outside Ireland on CD and vinyl on 16 April 2012. The CD version includes three bonus tracks not included on the original physical or iTunes releases.

The Beatles were not only hugely influential on the world of popular music. The creative genius of John Lennon and Paul McCartney inspired many classical musicians to create their own arrangements of these iconic songs. This 2-CD set is the ultimate classical Beatles collection, featuring a selection of arrangements. The first CD consists of arrangements for classical guitar (surely the most appropriate of all classical instruments!) including Cuban composer Leo Brouwer’s suite for guitar and strings From Yesterday to Penny Lane. The second CD, Fron Male Voice Choir newly-recorded performance of Yesterday and Hey Jude, and a rousing finale of Let It Be by Arthur Fiedler and The Boston Pops. One of the highlights of the set is The Beatles Concerto, an arrangement for two pianos and orchestra featuring eight Beatles songs, by the celebrated English composer John Rutter. Also included is Beatlecracker Suite, a fascinating arrangement of Lennon and McCartney songs in the style of Tchaikovsky’s The Nutcracker Suite – a true lost classic composed in 1965 at the very height of ‘Beatlemania’.

Year 2015 marks the 150th Anniversary of the birth of Jean Sibelius (1865–1957), often entitled 'Finland’s national composer'. The fourth album on Ondine by the Estonian Philharmonic Chamber Choir is dedicated to the complete works for mixed choir by Jean Sibelius. The award-winning choir, one of the finest of its kind internationally, is conducted here by one of the leading Finnish choir directors, Heikki Seppänen, who has conducted a large number of professional choirs in Finland and abroad. The Estonian Philharmonic Chamber Choir’s releases on Ondine have been a critical success: the first release was given an ‘Editor’s Choice’ by the Gramophone Magazine and ‘Disc of the Year’ by the renowned German weekly Die Zeit.

This is the lone solo album by sideman Roger "Jellyroll" Troy, a consummate session player who was best known for his collaborations with blues bandleader Michael Bloomfield, including as part of a reunited mid-'70s version of Electric Flag. Troy's bona fides go back even further than that: while still a teen, he was the bassist in the novelty rock band, the Hollywood Argyles, and went on to gigs with James Brown and Freddie King. In 1969 he cut an album as the leader of the band Jellyroll (which was his nickname) and he had considerable success as a songwriter in the early '70s. This album is pretty much pure white soul, with a heavy Muscle Shoals feel: four songs were written by Troy, though tellingly he also covers Dan Penn, whose emotive vocals style is echoed in Troy's own phrasing. Among the many musicians backing him are jazz saxophonist Ernie Watts and pianist/producer Mike Lipskin… Fans of the Atlanta Rhythm Section, Joe Cocker and any number of eclectic Memphis roots/soul bands might want to check this one out.

Lionel Richie's Back to Front isn't just a definitive greatest hits collection, it's a reminder of Richie's supreme strengths as an R&B singer-songwriter. From the gentle sweep of "Do It to Me" to the earnest lovelorn crooning of "Hello," Richie's ballads are timeless. Even the borderline sappy "Endless Love" shines despite cosinger Diana Ross's histrionics. Also featured is "Still" and "Say You, Say Me," and while the faster songs–the Caribbean-inspired rhythms of "All Night Long" and the '80s synthpop of "Running with the Night"–are weaker, they hardly detract from this otherwise sterling survey.

Chicago blues pianist Eddie Boyd only released one album for Mike Vernon's Blue Horizon label (7936 South Rhodes), so in addition to those 12 tracks, this reissue scrapes together another four rarities from around the same period (1967-1968) and two from 1960 to expand the song listing to 18. The bulk of this recording was laid down in a single day, a situation that kept the energy flowing in the studio. This was producer Vernon's second session with Boyd – two leftover tunes from his 1967 Decca album open the disc – so he was acquainted with the bluesman's method of working. The project was originally credited to Eddie Boyd with Peter Green's Fleetwood Mac, and indeed three quarters of that band (Green, Fleetwood, and McVie) provide backing duties for the majority of these tracks. The Mac, which had started to experience their first shot of stardom in the U.K., are in typically fine form with Green's slashing, quicksilver leads a particular treat. There are also vocal similarities between Green (who doesn't sing here) and Boyd, showing that this session was a two-way street.

An overnight success in 2005 some 40 years after her debut single, soul diva Bettye LaVette recorded this album for Motown in 1982. Teamed with ace producer Steve Buckingham, she cut these ten songs with the cream of Nashville and Memphis musicians. Critically acclaimed at the time of its release but totally at odds with what Motown was then recording, Tell Me A Lie sounds as fresh today as it did when originally released. Bettye Lavette's star continues to rise now. First time on CD, digitally remastered in 24 bit from the original analog masters, and including a 12 page booklet.

Jan Mulder is a pianist and composer who has become one of the stable of top-selling music stars in the United Kingdom, Europe, and America. He has composes and arranges on a daily basis for solo albums, frequently recorded with the London Symphony Orchestra, which have achieved gold and platinum status. His award-winning inspirational CD series, "Love Divine", is popular in over 20 countries, and features one Christmas album with a guest track by Andrea Bocelli.

A well-educated child of privilege, Glinka became a fervent Russian nationalist. He is considered the father of Russian music, and exerted a significant influence on such great later composers as Tchaikovsky, Rimsky-Korsakov, and Stravinsky. One of Russia's ranking conductors of the new millennium, Vladimir Fedoseyev has worked extensively in Central Europe during the second phase of his career. As chief conductor of the Vienna Symphony Orchestra since 1997, he has brought a new intensity to the city's often underrated second orchestra. During his years as chief conductor of the Tchaikovsky Symphony Orchestra, Fedoseyev gained a reputation for achieving a balance between passion and musical integrity.

Cardboard sleeve reissue from Diana Ross featuring the high-fidelity SHM-CD format. Part of a ten-album Diana Ross SHM-CD cardboard sleeve reissue series featuring albums "Ain't No Mountain High Enough", "Everything Is Everything", "Surrender", "Touch Me In The Morning", "Last Time I Saw Him", "Diana Ross", "Baby It's Me", "Ross", "The Boss" and "Diana".

120 tracks of best lounge music, in six parts: 'Cocktail Time', 'Electro Swing', 'Vintage Lounge', 'Brazilian Sounds', 'Chic & Glamour', 'Spirit Of Chill-Out'.

Warner Bros. goes deep into the vaults to reveal the secret studio history of this very public performer with a boxed set of unreleased recordings chosen from sessions spanning 1971-1998. Encompassing more than 25 years, this collection's 63 songs, outtakes, and ephemera provide extraordinary insight into the studio work of one of rock's legendary figures and paints a picture of what might have been. Many of these performances are more stripped-down and intimate than their released counterparts, so the set becomes an illustration and a showcase of Rod's creative process.

Collection includes: Private Dancer (1984); Break Every Rule (1986); Foreign Affair (1989); Wildest Dreams (1996); Twenty Four Seven (1999); Tina! (2008).

Grand Piano is a series devoted to the art of the Reproducing Piano. It presents major performances by the legendary pianists who recorded for the Aeolian Company between 1915 and 1930. The acoustic gramophone rarely attempted major keyboard works. The 78s' restricted sound and duration was acceptable for short virtuoso pieces but little else. In contrast, by 1915, the Aeolian Company's "Duo-Art" was already a highly sophisticated digital recording process. Pianists, well aware of the gramophone's limitations, turned enthusiastically to the reproducing piano. Hofmann, Bauer, Paderewski and Grainger were especially committed, not alone in believing that they had achieved the ultimate recording process. Great pianists joined them in recording their concert repertoire, including much that was never repeated on disc.

The ultimate St Patrick's Day soundtrack, from the world's favourite traditional Irish music band. Includes the number one hit "The Irish Rover" (featuring vocals from Shane McGowan of The Pogues) plus over an hour of Irish music favourites - "The Wild Rover", "Molly Malone", "Whiskey In The Jar", "Seven Drunken Nights" and many more. Still on tour in 2009, some 45 years after they first got together, The Dubliners are the genuine voice of Irish music.