The giants of German industrial metal, Rammstein, get their due recognition as one of the most influential industrial bands on the planet with this album of vicious cover versions! New school industrial acts such as Priest, Manntra, and Julien-K meet the vanguard veterans Frontline Assembly, Laibach, Burton C. Bell (Fear Factory) and Paul Ferguson (Killing Joke), Skold and more on a true clash of the industrial titans! Includes unqiue interpretations of Rammstein favorites from throughout the band’s career such as “Du Hast,” “Sonne,” “Deutschland,” “Engel” and more!

Sinuous rhythms, conversational singing, and, most of all, intricate, bluesy guitar playing characterize Cale's performances of his own songs. This compilation, covering 11 years of recording, includes the songs Eric Clapton, who borrowed heavily from Cale's style in his 1970s solo work, made famous: "After Midnight" and "Cocaine".

At last, the start of summer holidays! Dive headfirst in this collection of music inspired by the sea, celebrating its beauty, its strange power of fascination, the myths and legends that surround it, the pleasure of nautical activities, the rich culture of seafarers… Come aboard for a seven-hour long musical cruise, but beware the tempests and the wrecks! All the major composers are represented in this collection featuring such artists as Aldo Ciccolini, Natalie Dessay, Bertrand Chamayou, Simon Rattle or Elisabeth Leonskaja.

Mozart's most famous masterpieces include the Requiem in D minor, "Lacrimosa" from the Requiem, "Queen of the Night" aria from The Magic Flute, and "Sull'aria" from The Marriage of Figaro. Other notable works include Symphony No. 40, Piano Sonata No. 16, and several piano concertos, including No. 21 and No. 23.

Mozart's "Great Sacred Choruses" encompasses a collection of his most notable sacred choral works, including his Requiem in D Minor (K. 626), the Great Mass in C Minor (K. 427), and other pieces like Ave verum corpus (K. 618) and Vesperae solennes de confessore (K. 339). These works are considered some of the most important and influential sacred compositions ever written.

Mozart's operas are renowned for their beautiful and dramatic arias. Some of his most famous include "Der Hölle Rache" (The Queen of the Night's aria) from The Magic Flute, "Madamina, il catalogo è questo" (Leporello's catalogue aria) from Don Giovanni, and "Voi che sapete" from The Marriage of Figaro. These arias showcase Mozart's mastery of vocal writing and his ability to convey complex emotions through music.

Back in New York after three years spent gigging and recording in Europe, a mature and rejuvenated James Moody resumed the endless North American scuffle to get by as a contemporary jazz musician. Volume five in the Classics James Moody chronology presents 16 rare Mercury recordings made between October 1951 and June 1953, followed by eight Prestige titles from January and April, 1954. The first four tracks feature baritone saxophonist Cecil Payne; high points include the rowdy, bristling "Moody's Home" and "Wiggle Waggle," an R&B rocker that sounds like something right up out of the King record catalog. Beginning with the material recorded on May 21, 1952, Moody is heard leading a group largely composed of players who, like him, had worked in Dizzy Gillespie's big band. Two of these individuals – trumpeter Dave Burns and baritone saxophonist Numa "Pee Wee" Moore – show up regularly in the front line of Moody's excellent recording ensembles between 1952 and 1955.