Dirty Work is the Rolling Stones' 18th British and 20th American studio album. It was released on 24 March 1986 on the Rolling Stones label by CBS Records. Produced by Steve Lillywhite, the album was recorded during a period when relations between Mick Jagger and Keith Richards soured considerably, according to Richards' autobiography Life. The album produced a US Top 5 hit for the Rolling Stones, the cover of "Harlem Shuffle," and featured a number of guest appearances, including contributions by Tom Waits, Marku Ribas, Patti Scialfa, Bobby Womack, and Jimmy Page on "One Hit (To the Body)".

Global cello sensation HAUSER returns with Cinema – a sweeping new album of iconic melodies from the silver screen. Bringing his signature romantic flair and expressive cello playing to the world of film music, HAUSER curates a stunning collection of timeless movie themes that span generations. From the nostalgic beauty of the “Tara’s Theme” from Gone with the Wind to the haunting tenderness of Billie Eilish’s Oscar®-winning “What Was I Made For” from Barbie, Cinema captures the emotional essence of some of film’s most iconic moments. With richly orchestrated arrangements, HAUSER breathes new life into works by the greatest composers in film history John Williams, Ennio Morricone, Henry Mancini, and John Barry as well as beloved ballads like Sam Smith’s “Writing’s on the Wall” (Spectre) and “The Music of the Night” from The Phantom of the Opera.

This was the third studio album released by the vastly underrated group Blue Mink.
Blue Mink was formed in fall 1969 by keyboard player Roger Coulam, around a nucleus of musicians based at London's Morgan Studios - bassist Herbie Flowers, guitarist Allan Parker, and drummer Barry Morgan were also involved. Having already recorded a number of backing tracks, Coulam then approached soul singer Madeline Bell and former David & Jonathan star Roger Greenaway as vocalists; Bell accepted, Greenaway declined but recommended his songwriting partner (and fellow David & Jonathan-er) Roger Cook in his stead.
With this lineup, Cook and Greenaway's "Melting Pot" was released as Blue Mink's debut single, a plea for multi-racial harmony that reached number three in the U.K. that November. An album of the same title was released in the new year.

Recorded at Abbey Road last autumn, Rainy Sunday Afternoon is The Divine Comedy's thirteenth album and their first studio album since 2019's UK top 5 Office Politics.

For fifteen exciting years the manuscripts of Carl Philipp Emanuel Bach's keyboard concertos have held me in their thrall. Both delightful and challenging at the same time, a hitherto unpublished and therefore completely unknown world revealed it's hidden beauties.With an eighth CD, my series comprising around half of all the available keyboard concertos now comes to an end. This musical form - according to Emanuel Bach himself his 'most personal' - occupied the composer repeatedly throughout his lifetime. From the astonishingly self-confident concerto Wq1 by a 19-year-old to the cheerfully ironic Wq47 from the year of his death, a long and very fruitful career is illustrated by the search for distinctive new means of expression. As later with the symphonies composed in Hamburg, Emanuel Bach here also took 'all the liberties he needed'. We find bold innovation as well as exuberant kinetic joy, exquisite chromaticism and demanding virtuosity alongside profound contemplation.

A leading figure of French piano, Jean-Philippe Collard has graced the world’s stages with rare elegance and unwavering dedication, from the Romantic repertoire to the subtleties of French music. A profoundly human interpreter, he combines the rigor of a craftsman with the inspiration of a poet, driven by a quest for inner beauty and sonic authenticity.

To mark the 150th anniversary of Arnold Schoenberg’s birth, the Berliner Philharmoniker have dedicated an edition to the composer in which they present five key works from all of his stylistic periods under the direction of chief conductor Kirill Petrenko.