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Gabriel Crouch & Gallicantus - Sarah Kirkland Snider: Mass for the Endangered (2020)

Posted By: delpotro
Gabriel Crouch & Gallicantus - Sarah Kirkland Snider: Mass for the Endangered (2020)

Gabriel Crouch & Gallicantus - Sarah Kirkland Snider: Mass for the Endangered (2020)
WEB FLAC (tracks) - 173 Mb | MP3 CBR 320 kbps - 98 Mb | 00:42:22
Classical, Sacred, Choral | Label: Nonesuch Records, New Amsterdam Records

Composer Sarah Kirkland Snider’s Mass for the Endangered, with a libretto by poet/writer Nathaniel Bellows, is a celebration of, and an elegy for, the natural world—animals, plants, insects, the planet itself—an appeal for greater awareness, urgency, and action. Originally commissioned by Trinity Church Wall Street, this recording features the English vocal ensemble Gallicantus conducted by Gabriel Crouch.

The Choirs of St Catharine's College, Cambridge & Edward Wickham - Alpha & O: Music for Advent & Christmas (2020)

Posted By: delpotro
The Choirs of St Catharine's College, Cambridge & Edward Wickham - Alpha & O: Music for Advent & Christmas (2020)

The Choirs of St Catharine's College, Cambridge & Edward Wickham - Alpha & O: Music for Advent & Christmas (2020)
WEB FLAC (tracks) - 212 Mb | MP3 CBR 320 kbps - 125 Mb | 00:54:24
Classical, Sacred, Choral | Label: Resonus Classics

The two choirs of St Catharine’s College, Cambridge return to Resonus Classics to collaborate once more on a new recording of contemporary works for Advent and Christmas. Featuring many world premiere recordings, the programme includes works written specially for the two college choirs including Diana Burrell’s exuberant carol, Green groweth the holly; Christopher Fox’s major new setting of the O Anitphons, insterpersed with the original plainchant, and Jeremy Thurlow’s Magnificat for upper voices, organ and tape, that blazes with the intensity of a new vision of the world.

Jan Lehtola, Klemetti Institute Chamber Choir, Heikki Liimola - Joonas Kokkonen: Requiem; Complete Works for Organ (2017)

Posted By: Designol
Jan Lehtola, Klemetti Institute Chamber Choir, Heikki Liimola - Joonas Kokkonen: Requiem; Complete Works for Organ (2017)

Joonas Kokkonen - Requiem; Complete Works for Organ (2017)
Jan Lehtola (organ); Suvi Väyrynen (soprano); Joose Vähäsöyrinki (baritone)
Klemetti Institute Chamber Choir; Heikki Liimola, conductor

EAC | FLAC | Image (Cue&Log) ~ 195 Mb | Mp3 (CBR320) ~ 130 Mb | Artwork included
Genre: Classical | Label: Toccata Classics | # TOCC0434 | Time: 00:55:33

The music of Joonas Kokkonen (1921–96), one of the most important Finnish composers after Sibelius, radiates warmth and light. His limited output is largely introvert in character but also contains moments of grandeur and rhythmic energy. Kokkonen’s Requiem (1980–81), written in memory of his first wife, is both a powerful choral symphony and a tender, moving embodiment of consolation. Originally scored for large orchestra, the Requiem is heard here in a new version for organ intended to bring the work within the reach of smaller forces. This first recording is complemented by the first complete recording of Kokkonen’s four works for solo organ.

Christophe Rousset, Herve Niquet, Jordi Savall, Fabio Biondi - Marc-Antoine Charpentier, un automne musical à Versailles (2005)

Posted By: ArlegZ
Christophe Rousset, Herve Niquet, Jordi Savall, Fabio Biondi - Marc-Antoine Charpentier, un automne musical à Versailles (2005)

Christophe Rousset, Herve Niquet, Jordi Savall, Fabio Biondi, Gérard Lesne, Christina Pluhar - Marc-Antoine Charpentier, un automne musical à Versailles (2005)
PAL 16:9 (720x576) | Français | (Dolby AC3, 2 ch) | 150 min | 7,74 Gb (DVD9)
Classical | Label: Armide | Sub: English, Français, Deutsch | Recorded: 2003

Studio Armide represents magnificent documentary film Olivier Simonnet «Marc-Antoine Charpentier, un automne musical à Versailles». Marc-Antoine Charpentier never had an official function at the court of Louis XIV. In 2004 Versailles finally opened its doors to him for the tercentennial commemorations of his death. The finest performers of baroque music, from Jordi Savall to Christophe Rousset, played the most important works of the time in the Royal Chapel opera house, as well as in the chateau salons and galleries: from instrumental music (Lully’s Alceste) to vocal music (Actéon), from lyric tragedy (Médée) to sacred music (Missa assumpta est Maria). The life of this collaborator of Molière’s and cultural life under Louis XIV are enriched by the participation of conductors and musicians.

Reinbert de Leeuw, Collegium Vocale Gent - Franz Liszt: Via Crucis (2019)

Posted By: ArlegZ
Reinbert de Leeuw, Collegium Vocale Gent - Franz Liszt: Via Crucis (2019)

Reinbert de Leeuw, Collegium Vocale Gent - Franz Liszt: Via Crucis (2019)
EAC | FLAC | Image (Cue & Log) ~ 170 Mb | Total time: 50:12 | Scans included
Classical | Label: Alpha | ALPHA390 | Recorded: 2017

Franz Liszt was 67 when he composed his Via Crucis, yet it did not receive its first performance until 1929, 43 years after the composer’s death. This work of his mature years is in 15 sections, retracing the Stations of the Cross that mark the stages of Christ’s Passion, from being condemned to death to being laid in the tomb. Combining Gregorian chant, the Lutheran liturgy and the Latin, German and Aramaic languages, the Via Crucis shows real formal originality. A devout believer, Liszt gives us here his most important sacred work. He composed several versions: for mixed choir, soloists and organ (with the organ part optionally transcribed for piano), for piano solo, organ solo, and two pianos.

Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Bach Kantaten N°31: BWV 17, 43, 145 (2020)

Posted By: ArlegZ
Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Bach Kantaten N°31: BWV 17, 43, 145 (2020)

Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Bach Kantaten N°31: BWV 17, 43, 145 (2020)
EAC | FLAC | Image (Cue & Log) ~ 337 Mb | Total time: 64:41 | Scans included
Classical | Label: J.S. Bach-Stiftung | # B857 | Recorded: 2019

The J.S. Bach Foundation has embarked on a remarkable undertaking: over a period of some 25 years, the Foundation will perform the complete vocal works by Johann Sebastian Bach (1685-1750). Each month, one of the over 200 Bach cantatas is performed in the idyllic town of Trogen in Appenzell, Switzerland. With a rhythm of 12 cantatas per year, the project is estimated to conclude in the year 2030. All introductory workshops, concerts and reflection lectures on the cantata texts are recorded; the texts of the lectures are published in a continually expanding Bach Anthology. The main aim of the J.S. Bach Foundation's ambitious project is to provide a living Bach experience for today's listeners and to deepen our understanding of the great composer's works.

Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Bach Kantaten N°30: BWV 55, 68, 105 (2020)

Posted By: ArlegZ
Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Bach Kantaten N°30: BWV 55, 68, 105 (2020)

Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Bach Kantaten N°30: BWV 55, 68, 105 (2020)
EAC | FLAC | Image (Cue & Log) ~ 243 Mb | Total time: 49:51 | Scans included
Classical | Label: J.S. Bach-Stiftung | # B672 | Recorded: 2011, 2018, 2019

The J.S. Bach Foundation has embarked on a remarkable undertaking: over a period of some 25 years, the Foundation will perform the complete vocal works by Johann Sebastian Bach (1685-1750). Each month, one of the over 200 Bach cantatas is performed in the idyllic town of Trogen in Appenzell, Switzerland. With a rhythm of 12 cantatas per year, the project is estimated to conclude in the year 2030. All introductory workshops, concerts and reflection lectures on the cantata texts are recorded; the texts of the lectures are published in a continually expanding Bach Anthology.

Vox Clamantis, Jaan-Eik Tulve - Filia Sion (2012)

Posted By: Designol
Vox Clamantis, Jaan-Eik Tulve - Filia Sion (2012)

Vox Clamantis, Jaan-Eik Tulve - Filia Sion (2012)
EAC | FLAC | Tracks (Cue&Log) ~ 332 Mb | Mp3 (CBR320) ~ 187 Mb | Scans included
Label: ECM | # ECM New Series 2244, 476 4499 | Time: 01:11:08
Classical, Choral, Medieval, Gregorian Chant

Filia Sion is the first ECM New Series disc devoted entirely to the Estonian vocal group Vox Clamantis. From the beginning of its history, Vox Clamantis has focussed on Gregorian chant as the foundation of European music, but has also maintained strong connections to contemporary composers including Arvo Pärt, Helena Tulve and Erkki-Sven Tüür (members of the ensemble previously appeared on Tüür s Oxymoron album, singing his composition Salve Regina ). Their interpretation of medieval music is never purely historical. While always remaining true to the spirit of this repertoire, the approach to the work and the selection of pieces is contemporary, with sound and texture and the blending of voices as a focus. As leader Jaan-Eik Tulve explains, Gregorian chant is monophonic music which remarkably emphasizes the blend of voices.

Diego Fasolis, I Barocchisti, Coro della Radio Svizzera ‎– Monteverdi: Vespro Della Beata Vergine (2011)

Posted By: ArlegZ
Diego Fasolis,  I Barocchisti, Coro della Radio Svizzera ‎– Monteverdi: Vespro Della Beata Vergine (2011)

Diego Fasolis, I Barocchisti, Coro della Radio Svizzera ‎– Monteverdi: Vespro Della Beata Vergine (2011)
EAC | FLAC | Image (Cue & Log) ~ 436 Mb | Total time: 72:13+25:17 | Scans included
Classical | Label: Brilliant Classics ‎| 94252 | Recorded: 1999

A much needed filling of a gap in the Brilliant Classics discography: the world famous Maria Vespers of Monteverdi! The Maria Vespers contain a collection of liturgical chants and psalms, for a wide variety of instruments, from the festive opening with trumpets to intimate arias for solo voice. In everything one hears the great dramatic genius of Monteverdi, the “first” opera composer in history. Excellent performance, on historical instruments, by conductor Diego Fasolis, and his “Barocchisti”, and a great line of vocal soloists, among whom are the well known Marco Beasley and Marinella Pennicchi.

Ensemble Métamorphoses, Ensemble Biscantor & Maurice Bourbon - des Prez: Messes Pange Lingua, de Beata Virgine (2016)

Posted By: delpotro
Ensemble Métamorphoses, Ensemble Biscantor & Maurice Bourbon - des Prez: Messes Pange Lingua, de Beata Virgine (2016)

Ensemble Métamorphoses, Ensemble Biscantor & Maurice Bourbon - des Prez: Messes Pange Lingua, de Beata Virgine (2016)
EAC Rip | FLAC (tracks+log+.cue) - 302 Mb | MP3 CBR 320 kbps - 180 Mb | Digital booklet | 01:06:30
Classical, Sacred, Vocal | Label: AR Ré-Sé

Choir leader, singing teacher, singer and composer, Maurice Bourbon leads three vocal ensembles as the art director of the Chapelle des Flandres Association - Métamorphoses, a vocal ensemble of international soloists, Coeli et Terra, a top-level chamber choir, and Biscantor!, a vocal ensemble of young adults, founded respectively in 1983, 1987 and 2005.

Bavarian Radio Symphony Orchestra & Choir, Mariss Jansons - Antonin Dvorak: Stabat Mater (2015)

Posted By: Designol
Bavarian Radio Symphony Orchestra & Choir, Mariss Jansons - Antonin Dvorak: Stabat Mater (2015)

Antonín Dvořák - Stabat Mater (2015)
Erin Wall, soprano; Mihoko Fujimura, mezzo; Christian Elsner, tenor; Liang Li, bass
Chor und Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons, conductor

EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
Genre: Classical, Choral | Label: BR Klassik | # 900142 | 01:17:55

Antonín Dvorák's Stabat Mater, Op. 58, written in the aftermath of the deaths of three of his children, is a sober and powerful work, inexplicably neglected and unlike any other work of choral music from the 19th century. Perhaps most performances don't capture its full weight, but this live recording from the Bavarian Radio Symphony Orchestra under Mariss Jansons, does so. There are many deep pleasures here. The orchestra's choir is extraordinary: rich yet without a hint of wobble and utterly clear in its sense of the text. Jansons keeps things at a deliberate pace that lets the music breathe and the currents of personal experience rise to the surface. The soloists, none terribly well known, are fine in their individual numbers, but absolutely transcendent in ensembles, nowhere more so that in the sublime "Quando corpus morietur" finale (track 10); there are a couple of other strong recordings of this work, but it seems likely that no one has ever matched this conclusion. The live recording from the Herkulessaal in Munich is impressively transparent and faithful to the spontaneity of the event. A superb Dvorák release.

Capella de la Torre & Katharina Bauml - Ein musikalisches Gipfeltreffen (2017)

Posted By: delpotro
Capella de la Torre & Katharina Bauml - Ein musikalisches Gipfeltreffen (2017)

Capella de la Torre & Katharina Bauml - Ein musikalisches Gipfeltreffen (2017)
WEB FLAC (tracks) - 316 Mb | MP3 CBR 320 kbps - 162 Mb | 01:10:34
Classical, Sacred, Choral | Label: Musik Museum

Capella de la Torre is a German early music ensemble led by Katharina Bäuml, founded in 2005. In 2016 Katharina Bäuml and Capella de la Torre won the ECHO Klassik Ensemble des Jahres for their CD Water Music. In 2017 Capella de la Torre was awarded again with ECHO Klassik for the CD "Da Pacem" with Rias Kamerchor conducted by Florian Helgath. The ensemble is a wind ensemble, but has enlarged to include singers, lute, organ and percussion.

Bach Collegium Japan & Masaaki Suzuki - J.S. Bach: St. John Passion, BWV 245 (2020)

Posted By: delpotro
Bach Collegium Japan & Masaaki Suzuki - J.S. Bach: St. John Passion, BWV 245 (2020)

Bach Collegium Japan & Masaaki Suzuki - J.S. Bach: St. John Passion, BWV 245 (2020)
WEB FLAC (tracks) - 504 Mb | MP3 CBR 320 kbps - 253 Mb | Digital booklet | 01:44:53
Classical, Sacred, Vocal | Label: BIS

Suzuki presents the 1749 version of the St. John Passion, a work that underwent many changes since its first performance in 1724. This fourth version, performed at the end of Bach's life, represents his ultimate vision of this great work. (Suzuki includes in an appendix three arias from the 1725 version that Bach removed from this later version.)

Amaryllis Dieltiens, Clint van der Linde, Bart Naessens, Capriola di Gioia - Pergolesi: Stabat Mater (2020)

Posted By: ArlegZ
Amaryllis Dieltiens, Clint van der Linde, Bart Naessens, Capriola di Gioia - Pergolesi: Stabat Mater (2020)

Amaryllis Dieltiens, Clint van der Linde, Bart Naessens, Capriola di Gioia - Pergolesi: Stabat Mater (2020)
EAC | FLAC | Image (Cue & Log) ~ 267 Mb | Total time: 56:50 | Scans included
Classical | Label: Evil Penguin | EPRC0035 | Recorded: 2019

The Stabat Mater by the Italian late baroque composer Giovanni Battista Pergolesi (1710- 1736) invariably holds the number one position in many western classical music charts. In Pergolesis own era, his composition received enormous acclaim and was frequently a source of inspiration for the many tone poets who wanted to follow in his footsteps. For this version, we brought together two wonderful vocalists who are symbiotic and complementary both in terms of personality and musical interpretation: soprano Amaryllis Dieltiens and countertenor Clint van der Linde.

Manfred Cordes, Weser-Renaissance Bremen - Leopold I: Il Sagrifizio d'Abramo, Miserere (2020)

Posted By: ArlegZ
Manfred Cordes, Weser-Renaissance Bremen - Leopold I: Il Sagrifizio d'Abramo, Miserere (2020)

Manfred Cordes, Weser-Renaissance Bremen - Leopold I: Il Sagrifizio d'Abramo, Miserere (2020)
EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 76:00 | Scans included
Classical | Label: CPO | 555 113-2 | Recorded: 2016

Leopold I assigned music a central place in the cultural life of his times. He encouraged the production of music at his Vienna court and composed over 150 arias in Italian, some German-language oratorios and musical comedies, and many sacred works. His oratorio Il Sagrificio d’Abramo occupies a special place among Viennese Passion compositions because the figure of Isaac is described as a prefiguration of Christ. Since the librettist, Conte Caldana, places the sacrifice scene in the foreground in the first part of his text, an entirely new level of meaning is created. As a result, Ubidienza (Obedience) and Humanità (Humanity) become Abraham’s partners in dialogue from the very beginning.