"Staring at the Sun" is a song by Irish rock band U2. It is the fifth track on their 1997 album, Pop, and was released by Island Records as the album's second single on 14 April 1997. The song peaked at number three on the UK Singles Chart, number one in Canada and Iceland and number 26 on the US Billboard Hot 100. In the US, it topped the Billboard Modern Rock Tracks and Adult Alternative Songs charts. It also reached the top 10 in Finland, Ireland, Italy, New Zealand and Norway.

"Orbital’s exploratory debut album re-wrote the rule book for rave" - DJ Mag
Originally released on September 30, 1991, Orbital’s eponymous debut album became known as “The Green Album” to distinguish it from their second album (known as “The Brown Album”) The Green Album includes the seminal ‘Belfast’ and a live version of ‘Chime’, the landmark dance track that launched their career in 1990.All audio fully remastered, overseen by Orbital

Just like Sade is the band fronted by singer Sade Adu, Luther was the band fronted by Luther Vandross. Unlike Sade, however, the recorded output of Luther has never made much of an impact. To be sure, Vandross's run as a solo artist starting in 1981 was massively successful, starting with the now-classic "Never Too Much." In the mid-'70s, however, he was a struggling singer possessed of incredible skill who had yet to find a breakout moment, despite making notable appearances on albums by Roberta Flack, Sister Sledge, Mandrill, and many others. The most renowned of his work as a backing vocalist was with David Bowie who, in seeking out soulful collaborators for Young Americans, found an iconic song ("Fascination" is a lightly rewritten version of Vandross's "Funky Music [Is A Part of Me]") and a fantastic voice. That song is reprised on this debut album from Vandross's short-lived group Luther, which was originally released in 1976 with a wildly incongruous cover that definitely made more than a few people think they were buying a heavy metal record. Luther featured some of Vandross's longtime collaborators (some of whom also appeared on Young Americans), and the performances are remarkable.

In contrast to the two previous albums that were more on the heavy side, "Daydream Illusion" is a bit more melancholic and magical, which is also reflected in the vocals that are less aggressive and cleaner on this album. Special attention was paid to catchy melodies and lyrics, and for the first time a ballad made it onto an Thornbridge album.
The concept album tells the story of a boy who tries to save his dream world and its characters from the destruction and violence he is confronted with in his real life in the form of questionable and inhumane 'healing methods' and surgeries in a mental asylum set in the early Victorian era.

Erin Morley is one of today's most sought after coloratura sopranos, and her debut recital album presents a thoughtfully curated program which mirrors a stroll through a garden, delving into rich repertoire inspired by flowers, birds, and nature. Morley, known for her operatic roles, draws on connections to the natural world, offering a mix of well-known pieces, contemporary compositions, and hidden gems. A notable feature is the premiere recording of Ricky Ian Gordon's "Huit Chansons de Fleurs," a contemporary song cycle exploring themes of death, resurrection, fragrance, and the fleeting nature of beauty, adding a layer of poignancy to an album which features a diverse selection of vocal repertoire. Among the album's highlights is Saint-Saëns's "La Libellule," a rarely heard gem capturing the agile movement of a dragonfly. Sullivan's "Rose-in-Bloom" stands out as the first to present the aria in its original key, the heights of the final cadenza just one example of Morley’s extraordinary performance of the repertoire. The program also includes compositions by Rachmaninov, Zemlinsky, and Milhaud, exploring further connections to the themes of blossoms and birds. "Rose in Bloom" is an exploration of nature's influence on music, a testament to Erin Morley's artistry and originality, and a delightful journey through a garden of musical encounters.

Let the sound of the night drums and the cry of the horns empower you! The cratediggers of Jazz Dispensary are proud to present a collection of jams propelled by the spirit of nature, protest, and freedom, featuring songs from pioneering musicians Joe Henderson, Gary Bartz, Ran Blake, Azar Lawrence, A.K. Salim, and The Dungills.

This album aims to reveal or remind of the unique beauty of Robert Schumann's late compositions, characterized by an evolving writing style and a musical discourse rich in emotions and history. The alleged madness of Schumann should not be simplistically attributed to his music or his creative genius. On the contrary, this aspect adds a unique depth to his work.

As a founding member of Stax house band Booker T. & The M.G.’s, Steve Cropper was involved in some of the most important music of the 1960s as a player, songwriter, and producer. The following decade introduced him to a new group of fans as guitarist for The Blues Brothers, appearing on both their records and film. A two-time Grammy® winner and Rock and Roll Hall of Fame inductee, Cropper has been an integral thread in the cloth of American music, writing, playing and producing into the 21st century to this very day.

Ndidi Onukwulu integrates jazz, rhythm and blues, world, folk, and bluegrass - to name a few genres - into a sound that is silky and soulful, whimsical and relevant"- Critics At Large

Guitarist from Rome, Marina Tomei is among all the most active young Italian guitarists in the world music scene.

The 18th century had a dynamic musical scene in which much experimentation went alongside respect for accepted traditions. A wide range of hybrid forms emerged in the wake of the French dance suite and the new Italian solo sonata: not only sonatas with divergent forms and suites in which French character titles suddenly gave way to Italian tempo indications, but also everything in between. Korneel Bernolet here presents an anthology of European 'compiled' sonatas in the form of or derived from suites, alongside contrasting compositions that sought the true sonata form. He plays the Joannes Daniel Dulcken magisterial 1747 single-keyboard harpsichord, whose ambassador and titular player he is.

Abigail is a 2024 American vampire horror film directed by Matt Bettinelli-Olpin and Tyler Gillett from a screenplay written by Stephen Shields and Guy Busick. Based on and a reimagining of the 1936 Universal Classic Monsters film Dracula's Daughter.Brian Tyler composed the film's score; he collaborated with Bettinelli-Olpin and Gillett on prior projects.
Brian Theodore Tyler is an American composer, conductor, musician, arranger, and record producer, best known for his film, television, and video game scores. In his 26-year career, Tyler has scored seven installments of the Fast & Furious franchise, Rambo, Eagle Eye, The Expendables trilogy, Iron Man 3, Now You See Me, Avengers: Age of Ultron with Danny Elfman, Crazy Rich Asians and The Super Mario Bros. Movie among others.

Giacomo Orefice is best known as an opera composer. His piano output mainly consists of evocative short pieces that draw inspiration from poetry and paintings, as well as landscapes, nature, and scenes from daily life. The childlike atmosphere of Ninnoli is followed by the delightful Valse des amoureuses, Orefice's only piano piece published outside Italy. The Preludi del mare describe a day at the seaside from the first lights of dawn to the rising of the moon. These impressionist worlds are enhanced in the Quadri di Böcklin by a sound palette that expresses the symbolist painter's moods of sorrow and solitude. The melancholy Cipressi, a piece of unknown origin, is now seen as Orefice's musical epitaph.

Fauré: Symphonie en Fa Op. 20; Herbert, V: Suite für Cello und Orchester, Op. 3; Fauré: Elégie für Cello und Orchester, Op. 24.

Five of the best brass players in the world united in a chamber music ensemble: The Reinhold Friedrich Brass Quintett was founded in 2022 and presents here it's first CD, UNITY. For this brass quintet's lifelong dream, world-renowned trumpeter Reinhold Friedrich has brought together the best players in their respective fields, musicians who not only get along extremely well with one another in a musical sense but also on a personal level. In their playing, one can feel their mutual appreciation and their joy in making music together, and, coupled with their unique technical and musical skills, as well as their chamber music experience, this enables the musicians to merge into a single unit.