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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Joshua Bell - Antonio Vivaldi: The Four Seasons (2008)

    Posted By: Designol
    Joshua Bell - Antonio Vivaldi: The Four Seasons (2008)

    Joshua Bell - Antonio Vivaldi: The Four Seasons (2008)
    with Academy of St. Martin-in-the-Fields; John Constable, harpsichord

    EAC | FLAC | Image (Cue&Log) ~ 271 Mb | Mp3 (CBR320) ~ 131 Mb | Scans included
    Genre: Classical | Label: Sony Classical | # 88697 35705 2 | Time: 00:53:58

    When the Academy of St. Martin-in-the-Fields began to popularize Vivaldi's music in the 1970s, it was on the cutting edge with its light, warm chamber orchestra sound, burnished to technical perfection yet sounding completely different from its symphonic cousins. Now, a recording like this one, with star violinist Joshua Bell, sounds conservative in comparison with young bucks like Fabio Biondi on the historical-performance side or even the young Dutch firebrand Janine Jansen. This big-budget (by classical standards) release is the kind of thing you don't see so often now, with a big poster showing Bell carefully decked out in a partially undone tie, as well as individual full-color cards reproducing, in Italian and English, the descriptive seasonal sonnets that provide the program for the four concertos. It could have collapsed under its own weight, but Bell pulls it off. Conducting the Academy strings himself, he forges tight, not-overly-sweet recordings of Vivaldi's four familiar concertos, with a nice contrast between orchestra and solo that showcases his easy, compelling agility and his Heifetz-like sharpness and brilliance.

    La Serenissima; Adrian Chandler - The Italian Job: Caldara, Corelli, Tartini, Vivaldi, Albinoni, Torelli (2017)

    Posted By: Designol
    La Serenissima; Adrian Chandler - The Italian Job: Caldara, Corelli, Tartini, Vivaldi, Albinoni, Torelli (2017)

    The Italian Job: Caldara, Corelli, Tartini, Vivaldi, Albinoni, Torelli (2017)
    La Serenissima; Adrian Chandler, violin & direction

    EAC | FLAC | Image (Cue&Log) ~ 396 Mb | Mp3 (CBR320) ~ 185 Mb | Artwork included
    Classical, Baroque | Label: Avie Records | # AV2371 | Time: 01:16:22

    The English, historical-instrument, Baroque ensemble La Serenissima (the term was a nickname for the city of Venice) has specialized in somewhat scholarly recordings that nevertheless retain considerable general appeal, and the group does it again with this release. The program offers some lesser-known composers, and some lesser-known pieces by famous composers like the tiny and fascinating Concerto alla rustica for two oboes, bassoon, strings, and continuo, RV 151. What ties the program together formally is that it covers a range of Italian cities that were becoming cultural centers as they declined in political power: not only Venice (Vivaldi, Albinoni, Caldara), but also Padua (Tartini), Bologna (Torelli), and Rome (Corelli). There are several works by composers known only for one or two big hits, and these are especially rewarding. Sample the opening movement of Tartini's Violin Concerto E major, DS 51, with its unusual phrase construction and daringly chromatic cadenza passage: it has the exotic quality for which Tartini became famous, but it does not rely on sheer virtuosity. That work is played by leader Adrian Chandler himself, but he also chooses pieces for a large variety of other solo instruments: the Italian Baroque was about more than the violin. Each work on the album has something to recommend it, and collectively the performances may make up the best album of 2017 whose booklet includes footnotes.

    Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)

    Posted By: Designol
    Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)

    Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)
    XLD | FLAC | Tracks (Cue&Log) ~ 358 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
    Genre: Classical | Label: Linn Records | # CKD 151 | Time: 01:14:03

    The popular Orchestra of the Age of Enlightenment presents a fantastic and exuberantly played selection of Vivaldi. Named a ‘Choice' recording by Gramophone upon release, the OAE joyfully celebrate some of Vivaldi's finest instrumental writing. The soloists are drawn from within the distinguished ranks of the OAE including Anthony Robson (oboe), Andrew Clark (horn), Roger Montgomery (horn), David Watkin (cello), Lisa Beznosiuk (flute), Elizabeth Kenny (lute) and Catherine Mackintosh (viola). The concertos assembled on this disc afford the listener a glimpse of Vivaldi's originality, not only as a sensitive colourist and master of form, but also as a felicitous melodist whose harmonies and phraseology are charged with heady atmosphere. The dancing rhythms and distinctive characters of these concerti together with the variety of instrumental combinations and sparkling performances make this a fresh and constantly engaging listen.

    Nicola Benedetti - The Violin (2013)

    Posted By: Designol
    Nicola Benedetti - The Violin (2013)

    Nicola Benedetti - The Violin (2013)
    Vivaldi, Ralph Vaughan Williams, Johannes Brahms, Arvo Pärt, Frédéric Chopin, P.I. Tchaikovsky
    Jules Massenet, Max Bruch, Vittorio Monti, Nigel Hess, John Williams, Carlos Gardel

    EAC | FLAC | Tracks (Cue&Log) ~ 328 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
    Genre: Classical | Label: Decca | # 478 5338 DH | Time: 01:16:06

    Just 26 years old, Nicola Benedetti has been making chart-topping recordings for 10 years. This album celebrates the best of those recordings, and her other successes – from winning the BBC Young Musician of the Year competition in 2004, to her 2012 best-selling album ‘The Silver Violin’, the highest charting classical instrumental album in the UK of the last two decades. A collection of great violin music – from Vivaldi’s Four Seasons and Vaughan Williams’ The Lark Ascending to the Tchaikovsky and Bruch violin concertos and Arvo Part’s Spiegel Im Spiegel. Featuring brand new recordings – Brahms’ invigorating Hungarian Dance no. 5, Monti’s ever-popular Czardas, and Chopin’s emotional Nocturne in C# minor. The album includes Nicola performing with leading orchestras and conductors, as well as some of her favorite chamber players. This album showcases the incredible range of Nicola’s playing and demonstrates her wide appeal. In January 2013 Nicola was appointed a Member of the Most Excellent Order of the British Empire (MBE) for her services to music and charity.

    Monica Huggett, Raglan Baroque Players, Nicholas Kraemer - Antonio Vivaldi: La Cetra, Op. 9 (1987) 2CDs

    Posted By: Designol
    Monica Huggett, Raglan Baroque Players, Nicholas Kraemer - Antonio Vivaldi: La Cetra, Op. 9 (1987) 2CDs

    Antonio Vivaldi: La Cetra, Op. 9 (1987) 2CDs
    Monica Huggett (violin); Raglan Baroque Players; Nicholas Kraemer, direction

    EAC | FLAC | Image (Cue&Log) ~ 545 Mb | Mp3 (CBR320) ~ 270 Mb | Scans ~ 32 Mb
    Classical | Label: EMI | # CDS 7 47829 8 | Time: 01:56:39

    For all the charges of unacceptable schematicism levelled at Vivaldi and his kind, Monica Huggett, as supremely imaginative as well as technically and stylistically accomplished an exponent of the baroque violin as any, demonstrates clearly that this music benefits from the guiding hand of a charismatic interpreter: her delivery of Vivaldi’s exuberant, even manic, inspiration is never less than involving and, in the slow movements, never less than touching.

    Roel Dieltiens - Vivaldi & Geminiani: Sonatas for Violoncello and Basso Continuo (1991) Reissue 2008

    Posted By: Designol
    Roel Dieltiens - Vivaldi & Geminiani: Sonatas for Violoncello and Basso Continuo (1991) Reissue 2008

    Vivaldi & Geminiani - Sonatas for Violoncello and Basso Continuo (1991) Reissue 2008
    Roel Dieltiens (violoncello), Richte van der Meer (violoncello continuo)
    Anthony Woodrow (double bass), Robert Kohnen (organ & harpsichord)

    EAC | FLAC | Image (Cue&Log) ~ 357 Mb | Mp3 (CBR320) ~ 186 Mb | Scans included
    Genre: Classical | Label: Accent | # ACC 10081 | Time: 01:11:19

    It is now generally accepted that Vivaldi wrote ten cello sonatas – one of them now lost. Six (RV 47, 41, 43, 45, 40 and 46) of the surviving nine were published posthumously as a set, in Paris, by Charles-Nicolas Le Clerc around 1740. The other three survive in manuscript collections: RV 42 (along with RV 46) is preserved in the library at Wiesentheid Castle at Unterfranken in Germany; RV 39 and 44 (along with RV 47) are to be found in a manuscript in the Naples Conservatoire.
    Geminiani’s opus 5 consists of six cello sonatas, and was first published in Paris in 1746. The twenty years either side of 1740 saw the cello rise to a very fashionable position in French musical society, largely at the expense of the bass-viol – a change of fashion which stirred such strong emotions that in 1740 Hubert Le Blanc published his fierce Defense de la basse de viole contre les entreprises du violon et les pretensions du violencel. Music such as that by Vivaldi and Geminiani which is played here by Roel Dieltiens and his colleagues must have made a powerful counter-case for the cello.

    David Willcocks, Philip Ledger, Soloists - Antonio Vivaldi: Gloria, Magnificat; Giovanni Battista Pergolesi: Magnificat (1990)

    Posted By: Designol
    David Willcocks, Philip Ledger, Soloists - Antonio Vivaldi: Gloria, Magnificat; Giovanni Battista Pergolesi: Magnificat (1990)

    Antonio Vivaldi: Gloria, Magnificat; Giovanni Battista Pergolesi: Magnificat (1990)
    Elizabeth Vaughan, soprano; Janet Baker, contralto; Ian Partridge, tenor; Christopher Keyte, bass
    Cambridge King's College Choir; Academy of St. Martin in the Fields; Neville Marriner, leader
    conductors: Sir David Willcocks, Sir Philip Ledger

    EAC | FLAC | Image (Cue&Log) ~ 301 Mb | Mp3 (CBR320) ~ 150 Mb | Scans included
    Genre: Classical, Choral, Sacred | Label: Decca | # 425 724-2 | Time: 00:55:41

    When these recordings first came out, far in advance of the period instrument revolution, they were revelations. Though modern instruments were used, there was an effort to get performance practices right… And there was the incredibly powerful, absolutely heavenly sound of that chorus of men and boys, as well as the lifelike recordings that perfectly captured the vast space of the Chapel of King's College. Since that time there have been other performances that depict the letter of each work to a greater degree than these, but many listeners will argue that there are none that have better encapsulated the spirit of this music… These are star-studded "great singing" recordings in which the artists will be remembered as much as the music itself.

    I Solisti Italiani - Christmas Concertos: Torelli, Vivaldi, Handel, Manfredini, Tartini, Locatelli, Corelli (1993)

    Posted By: Designol
    I Solisti Italiani - Christmas Concertos: Torelli, Vivaldi, Handel, Manfredini, Tartini, Locatelli, Corelli (1993)

    I Solisti Italiani - Christmas Concertos (1993) Reissue 2005
    Giuseppe Torelli - Antonio Vivaldi - Georg Friedrich Händel - Francesco Manfredini
    Giuseppe Tartini - Pietro Antonio Locatelli - Arcangelo Corelli

    EAC | FLAC | Image (Cue&Log) ~ 295 Mb | Mp3 (CBR320) ~ 125 Mb | Scans included
    Classical, Baroque | Label: Denon | # COCO-70776 | Time: 00:52:34

    The Italian ensemble I Virtuosi di Roma's long tradition of performing classics of the Italian Baroque pioneered in many ways the contemporary revival of early music. When its founder, Renato Fazzano, passed away the group disbanded, but a regrouping of sorts took place in the early 80s with eight members of the original group. The new ensemble, which calls itself I Solisti Italiani, has continued the Fazzano legacy, emphasizing line and grace in presenting particularly the works of Vivaldi.

    Stefan Temmingh, Capricornus Consort Basel - Antonio Vivaldi: The Concertos for Recorder; J.S. Bach: Preludes (2017)

    Posted By: Designol
    Stefan Temmingh, Capricornus Consort Basel - Antonio Vivaldi: The Concertos for Recorder; J.S. Bach: Preludes (2017)

    Antonio Vivaldi: The Concertos for Recorder; J.S. Bach: Preludes (2017)
    Stefan Temmingh (recorder); Capricornus Consort Basel

    EAC | FLAC | Image (Cue&Log) ~ 362 Mb | Mp3 (CBR320) ~ 166 Mb | Scans included
    Classical, Baroque | Label: Accent | # ACC24332 | Time: 01:08:38

    GRAMOPHONE Magazine Editor's Choice. Stefan Temmingh is a member of the new young generation of world-class recorder players. Born in Cape Town, he comes from a Dutch-South-African family of musicians and now lives in Munich. Being an early music specialist, he plays internationally with his baroque ensemble at renowned festivals and concert series, and can also be heard as a member of ensembles of all sizes in Europe, Asia and Africa. His fine playing is regularly compared to the style of the legendary Frans Brüggen. On this collaboration with the Capricornus Consort Basel, he makes use of his wide array of technical and musical resources to render a reference version of Vivaldi’s Recorder Concertos.

    Antonio Vivaldi - Baroque Views (2024)

    Posted By: Fizzpop
    Antonio Vivaldi - Baroque Views (2024)

    Antonio Vivaldi - Baroque Views (2024)
    WEB FLAC (Tracks) 1,08 GB | Cover | 03:40:13 | MP3 CBR 320 kbps | 511 MB
    Classical | Label: UME - Global Clearing House

    Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Along with Johann Sebastian Bach and George Frideric Handel, Vivaldi ranks amongst the greatest Baroque composers and his influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom.

    Kalev Kuljus, Lithuanian Chamber Orchestra - Vivaldi, Marcello, Telemann, J.S. Bach: Concertos for oboe & oboe d'amore (2018)

    Posted By: Designol
    Kalev Kuljus, Lithuanian Chamber Orchestra - Vivaldi, Marcello, Telemann, J.S. Bach: Concertos for oboe & oboe d'amore (2018)

    Vivaldi, Marcello, Telemann, J.S. Bach: Concertos for oboe & oboe d'amore (2018)
    Kalev Kuljus, oboe, oboe d'amore, conductor; Lithuanian Chamber Orchestra

    EAC | FLAC | Image (Cue&Log) ~ 242 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
    Classical, Baroque | Label: Alba Records | # ABCD 411 | Time: 00:55:00

    Hamburg-based Estonian oboist Kalev Kuljus earned his music degrees from the Estonian Academy of Music, the Lyon National Conservatory, and the Music University Karlsruhe. He has performed alongside many renowned orchestras, including the Tallinn Chamber Orchestra and the Estonian National Symphony Orchestra. Kuljus’s repertoire covers music from Baroque to Contemporary, and many Estonian composers have dedicated works to him. This album, Kuljus’s debut, includes some of the most loved oboe concertos from the Baroque era from Vivaldi, Telemann, Bach, and Marcello. Working alongside the Lithuanian Chamber Orchestra, Kuljus sounds at his very best in these recordings.

    Christophe Coin, The Academy of Ancient Music, Christopher Hogwood - Antonio Vivaldi: 6 Cello Concertos (1989)

    Posted By: Designol
    Christophe Coin, The Academy of Ancient Music, Christopher Hogwood - Antonio Vivaldi: 6 Cello Concertos (1989)

    Antonio Vivaldi: 6 Cello Concertos (1989)
    Christophe Coin, cello; The Academy of Ancient Music; Christopher Hogwood, conductor

    EAC | FLAC | Tracks (Cue&Log) ~ 260 Mb | Mp3 (CBR320) ~ 132 Mb | Scans ~ 47 Mb
    Classical, Baroque | Label: Decca, L'Oiseau-Lyre | # 421 732-2 | 00:57:32

    Following his attractive performance of six of Vivaldi's cello sonatas, Christophe Coin has recorded six of the composer's 24 or so concertos for the instrument. Five of these, Michael Talbot tells us in an interesting accompanying note, probably belong to the 1720s while the sixth, the Concerto in G minor (RV416), is evidently a much earlier work. Coin has chosen, if I may use the expression somewhat out of its usual context, six of the best and plays them with virtuosity and an affecting awareness of their lyrical content. That quality, furthermore, is not confined to slow movements but occurs frequently in solo passages of faster ones, too. It would be difficult to single out any one work among the six for particular praise. My own favourite has long been the happily spirited Concerto in G major (RV413) with which Coin ends his programme. Strongly recommended. (Gramophone Magazine)

    Christophe Coin, Christopher Hogwood - Antonio Vivaldi: 6 Cello Sonatas (1989)

    Posted By: Designol
    Christophe Coin, Christopher Hogwood - Antonio Vivaldi: 6 Cello Sonatas (1989)

    Antonio Vivaldi: 6 Cello Sonatas (1989)
    Christophe Coin, cello; Christopher Hogwood, harpsichord

    EAC | FLAC | Tracks (Cue&Log) ~ 305 Mb | Mp3 (CBR320) ~ 165 Mb | Scans ~ 48 Mb
    Classical, Baroque | Label: Decca, L'Oiseau-Lyre | # 421 060-2 | 01:11:50

    Nine cello sonatas by Vivaldi have survived. Six of them were published as a set in Paris in about 1740; that set, mistakenly known as the composer's Op. 14, contains the sonatas recorded in this release. The three remaining sonatas come from manuscript collections. All but one of the six works are cast in the slow-fast-slow-fast pattern of movements of the sonata da chiesa. The odd one out, RV46, in fact, retains the four movement sequence but inclines towards the sonata da camera in the use of dance titles. The music of these sonatas is almost consistently interesting, often reaching high points of expressive eloquence, as we find, for example, in the justifiably popular Sonata in E minor, RV40. Christophe Coin brings to life these details in the music with technical assurance and a spirit evidently responsive to its poetic content. Particularly affecting instances of this occur in the third movements of the A minor and the E minor Sonatas where Coin shapes each phrase, lovingly achieving at the same time a beautifully sustained cantabile.

    Michel Schwalbe, Berliner Philharmoniker, Herbert Von Karajan - Antonio Vivaldi: The Four Seasons (1972) Japanese Reissue 2004

    Posted By: Designol
    Michel Schwalbe, Berliner Philharmoniker, Herbert Von Karajan - Antonio Vivaldi: The Four Seasons (1972) Japanese Reissue 2004

    Antonio Vivaldi - Le Quattro Stagioni (1972) Japanese Reissue 2004
    Michel Schwalbé, violin solo; Berliner Philharmoniker, conducted by Herbert Von Karajan

    EAC | FLAC | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 112 Mb | Scans included
    Classical | Label: Deutsche Grammophon, Universal | # UCCG-9503 | Time: 00:42:45

    Karajan could be so expressive, with the big sound of the Berlin Philharmonic, in Vivaldi's very famous Magnum Opus. Solo violinist Michel Schwalbe is also terrific, quiet and bold alternately, as needed.

    Nils-Erik Sparf, Drottningholm Baroque Ensemble - Antonio Vivaldi: The Four Seasons, Op. 8 (1985)

    Posted By: Designol
    Nils-Erik Sparf, Drottningholm Baroque Ensemble - Antonio Vivaldi: The Four Seasons, Op. 8 (1985)

    Antonio Vivaldi: Le Quattro Stagioni (The Four Seasons), Op.8 (1985)
    Nils-Erik Sparf, baroque violin; Drottningholm Baroque Ensemble

    EAC | FLAC | Image (Cue&Log) ~ 235 Mb | Mp3 (CBR320) ~ 99 Mb | Scans included
    Genre: Classical | Label: BIS | # BIS-CD-275 | Time: 00:39:58

    If listeners had to commit to a single version of Vivaldi's Four Seasons for the rest of their lives, this 1984 BIS recording would be thoroughly satisfying choice. Superbly played, brilliantly recorded period instrument performances of this perennial masterpiece are all but a dime a dozen, and the differences between Hogwood's and Pinnock's and Harnoncourt's readings don't begin to make up for the fatal boredom of their performances. This version with Nils-Erik Sparf and the Drottningholm Court Baroque Ensemble would be an ideal choice because theirs is the freshest performance of the piece. Beyond their excellent technique and impeccable sense of style, Sparf and the Swedish musicians bring joy and enthusiasm to the music, and sound like they are in turn receiving happiness and energy from the music. There's real pleasure here, and real affection, as if the concertos were newly composed and these were their world premieres. Filled out with witty accounts of Vivaldi's F major Concerto for Bassoon and his G minor Concerto for Flute and Bassoon, this disc is a delight.