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Have you ever wondered what Marilyn Monroe, Pamela Anderson, Dolly Parton, Farrah Fawcett, and Cindy Crawford all have in common? It's not just their legendary status in the entertainment industry - they've all graced the pages of Playboy Magazine at some point in their illustrious careers. Experience the timeless allure of these global icons and many more in the complete Playboy Archive!

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Bridget St. John - Jumblequeen (1974) [Reissue 1995]

Posted By: gribovar
Bridget St. John - Jumblequeen (1974) [Reissue 1995]

Bridget St. John - Jumblequeen (1974) [Reissue 1995]
EAC Rip | FLAC (image+.cue+log) - 287 MB | MP3 CBR 320 kbps (LAME 3.93) - 116 MB | Covers - 38 MB
Genre: Folk Rock | RAR 3% Rec. | Label: BGO Records (BGOCD260)

Bridget St. John's final album fell somewhere between vintage British folk-rock and the kind of singer/songwriter approach used by Phoebe Snow or early Joni Mitchell. A low-key, agreeable affair of sophisticated romantic ruminations, although not compelling.
English singer/songwriter Bridget St. John was one of the leading lights of the British folk scene of the late '60s and early '70s, a gifted vocalist and guitarist who also wrote intelligent, impressionistic songs. After an especially active early run that produced classic albums like her psych-tinged 1971 set Songs for the Gentle Man, St. John moved to New York and all but vanished from public performance for over 20 years, re-emerging in the mid-'90s with sporadic concert appearances.

Bridget St. John - From There / To Here: UK / US Recordings 1974-1982 (2022)

Posted By: ciklon5
Bridget St. John - From There / To Here: UK / US Recordings 1974-1982 (2022)

Bridget St. John - From There / To Here: UK / US Recordings 1974-1982 (2022)
FLAC (tracks), Lossless | 3:03:38 | 1 Gb
Genre: Folk Pop / Label: Cherry Red Records

Following three classic albums on John Peel’s Dandelion imprint in the early 1970s, Bridget St. John found herself seeking new outlets and a new path as that label ceased operations in 1972. The album ‘Jumblequeen’ followed on Chrysalis, and after a number of other possible new options came and went, Bridget found herself drawn towards New York City, and in 1976 relocated there and began to move within the city’s underground folk music and singer-songwriter circuit.