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Gary B.B. Coleman - Dancin' My Blues Away (1989)

Posted By: gribovar
Gary B.B. Coleman - Dancin' My Blues Away (1989)

Gary B.B. Coleman - Dancin' My Blues Away (1989)
EAC Rip | FLAC (tracks+.cue+log) - 227 MB | MP3 CBR 320 kbps (LAME 3.93) - 97 MB | Covers - 26 MB
Genre: Blues, Modern Electric Blues | RAR 3% Rec. | Label: Ichiban Records (ICH 1049 CD)

After a career as a local bluesman and blues promoter in Texas and Oklahoma, Gary Coleman found his niche when he signed over his first album, a self-produced outing originally issued on his own label, to the fledgling Ichiban company out of Atlanta in 1986. Since that time, both Coleman and Ichiban have made their marks in the blues field: not only did Coleman release half-a-dozen of his own albums, he also oversaw production of the bulk of Ichiban's hefty blues catalog, bringing to the studio a number of artists he'd booked or toured with in his previous career (Chick Willis, Buster Benton, and Blues Boy Willie, among others). A singer/guitarist on-stage, Coleman often took on a multi-instrumentalist's role in the studio. His music remained true to the blues and to the King legacy saluted in his "B.B." moniker and in his acknowledged debt to fellow Texan Freddie King.

Gary B.B. Coleman - Too Much Weekend (1992)

Posted By: gribovar
Gary B.B. Coleman - Too Much Weekend (1992)

Gary B.B. Coleman - Too Much Weekend (1992)
EAC Rip | FLAC (tracks+.cue+log) - 222 MB | MP3 CBR 320 kbps (LAME 3.93) - 92 MB | Covers - 23 MB
Genre: Blues, Modern Electric Blues | RAR 3% Rec. | Label: Ichiban Records (ICH 1140-CD)

After a career as a local bluesman and blues promoter in Texas and Oklahoma, Gary Coleman found his niche when he signed over his first album, a self-produced outing originally issued on his own label, to the fledgling Ichiban company out of Atlanta in 1986. Since that time, both Coleman and Ichiban have made their marks in the blues field: not only did Coleman release half-a-dozen of his own albums, he also oversaw production of the bulk of Ichiban's hefty blues catalog, bringing to the studio a number of artists he'd booked or toured with in his previous career (Chick Willis, Buster Benton, and Blues Boy Willie, among others). A singer/guitarist on-stage, Coleman often took on a multi-instrumentalist's role in the studio. His music remained true to the blues and to the King legacy saluted in his "B.B." moniker and in his acknowledged debt to fellow Texan Freddie King.