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Gian Paolo Fagotto, Il Terzo Suono, Daltrocanto, Chorus Beatorum, La Fenice, Il Suonar Parlante - War and Faith (2004)

Posted By: ArlegZ
Gian Paolo Fagotto, Il Terzo Suono, Daltrocanto, Chorus Beatorum, La Fenice, Il Suonar Parlante - War and Faith (2004)

Gian Paolo Fagotto, Il Terzo Suono, Daltrocanto, Chorus Beatorum, La Fenice, Il Suonar Parlante - War and Faith: A. Gabrieli, Mainerio, Jannequin, Werrecore (2004)
EAC | FLAC | Image (Cue & Log) ~ 249 Mb | Total time: 65:10 | Scans included
Classical | Label: Arts Music | # 47691-2 | Recorded: 2002

War and Faith: a coupling that was not only related to Crusaders but to many aspects during the Renaissance and the early Baroque. And both War and Faith had a common denominator in the music. This disc tries to reconstitute the music which escorted warriors before, during and after two of those battles which stained Europe with blood in the 16th century.

Gian Paolo Fagotto, Academia Montis Regalis - Giuseppe Giordani: Le Tre Ore di Agonia di Nostro Signore Gesù Cristo (2003)

Posted By: ArlegZ
Gian Paolo Fagotto, Academia Montis Regalis - Giuseppe Giordani: Le Tre Ore di Agonia di Nostro Signore Gesù Cristo (2003)

Gian Paolo Fagotto, Academia Montis Regalis - Giuseppe Giordani: Le Tre Ore di Agonia di Nostro Signore Gesù Cristo (2003)
EAC | FLAC | Image (Cue & Log) ~ 219 Mb | Total time: 58:28 | Scans included
Classical | Label: Arts | 47373-2 | Recorded: 1996, 1997

Giuseppe Giordani was an important Italian composer best known for his operas, oratorios, and sacred music. Among his greatest successes was his 1787 oratorio La distruzione di Gerusalemme, believed to be the first sacred drama presented in a theater. It drew enthusiastic praise from the local press and positive commentary from such notables as Goethe, who was present at the Naples premiere. Giordani was born into a well-to-do family in Naples on December 19, 1751. He exhibited musical talent early on and enrolled at the Santa Maria di Loreto Conservatory in Naples, where he studied under Antonio Sacchini, Fedele Fenaroli, and Gennaro Manna. The loss of his father in 1770 – when Giuseppe was 18 – apparently did not derail his education, for he would secure an important post, that of secondary maestro di cappella at the Tesoro di San Gennaro, in Naples, in 1774.